Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, horns, electric piano, synthesizers, and electric rhythm guitars.
This is a list of notable events in music that took place in the year 1979.
A Taste of Honey was an American recording act, formed in 1972 by associates Janice-Marie Johnson and Perry Kibble. In 1978, they had one of the best known chart-toppers of the disco era, "Boogie Oogie Oogie". After their popularity waned during the 1980s, Johnson went on to record as a solo artist and released the album, One Taste of Honey, which produced numerous minor hits. In 2004, Hazel Payne and Janice–Marie Johnson reunited for the first time in over 20 years to perform on the PBS specials Get Down Tonight: The Disco Explosion and My Music: Funky Soul Superstars.
The Mar-Keys, formed in 1958, were an American studio session band for Stax Records, in Memphis, Tennessee, in the 1960s. As the first house band for the label, their backing music formed the foundation for the early 1960s Stax sound.
Lynda Laurence is an American singer.
"I Can't Help Myself " is a 1965 hit song recorded by the Four Tops for the Motown label.
"Never Can Say Goodbye" is a song written by Clifton Davis and originally recorded by The Jackson 5. The song was originally written and intended for the Supremes; however, Motown decided it would be better for the Jackson 5. It was the first single released from the group's 1971 album Maybe Tomorrow, and was one of the group's most successful records. It has been covered numerous times, most notably in 1974 by Gloria Gaynor and in 1987 by British pop group The Communards.
Van Allen Clinton McCoy was an American musician, record producer, arranger, songwriter, singer and orchestra conductor. He is known best for his 1975 internationally successful song "The Hustle". He has approximately 700 song copyrights to his credit, and is also noted for producing songs for such recording artists as Gladys Knight & the Pips, The Stylistics, Aretha Franklin, Brenda & the Tabulations, David Ruffin, Peaches & Herb, Lesley Gore and Stacy Lattisaw.
B.T. Express was an American funk/disco group that had a number of successful songs during the 1970s.
"Heart of Glass" is a song by the American new wave band Blondie, written by singer Debbie Harry and guitarist Chris Stein. It was featured on the band's third studio album, Parallel Lines (1978), and was released as the album's third single in January 1979 and reached number one on the charts in several countries, including the United States and the United Kingdom.
The Salsoul Orchestra was the backing band of session musicians for many acts on the New York City label Salsoul Records and, under its own name, recorded several hit singles and albums between 1975 and 1982.
Biddu Appaiah is a British-Indian singer-songwriter, composer, and music producer – who composed and produced many worldwide hit records during a career spanning five decades. Considered one of the pioneers of disco, Euro disco, and Indian pop, he has sold millions of records worldwide, and has received an Ivor Novello award for his work. He has been ranked at number 34 on NME 's "The 50 Greatest Producers Ever" list.
"Get It On" is a song by the English glam rock band T. Rex, featured on their 1971 album Electric Warrior. Written by frontman Marc Bolan, "Get It On" was the second chart-topper for T. Rex on the UK Singles Chart. In the United States, it was retitled "Bang a Gong " to avoid confusion with a song of the same name by the group Chase.
"Sweet Talkin' Woman" is a 1978 single by Electric Light Orchestra (ELO) from the album Out of the Blue (1977). Its original title was "Dead End Street", but it was changed during recording. Some words that survived from that version can be heard in the opening of the third verse, "I've been livin' on a dead end street".
"The Look of Love" is a song by English band ABC, released as a single in 1982. It was the band's highest charting hit in the UK, peaking at No. 4 on the UK Singles Chart. It was the third single from their debut studio album, The Lexicon of Love.
"Rock the Boat" is a song by American trio The Hues Corporation, written by Wally Holmes. "Rock the Boat" was first featured on their 1973 debut studio album Freedom for the Stallion. It was released as the third single from the album in early 1974, to follow up Stallion's title song, which had peaked at number sixty-three on the Hot 100, and "Miracle Maker " which did not chart.
Seawind was an American jazz fusion band from Hawaii, consisting of its lead singer Pauline Wilson, guitarist Bud Nuañez, bassist Ken Wild, drummer Bob Wilson, keyboardist and saxophonist Larry Williams, saxophone and flute player Kim Hutchcroft, and trumpeter Jerry Hey. Seawind recorded two albums for CTI Records, one for Horizon Records and one for A&M Records.
"Love Is Like Oxygen" is a song by the British band Sweet and released in January 1978. It was co-written by the group's guitarist Andy Scott, and Trevor Griffin, a musician who had played with various unsuccessful bands before becoming a roadie and sound engineer. The song was a departure from earlier recordings by Sweet, which were more guitar-driven, and featured high vocal harmonies. The extended album version of the song, which appeared on their album Level Headed, incorporates strings and has some disco elements.
"Merry Christmas, Mr. Lawrence" is a 1983 instrumental by Japanese composer Ryuichi Sakamoto recorded for the film of the same name. The song has become a staple of Christmas music in the USA, Britain and Japan. A vocal version, "Forbidden Colours", features former Japan frontman David Sylvian and charted in the top 20 of the UK Singles Chart and Irish Singles Chart.
Andrew Alexander "Mike" Terry was an American saxophonist, songwriter, arranger, producer and musical director. His baritone sax solos feature on the breakthrough hits of Martha and the Vandellas, and The Supremes. As a member of the Funk Brothers he performed on thousands of Motown recordings from 1960 to 1967, including at least seven US #1 hits. As was Motown's policy at the time, none of the studio musicians were credited by name. Terry was the musical arranger of the 1966 hit "Cool Jerk" by The Capitols, and later became a record producer, with partners including George Clinton, Sidney Barnes, and Jack Ashford.
