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Dactylic hexameter is a form of meter or rhythmic scheme frequently used in Ancient Greek and Latin poetry. The scheme of the hexameter is usually as follows :
In poetry, metre or meter is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody.
Captain Robert von Ranke Graves was an English poet, historical novelist and critic. His father was Alfred Perceval Graves, a celebrated Irish poet and figure in the Gaelic revival; they were both Celticists and students of Irish mythology. Graves produced more than 140 works in his lifetime. His poems, his translations and innovative analysis of the Greek myths, his memoir of his early life—including his role in World War I—Good-Bye to All That (1929), and his speculative study of poetic inspiration The White Goddess have never been out of print. He is also a renowned short story writer, with stories such as "The Tenement" still being popular today.
Wilfred Edward Salter Owen MC was an English poet and soldier. He was one of the leading poets of the First World War. His war poetry on the horrors of trenches and gas warfare was much influenced by his mentor Siegfried Sassoon and stood in contrast to the public perception of war at the time and to the confidently patriotic verse written by earlier war poets such as Rupert Brooke. Among his best-known works – most of which were published posthumously – are "Dulce et Decorum est", "Insensibility", "Anthem for Doomed Youth", "Futility", "Spring Offensive" and "Strange Meeting". Owen was killed in action on 4 November 1918, a week before the war's end, at the age of 25.
The War Requiem, Op. 66, is a large-scale setting of the Requiem composed by Benjamin Britten mostly in 1961 and completed in January 1962. The War Requiem was performed for the consecration of the new Coventry Cathedral, which was built after the original fourteenth-century structure was destroyed in a World War II bombing raid. The traditional Latin texts are interspersed, in telling juxtaposition, with extra-liturgical poems by Wilfred Owen, written during World War I.
Archibald Lampman was a Canadian poet. "He has been described as 'the Canadian Keats;' and he is perhaps the most outstanding exponent of the Canadian school of nature poets." The Canadian Encyclopedia says that he is "generally considered the finest of Canada's late 19th-century poets in English."
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Jessie Pope was an English poet, writer, and journalist, who remains best known for her patriotic, motivational poems published during World War I. Wilfred Owen wrote his 1917 poem Dulce et Decorum est to Pope, whose literary reputation has faded into relative obscurity as those of war poets such as Owen and Siegfried Sassoon have grown.
William Wilfred Campbell was a Canadian poet. He is often classed as one of the country's Confederation Poets, a group that included fellow Canadians Charles G.D. Roberts, Bliss Carman, Archibald Lampman, and Duncan Campbell Scott; he was a colleague of Lampman and Scott. By the end of the 19th century, he was considered the "unofficial poet laureate of Canada." Although not as well known as the other Confederation poets today, Campbell was a "versatile, interesting writer" who was influenced by Robert Burns, the English Romantics, Edgar Allan Poe, Ralph Waldo Emerson, Henry Wadsworth Longfellow, Thomas Carlyle, and Alfred Tennyson. Inspired by these writers, Campbell expressed his own religious idealism in traditional forms and genres.
John William Dominic Hibberd FRSL was an English freelance author, academic and broadcaster, best known for his biographies of the poets Wilfred Owen and Harold Monro and his collections of First World War poetry. He was an Honorary Fellow of the War Poets Association and contributed numerous articles to the Oxford Dictionary of National Biography.
"Apologia Pro Poemate Meo" is a poem by Wilfred Owen. It deals with the atrocities of World War I. The title means "in defence of my poetry" and is often viewed as a rebuttal to a remark in Robert Graves' letter "for God's sake cheer up and write more optimistically - the war's not ended yet but a poet should have a spirit above wars."
"Strange Meeting" is a poem by Wilfred Owen. It deals with the atrocities of World War I. The poem was written sometime in 1918 and was published in 1919 after Owen's death. The poem is narrated by a soldier who goes to the underworld to escape the hell of the battlefield and there he meets the enemy soldier he killed the day before.
"Miners" is a poem by Wilfred Owen. He wrote the poem in Scarborough in January 1918, a few weeks after leaving Craiglockhart War Hospital where he had been recovering from shell-shock. Owen wrote the poem in direct response to the Minnie Pit Disaster in which 156 people died.
Strange Meetings: The Lives of the Poets of the Great War is a non-fiction book by Harry Ricketts, first published by Chatto & Windus in 2010. The book is a kind of collective biography of the major poets of World War I, in the form of documented or speculated meetings between the individual poets, covering a period between 1914 and 1964. The poets whose careers are described include Vera Brittain, Rupert Brooke, Robert Graves, Ivor Gurney, David Jones, Robert Nichols, Wilfred Owen, Isaac Rosenberg, Siegfried Sassoon and Edward Thomas. The title of the book is a variation on the title of "Strange Meeting", a poem by Wilfred Owen, which itself is taken from a phrase in Shelley's The Revolt of Islam.
Soldier's Dream is a poem written by English war poet Wilfred Owen. It was written in October 1917 in Craiglockhart, a suburb in the south-west of Edinburgh (Scotland), while the author was recovering from shell shock in the trenches, inflicted during World War I. The poet died one week before the Armistice of Compiègne, which ended the conflict on the Western Front.
Poems was a quarto volume of poetry by Wilfred Owen published posthumously by Chatto and Windus in 1920. Owen had been killed on 4 November 1918. It has been described as "perhaps the finest volume of anti-war poetry to emerge from the War".
References
- ↑ Graves, Robert. The White Goddess. p. 18.
- "pararhyme, n.". OED Online. March 2012. Oxford University Press.
- Owen W. Strange Meeting. Columbia Granger's Poetry Database [serial online]. n.d.;Available from: Columbia Granger's Poetry Database, Ipswich, MA.
- "Wilfred Owen." Encyclopedia of World Biography. 2nd ed. Vol. 20. Detroit: Gale, 2004. 291–293. Gale Virtual Reference Library. Web.