Whites Off Earth Now!! | ||||
---|---|---|---|---|
Studio album by | ||||
Released | October 2, 1986 [1] | |||
Recorded | June 28, 1986 | |||
Genre | Blues, blues rock | |||
Length | 42:20 [2] | |||
Label | Latent | |||
Producer | Peter Moore | |||
Cowboy Junkies chronology | ||||
|
Review scores | |
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Source | Rating |
AllMusic | [2] |
Encyclopedia of Popular Music | [3] |
Q Magazine | [4] |
Whites Off Earth Now!! is a 1986 studio album by Cowboy Junkies. It was the band's debut album, and is composed almost entirely of rock and blues covers. Only one song, "Take Me", is an original song by the band.
The Cowboy Junkies formed as a band when Michael Timmins and Alan Anton returned to Canada from England in 1985 and started assembling a new band and a new sound. They rented a house on 547 Crawford Street in Toronto and insulated the garage to form their own rehearsal space, later referred to as Studio 547. They recruited Michael's younger brother Pete Timmins for drums and started exploring new sounds, drawing improvisation from jazz musicians Cecil Taylor, Ornette Coleman, and John Coltrane while applying the sound to the early blues of Lightnin' Hopkins, John Lee Hooker, Bukka White, and Robert Johnson. They recruited Michael's older brother John, but he left before the group coalesced. Instead, they recruited Michael's younger sister, Margo, who was working as a social worker and not interested in pursuing music and was considering going to graduate school. The musicians developed their languid tempos and whispery tones of their early works by necessity. Their rehearsal space bordered right on their neighbors, and during their first jam session, the neighbors called the police complaining about the noise. The band toned down their sound, and Margo realized that her voice was more effective when sung quiet. The musicians felt if they could get under her quiet voice, the sound was more effective. Pete started using brushes for his drum work, learning to play drums as they went. The band learned to play with less volume. [5]
The band's first gig was in 1986 at The Rivoli, a restaurant on Toronto's Queen Street bar strip. The music was a rhythmic groove while Margo improvised melodies and sang portions of old blues songs. In the audience was Peter Moore. He states that "The very first show, people weren't paying attention to them, because they were playing so softly and quietly. Margo had her back to the audience a lot of the time". Peter Moore and the band met again later at a dinner party held by Blue Rodeo's Greg Keelor, and when they got talking about recording equipment and techniques, Moore found that his interest in single-mic recording meshed with their desire of capturing the intimate sound of their rehearsal garage. Moore had just purchased a high-end Calrec Ambisonic microphone at the wholesale price of $9,000, and would soon have it delivered. The Cowboy Junkies and Moore came together at the Crawford Street house and rehearsal space on June 26, 1986 and turned the garage into a recording studio. Moore arranged the group around his Calrec, jury-rigged a control room in the kitchen, and started recording. Except for a bad moment when the microphone got knocked on the floor, the recording session went smoothly, recording the sound on standard Betamax tapes. [5] Moore placed a mattress in front of the drums to prevent them from over-powering the other instruments. He had Margo sing through a PA to have an electrified voice go with the electric guitars. [6]
The Cowboy Junkies shopped their material around for a bit, but were unable to find a label to distribute their work, so they created their own indie label, Latent Recordings, to release the recording in October 1986. [7]
The Cowboy Junkies had to distribute the album themselves, but managed to sell four thousand copies, and started to develop a cult following in Toronto. [8] Their audience continued to grow in southern Ontario, and they started getting gigs throughout southern Canada and reaching into southern US by 1987. [7]
Whites Off Earth Now!! establishes the sparse country blues sound that took the band to international fame with their next album, 1988's The Trinity Session . Due to the success of The Trinity Session, this album has received far less critical attention over the years.
The album was released on Latent Recordings in 1986, and re-released internationally on RCA Records in 1991. Paul Davies in Q Magazine called the album "a shadow X-ray of the blues, haunting and mesmeric". [4]
On March 27, 2007, audiophile label Mobile Fidelity reissued the album on SACD and high density vinyl. [9]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Shining Moon" | Lightnin' Hopkins | 4:09 |
2. | "State Trooper" | Bruce Springsteen | 4:34 |
3. | "Me and the Devil Blues" | Robert Johnson | 4:30 |
4. | "Decoration Day" | John Lee Hooker | 3:59 |
5. | "Baby Please Don't Go" | Big Joe Williams | 5:06 |
6. | "I'll Never Get Out of These Blues Alive" | John Lee Hooker | 6:34 |
7. | "Take Me" | Michael Timmins, Margo Timmins | 2:32 |
8. | "Forgive Me" | John Lee Hooker | 5:32 |
9. | "Crossroads" | Robert Johnson | 6:16 |
Total length: | 42:20 |
Cowboy Junkies
Production [10]
Cowboy Junkies are an alternative country and folk rock band formed in Toronto, Ontario, Canada in 1985 by Alan Anton (bassist), Michael Timmins, Peter Timmins (drummer) and Margo Timmins (vocalist). The three Timminses are siblings, and Anton worked with Michael Timmins during their first couple of bands. John Timmins was a member of the band but left the group before the recording of their debut studio album. The band line-up has never changed since, although they use several guest musicians on many of their studio albums, including multi-instrumentalist Jeff Bird who has performed on every album except the first.
The Trinity Session is the second studio album by Canadian alternative country band Cowboy Junkies, released in early 1988 by Latent Recordings in Canada, and re-released worldwide later in the year on RCA Records. "Working on a Building" and "Blue Moon Revisited " did not appear on the Latent Records release. "Blue Moon Revisited" was originally released on It Came from Canada, Vol. 4 (1988), a compilation of Canadian independent bands.
The Caution Horses is the third studio album by the Canadian alt-country band Cowboy Junkies, released in 1990.
Black Eyed Man is the fourth studio album by Cowboy Junkies, released in 1992. The album continues the band's evolution from a spare country blues style to a more mainstream country rock style.
Pale Sun, Crescent Moon is the fifth studio album by Canadian country rock band Cowboy Junkies, released in 1993. It was the band's last album of new material for RCA Records, although a live album and a greatest hits compilation were subsequently released on the label. Canadian guitarist Ken Myhr appears on every track on this album.
Lay It Down is the sixth studio album by the Canadian alt-country band Cowboy Junkies. Released on February 27, 1996, it was the group's first album for Geffen Records after the end of their contract with RCA Records. It was the band's first album that could be described as straight-ahead rock, rather than country rock, country or blues. It was also their first album consisting entirely of original material, with no covers. "A Common Disaster" and "Speaking Confidentially" were notable hits for the band on Canadian radio.
Miles from Our Home is the seventh studio album by Canadian alt-country band Cowboy Junkies, which was released in 1998. It was their second and final album for Geffen Records. The title track was a significant hit in their native Canada. Following this album, the Junkies were dropped from the Geffen record label. The Junkies moved to an independent label, Latent Recordings, for their subsequent albums.
Rarities, B-Sides and Slow, Sad Waltzes is an album by the Canadian alt-country band Cowboy Junkies, released in 1999. It was the band's first independent release after the end of their contract with Geffen Records. The album is a compendium of tracks that the band had recorded but not previously released on an album. Two tracks have been released earlier as B-sides on Cowboy Junkies' singles, "If You Gotta Go, Go Now" on "Southern Rain" and "Leaving Normal" on "Anniversary Song". It was released on both True North Records and Latent Recordings in Canada, and on Valley Records in the United States.
Open is an album by the Canadian band Cowboy Junkies, released in 2001. It was the band's third independent release after the end of their contract with Geffen Records, and the first of those to feature new material. The album was released on Latent Recordings in Canada, and on Zoë Records internationally.
The Radio One Sessions is a 2002 album by the Canadian alt-country band Cowboy Junkies. The compilation album was released only in Canada and the United Kingdom, and compiles tracks that the band recorded for BBC Radio One in the UK. The Radio One Sessions was released on Strange Fruit Records in the UK, and Latent Recordings in Canada.
One Soul Now is a 2004 album by the Canadian alt-country band Cowboy Junkies. It is their first album of new material since Open in 2001. It was released on Latent Recordings in Canada, and Zoë Records internationally.
Latent Recordings is a Canadian independent record label founded in 1981. It was dormant in the 1990s while the Cowboy Junkies were signed to American labels, but began to release independently produced albums in the 2000s. By the late 2000s, it sold downloads and CDs online.
Early 21st Century Blues is an album by the Canadian alt-country band Cowboy Junkies, released in 2005. The album features two original songs and covers of material by Bruce Springsteen, Bob Dylan, John Lennon, George Harrison and Richie Havens. The record has a very strong anti-war message, while also protesting public apathy towards the political process.
At the End of Paths Taken is the tenth studio album by the Canadian alt-country band Cowboy Junkies, released in 2007.
Trinity Revisited is an album and a film by the Cowboy Junkies, released on October 8, 2007. It is a remake of the Junkies' most famous album, The Trinity Session. The new album was recorded in the fall of 2006 at Toronto's Church of the Holy Trinity, the same venue where the original album was recorded.
Renmin Park is an album by the Canadian alt-country band Cowboy Junkies, released in 2010. It is Volume One of the Nomad Series. The album's name translates in Chinese as "People's Park".
Demons is an album by the Canadian alt-country band Cowboy Junkies, released in 2011. It contains eleven Vic Chesnutt covers. It is Volume Two of the Nomad Series.
Sing in My Meadow is an album by the Canadian alt-country band Cowboy Junkies, released in 2011. It is Volume Three of the Nomad Series. The album was recorded at The Clubhouse in Toronto, Ontario. This volume of the Nomad Series brings the band's live shows into the studio, employing their touring musicians as the only recording musicians for the sessions.
The Wilderness is an album by the Canadian alt-country band Cowboy Junkies, released in 2012. It is Volume Four of the Nomad Series. This volume is the introspection of winter after Sing in My Meadow's joyful visitation of spring.
Songs of the Recollection is a 2022 studio album from Canadian rock band Cowboy Junkies, mostly made up of cover versions of songs from the band's formative years. It has received positive reviews for the band's ability to transform the originals to match their strengths as performers.
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