"Wild With All Regrets" is a poem by Wilfred Owen. It deals with the atrocities of World War I.
Owen wrote the poem in December 1917, while stationed at Scarborough, and sent it to his friend Siegfried Sassoon. [1] The original manuscript shows a dedication to Sassoon, accompanied by the question "May I?". Owen later expanded the poem into "A Terre". [2]
The poem's title paraphrases a line of Alfred, Lord Tennyson's 1847 poem "The Princess": "Deep as first love, and wild with all regret;" [3]
Captain Robert von Ranke Graves was an English poet, soldier, historical novelist and critic. His father was Alfred Perceval Graves, a celebrated Irish poet and figure in the Gaelic revival; they were both Celticists and students of Irish mythology.
Siegfried Loraine Sassoon was an English war poet, writer, and soldier. Decorated for bravery on the Western Front, he became one of the leading poets of the First World War. His poetry both described the horrors of the trenches and satirized the patriotic pretensions of those who, in Sassoon's view, were responsible for a jingoism-fuelled war. Sassoon became a focal point for dissent within the armed forces when he made a lone protest against the continuation of the war with his "Soldier's Declaration" of July 1917, which resulted in his being sent to the Craiglockhart War Hospital. During this period he met and formed a friendship with Wilfred Owen, who was greatly influenced by him. Sassoon later won acclaim for his prose work, notably his three-volume, fictionalised autobiography, collectively known as the Sherston trilogy.
Wilfred Edward Salter Owen MC was an English poet and soldier. He was one of the leading poets of the First World War. His war poetry on the horrors of trenches and gas warfare was much influenced by his mentor Siegfried Sassoon and stood in contrast to the public perception of war at the time and to the confidently patriotic verse written by earlier war poets such as Rupert Brooke. Among his best-known works – most of which were published posthumously – are "Dulce et Decorum est", "Insensibility", "Anthem for Doomed Youth", "Futility", "Spring Offensive" and "Strange Meeting". Owen was killed in action on 4 November 1918, a week before the war's end, at the age of 25.
Regeneration is a historical and anti-war novel by Pat Barker, first published in 1991. The novel was a Booker Prize nominee and was described by the New York Times Book Review as one of the four best novels of the year in its year of publication. It is the first of three novels in the Regeneration Trilogy of novels on the First World War, the other two being The Eye in the Door and The Ghost Road, which won the Booker Prize in 1995. The novel was adapted into a film by the same name in 1997 by Scottish film director Gillies MacKinnon and starring Jonathan Pryce as Rivers, James Wilby as Sassoon and Jonny Lee Miller as Prior. The film was successful in the UK and Canada, receiving nominations for a number of awards.
Julian Henry Francis Grenfell was a British soldier and a war poet of World War I.
Captain Charles Hamilton Sorley was a British Army officer and Scottish war poet who fought in the First World War. He was killed in action during the Battle of Loos in October 1915.
Isaac Rosenberg was an English poet and artist. His Poems from the Trenches are recognized as some of the most outstanding poetry written during the First World War.
This article contains information about the literary events and publications of 1918.
"Anthem for Doomed Youth" is a poem written in 1917 by Wilfred Owen. It incorporates the theme of the horror of war.
Not About Heroes is a drama by Stephen MacDonald about the real-life relationship between the poets Wilfred Owen and Siegfried Sassoon first performed in 1982 at the Edinburgh Festival in Edinburgh, Scotland.
"Dulce et Decorum est" is a poem written by Wilfred Owen during World War I, and published posthumously in 1920. Its Latin title is from a verse written by the Roman poet Horace: Dulce et decorum est pro patria mori. In English, this means "it is sweet and fitting to die for one's country". The poem is one of Owen's most renowned works; it is known for its horrific imagery and its condemnation of war. It was drafted at Craiglockhart in the first half of October 1917 and later revised, probably at Scarborough, but possibly at Ripon, between January and March 1918. The earliest known manuscript is dated 8 October 1917 and is addressed to the poet's mother, Susan Owen, with the note "Here is a gas poem done yesterday ."
Craiglockhart Hydropathic, now a part of Edinburgh Napier University and known as Craiglockhart Campus, is a building with surrounding grounds in Craiglockhart, Edinburgh, Scotland. As part of a large extension programme by the university in the early 2000s the original building and surrounding campus underwent significant restoration and modernisation; as a result, many of the original interior features of the building are no longer visible. The exterior of the building has been preserved.
Jessie Pope was an English poet, writer, and journalist, who remains best known for her patriotic, motivational poems published during World War I. Wilfred Owen wrote his 1917 poem Dulce et Decorum est to Pope, whose literary reputation has faded into relative obscurity as those of war poets such as Owen and Siegfried Sassoon have grown.
"Insensibility" is a poem written by Wilfred Owen during the First World War which explores the effect of warfare on soldiers, and the long- and short-term psychological effects that it has on them. The poem's title refers to the fact that the soldiers have lost the ability to feel due to the horrors which they faced on the Western Front during the First World War.
Regeneration is a 1997 British film, an adaptation of the 1991 novel of the same name by Pat Barker. The film is directed by Gillies MacKinnon. It was released as Behind the Lines in the US in 1998. The film follows the stories of a number of officers of the British Army during World War I who are brought together in Craiglockhart War Hospital where they are treated for various traumas. It features the story of Siegfried Sassoon, his open letter reprinted in The Times criticising the conduct of the war and his return to the front.
"The Dead-Beat" is a poem by Wilfred Owen. It deals with the atrocities of World War I.
Strange Meetings: The Lives of the Poets of the Great War is a non-fiction book by Harry Ricketts, first published by Chatto & Windus in 2010. The book is a kind of collective biography of the major poets of World War I, in the form of documented or speculated meetings between the individual poets, covering a period between 1914 and 1964. The poets whose careers are described include Vera Brittain, Rupert Brooke, Robert Graves, Ivor Gurney, David Jones, Robert Nichols, Wilfred Owen, Isaac Rosenberg, Siegfried Sassoon and Edward Thomas. The title of the book is a variation on the title of "Strange Meeting", a poem by Wilfred Owen, which itself is taken from a phrase in Shelley's The Revolt of Islam.
Soldier's Dream is a poem written by English war poet Wilfred Owen. It was written in October 1917 in Craiglockhart, a suburb in the south-west of Edinburgh (Scotland), while the author was recovering from shell shock in the trenches, inflicted during World War I. The poet died one week before the Armistice of Compiègne, which ended the conflict on the Western Front.
Poems was a quarto volume of poetry by Wilfred Owen published posthumously by Chatto and Windus in 1920. Owen had been killed on 4 November 1918. It has been described as "perhaps the finest volume of anti-war poetry to emerge from the War".