Windmill Tilter | ||||
---|---|---|---|---|
Studio album by Kenny Wheeler and the John Dankworth Orchestra | ||||
Released | 1969 | |||
Recorded | March 1968 | |||
Genre | Jazz, big band | |||
Length | 41:20 | |||
Label | Fontana | |||
Kenny Wheeler chronology | ||||
|
Windmill Tilter: The Story of Don Quixote is an album by trumpeter Kenny Wheeler, his first as a leader. It was recorded in March 1968 and was released in 1969 by Fontana Records. On the album, Wheeler, credited as "Ken Wheeler," is joined by the John Dankworth Orchestra. In 2010, the album was reissued by BGO Records in remastered form. [1] [2] [3] In 2021 it was reissued on vinyl as part of Decca's British Jazz Explosion series, remastered and re-cut from the original master tapes by Gearbox Records.
Windmill Tilter came about when Wheeler was unable to play for several months due to dental issues, and Dankworth, with whom Wheeler had toured, suggested that he put together material for an album. [4] The recording, which was inspired by Miguel de Cervantes' Don Quixote , was John McLaughlin's last session before his departure for the United States, and was Dave Holland's first recording. [5] [6]
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
All About Jazz | [7] |
Jazzwise | [8] |
Jazz Journal | [9] |
The Virgin Encyclopedia of Jazz | [10] |
In a review for All About Jazz , John Kelman wrote that the album was "long considered a holy grail of British jazz," and stated: "Singer Norma Winstone once called Wheeler 'the Duke Ellington of our times.' It's hard to dispute the importance of a writer/trumpeter who, as early as this 1968 date, was well on his way to supporting his future collaborator's well-deserved accolade." [7] AAJ's Jack Kenny commented: "For those familiar with Wheeler's subsequent work, there are few surprises here. Those new to his work will find Windmill Tilter a good starting point. Wheeler is a unique voice as both a player and a composer." [5]
John Fordham, writing for Jazzwise , called the recording "a classic album," and commented: "All Wheeler's signature compositional characteristics are already here... Windmill Tilter still sounds like the arrival of the contemporary-jazz gamechanger it was, and this Dankworth band was a world-class outfit." [8]
Jazz Journal's Derek Ansell noted that the album "never sounds like the brooding Gil Evans orchestra of those times but reminds us of it in the instrumentation and the uses made of it," and remarked: "Thoughtfully crafted flugelhorn outings and solos by McLaughlin, Dankworth and Tony Coe all combine to make this a fascinating exercise in modern big-band jazz of the late 1960s." [9]
Writing for Critics At Large, John Corcelli stated: "Wheeler has created a conceptual shape to jazz music that was rarely given a voice in 1968. Fortunately, John Dankworth recognized Wheeler’s talent and gave him a chance. The result is one fine recording: music that swings and tells a story." [11]
All tracks are written by Kenny Wheeler
No. | Title | Length |
---|---|---|
1. | "Preamble" | 0:43 |
2. | "Don the Dreamer" | 6:14 |
3. | "Sweet Dulcinea Blue" | 3:40 |
4. | "Bachelor Sam" | 5:18 |
5. | "Sancho" | 4:47 |
No. | Title | Length |
---|---|---|
1. | "The Cane of Montesinos" | 4:43 |
2. | "Propheticape" | 2:26 |
3. | "Altisidora" | 5:22 |
4. | "Don No More" | 8:12 |
John Lenwood McLean was an American jazz alto saxophonist, composer, bandleader, and educator. He is one of the few musicians to be elected to the DownBeat Hall of Fame in the year of their death.
Kenneth Vincent John Wheeler, OC was a Canadian composer and trumpet and flugelhorn player, based in the U.K. from the 1950s onwards.
Tony Oxley was an English free improvising drummer and electronic musician.
Sir John Phillip William Dankworth, CBE, also known as Johnny Dankworth, was an English jazz composer, saxophonist, clarinettist and writer of film scores. With his wife, jazz singer Dame Cleo Laine, he was a music educator and also her music director.
Tim Garland is a British jazz saxophonist, composer, and bandleader. His compositions draw from modern jazz and classical concert music.
Michael Clement Irving Gibbs is a Rhodesian-born English jazz composer, conductor, arranger and producer as well as a trombonist and keyboardist.
Anthony George Coe was an English jazz musician who played clarinet, bass clarinet, and flute as well as soprano, alto, and tenor saxophones.
Martin France was a British jazz drummer. He recorded on over 100 albums and was a professor at the Royal Academy of Music in London. He was sponsored by Paiste cymbals.
Kenny Baker was an English jazz trumpet, cornet and flugelhorn player, and a composer.
Music for Large & Small Ensembles is a double album by Canadian jazz trumpeter Kenny Wheeler recorded over two sessions in January and February 1990 and released on ECM later that year. The Sweet Time Suite' is Wheeler's most ambitious extended work for big band since 1969's Windmill Tilter.
Alan Branscombe was an English jazz pianist, vibraphonist, and alto saxophonist.
Henry Shalofsky, better known as Hank Shaw was an English bebop jazz trumpeter.
Thomas Henry Lowther is an English jazz trumpeter who also plays violin.
What the Dickens! is a 1963 recording by Johnny Dankworth, accompanied by his orchestra and guests, some of the leading UK jazz musicians of the day. It is a suite based on characters and scenarios associated with Charles Dickens. It was recorded in London on 29 and 31 July, 7 August and 4 October 1963, and released as a vinyl album. What the Dickens! was bundled with Off Duty in a 2012 reissue.
Stan Robinson was an English jazz tenor saxophonist and flautist.
Frank Holder was a Guyanese jazz singer and percussionist. He was a member of bands led by Jiver Hutchinson, Johnny Dankworth and Joe Harriott.
Derek Roy Watkins was an English jazz, pop, and classical trumpeter. Best known for his lead trumpet work on the soundtracks of James Bond films, Watkins recorded with British jazz bandleaders as well as the Royal Philharmonic Orchestra, the London Symphony Orchestra, and The Beatles. Dizzy Gillespie called him "Mr. Lead".
Robert Leslie "Bob" Cornford was a British jazz pianist and composer.
Where Do We Go from Here? is an album of duets by flugelhornist Kenny Wheeler with pianist John Taylor recorded in 2004 and released on the CAM Jazz label.
Rob Luft is an English jazz guitarist and composer from London, United Kingdom. He has released three albums, Riser, Life Is The Dancer & Dahab Days, as a solo artist on British label Edition Records. His playing has also been documented on several albums released by the legendary German jazz label ECM Records, most notably on John Surman's critically acclaimed 2024 release Words Unspoken.