"Strange Meeting" is a poem by Wilfred Owen. It deals with the atrocities of World War I. The poem was written sometime in 1918 and was published in 1919 after Owen's death. The poem is narrated by a soldier who goes to the underworld to escape the hell of the battlefield and there he meets the enemy soldier he killed the day before.
This poem has been described as one of Owen's "most haunting and complex war poems". [1]
Pararhyme or double consonance is a particular feature of the poetry of Wilfred Owen and also occurs throughout "Strange Meeting" – the whole poem is written in pararhyming couplets. For example: "And by his smile I knew that sullen hall, / By his dead smile I knew we stood in Hell." The pararhyme here links key words and ideas, without detracting from the meaning and solemnity of the poem, as a full rhyme sometimes does. However, the failure of two similar words to rhyme and the obvious omission of a full rhyme creates a sense of discomfort and incompleteness. It is a discordant note that matches well to the disturbing mood of the poem.[ citation needed ]
This poem is the final one of Owen's poems set in the War Requiem of Benjamin Britten. It is sung by the tenor and baritone soloists accompanied by chamber orchestra, joined at the closing line "Let us sleep now..." by the full forces of orchestra, organ, and soprano soloist, mixed chorus and children's chorus, singing Latin texts.
The line "I am the enemy you killed, my friend" appears on the memorial sculpture to Owen erected by Wilfred Owen Association, (sculptors husband-and-wife Paul and Ruth de Monchaux) in the grounds of Shrewsbury Abbey (in whose parish his family settled) to mark his birth centenary in 1993. [2]
Wilfred Edward Salter Owen MC was an English poet and soldier. He was one of the leading poets of the First World War. His war poetry on the horrors of trenches and gas warfare was much influenced by his mentor Siegfried Sassoon and stood in contrast to the public perception of war at the time and to the confidently patriotic verse written by earlier war poets such as Rupert Brooke. Among his best-known works – most of which were published posthumously – are "Dulce et Decorum est", "Insensibility", "Anthem for Doomed Youth", "Futility", "Spring Offensive" and "Strange Meeting". Owen was killed in action on 4 November 1918, a week before the war's end, at the age of 25.
The War Requiem, Op. 66, is a large-scale setting of the Requiem composed by Benjamin Britten mostly in 1961 and completed in January 1962. The War Requiem was performed for the consecration of the new Coventry Cathedral, which was built after the original fourteenth-century structure was destroyed in a World War II bombing raid. The traditional Latin texts are interspersed, in telling juxtaposition, with extra-liturgical poems by Wilfred Owen, written during World War I.
A Requiem or Requiem Mass, also known as Mass for the dead or Mass of the dead, is a Mass of the Catholic Church offered for the repose of the soul or souls of one or more deceased persons, using a particular form of the Roman Missal. It is usually celebrated in the context of a funeral.
"Anthem for Doomed Youth" is a poem written in 1917 by Wilfred Owen. It incorporates the theme of the horror of war.
"The Parable of the Old Man and the Young" is a poem by Wilfred Owen that compares the ascent of Abraham to Mount Moriah and his near-sacrifice of Isaac there with the start of World War I. It had first been published by Siegfried Sassoon in 1920 with the title "The Parable of the Old Man and the Young", without the last line: "And half the seed of Europe, one by one". The poem is an allusion to a story in the Bible, Genesis 22:1-18.
Pararhyme is a half-rhyme in which there is vowel variation within the same consonant pattern.
Rejoice in the Lamb is a cantata for four soloists, SATB choir and organ composed by Benjamin Britten in 1943 and uses text from the poem Jubilate Agno by Christopher Smart (1722–1771). The poem, written while Smart was in an asylum, depicts idiosyncratic praise and worship of God by different things including animals, letters of the alphabet and musical instruments. Britten was introduced to the poem by W. H. Auden whilst visiting the United States, selecting 48 lines of the poem to set to music with the assistance of Edward Sackville-West. The cantata was commissioned by the Reverend Walter Hussey for the celebration of the 50th anniversary of the consecration of St Matthew's Church, Northampton. Critics praised the work for its uniqueness and creative handling of the text. Rejoice in the Lamb has been arranged for chorus, solos and orchestral accompaniment, and for SSAA choir and organ.
Strange Meeting is a novel by Susan Hill about the First World War. The title of the book is taken from a poem by the First World War poet Wilfred Owen. The novel was first published by Hamish Hamilton in 1971 and then by Penguin Books in 1974.
Patrick Arthur Sheldon Hadley was a British composer.
War Requiem is a 1989 film adaptation of Benjamin Britten's musical piece of the same name.
"Futility" is a poem written by Wilfred Owen, one of the most renowned poets of World War I. The poem was written in May 1918 and published as no. 153 in The Complete Poems and Fragments. The poem is well known for its departure from Owen's famous style of including disturbing and graphic images in his work; the poem instead has a more soothing, somewhat light-hearted feel to it in comparison. A previous secretary of the Wilfred Owen Association argues that the bitterness in Owen's other poems "gives place to the pity that characterizes his finest work". "Futility" details an event where a group of soldiers attempts to revive an unconscious soldier by moving him into the warm sunlight on a snowy meadow. However, the "kind old sun" cannot help the soldier – he has died.
Max Reger's 1915 Requiem, Op. 144b, is a late Romantic setting of Friedrich Hebbel's poem "Requiem" for alto or baritone solo, chorus and orchestra. It is Reger's last completed work for chorus and orchestra, dedicated in the autograph as Dem Andenken der im Kriege 1914/15 gefallenen deutschen Helden.
The Requiem by Frederick Delius was written between 1913 and 1916, and first performed in 1922. It is set for soprano, baritone, double chorus and orchestra, and is dedicated "To the memory of all young artists fallen in the war". The Requiem is Delius's least-known major work, not being recorded until 1968 and having received only seven performances worldwide by 1980.
The Music for the Requiem Mass is any music that accompanies the Requiem, a Mass in the Catholic Church for the deceased. It has inspired a large number of compositions, including settings by Charpentier, Mozart, Berlioz, Donizetti, Verdi, Bruckner, Saint-Saëns, Dvořák, Fauré and Duruflé. Originally, such compositions were meant to be performed in liturgical service, with monophonic chant. Eventually the dramatic character of the text began to appeal to composers to an extent that they made the requiem a genre of its own, and the compositions of composers such as Verdi are essentially concert pieces rather than liturgical works.
The Company of Heaven is a composition for soloists, speakers, choir, timpani, organ, and string orchestra by Benjamin Britten. The title refers to angels, the topic of the work, reflected in texts from the Bible and by poets. The music serves as incidental music for a mostly spoken radio feature which was first heard as a broadcast of the BBC in 1937.
Soldier's Dream is a poem written by English war poet Wilfred Owen. It was written in October 1917 in Craiglockhart, a suburb in the south-west of Edinburgh (Scotland), while the author was recovering from shell shock in the trenches, inflicted during World War I. The poet died one week before the Armistice of Compiègne, which ended the conflict on the Western Front.
Poems was a quarto volume of poetry by Wilfred Owen published posthumously by Chatto and Windus in 1920. Owen had been killed on 4 November 1918. It has been described as "perhaps the finest volume of anti-war poetry to emerge from the War".
The Secular Requiem is a large-scale work by the British composer Russell Pascoe with text assembled by Anthony Pinching. It comprises fourteen sections within five movements and exists in two orchestrations; the first for orchestra, choir, and contralto and baritone soloists, the second for organ and percussion accompaniment.
Set to Music by Benjam Britten, War Requiem, 1962, by Marcel Haag 2022