Wish You Were Here | ||||
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Studio album by | ||||
Released | May 5, 1998 | |||
Genre | Country | |||
Length | 38:13 | |||
Label | Mercury Nashville | |||
Producer | Carson Chamberlain | |||
Mark Wills chronology | ||||
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Singles from Wish You Were Here | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Wish You Were Here is the second studio album of American country music artist Mark Wills. Released on May 5, 1998, on Mercury Nashville Records, the album produced four singles on the Billboard Hot Country Singles & Tracks (now Hot Country Songs) charts, all of which made top 10: "I Do (Cherish You)", "Don't Laugh at Me", "Wish You Were Here", and "She's in Love". The album itself peaked at #8 on the Billboard Top Country Albums charts and #74 on The Billboard 200. It also received RIAA platinum certification for U.S. sales of one million copies.
The title track, which was the third release, became Wills's first Number One hit on the country charts in mid-1999. "I Do (Cherish You)" was later covered by 98 Degrees on their album 98 Degrees and Rising , from which it was also released as a single.
No. | Title | Writer(s) | Length |
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1. | "Don't Think I Won't" | Ted Hewitt, Rodney Atkins, Max T. Barnes | 2:31 |
2. | "Emily Harper" | Lee Thomas Miller, Michael White | 3:23 |
3. | "Wish You Were Here" | Skip Ewing, Bill Anderson, Debbie Moore | 4:00 |
4. | "She's in Love" | Keith Stegall, Dan Hill | 4:42 |
5. | "Love Is Alive" | Charlie Craig, Shane Teeters, Bruce Bouton | 2:50 |
6. | "Don't Laugh at Me" | Allen Shamblin, Steve Seskin | 3:36 |
7. | "The Last Memory" | Tony Martin, Sunny Russ | 3:26 |
8. | "Help Me Fall" | Ewing, Donny Kees | 3:17 |
9. | "It's Working" | Bob Regan, Barnes | 3:16 |
10. | "Anywhere but Memphis" | Monty Criswell, Martin, Mark Wills | 3:34 |
11. | "I Do (Cherish You)" | Stegall, Hill | 3:17 |
Weekly charts
| Year-end charts
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See You Tonight is the third studio album by American country music singer Scotty McCreery. It was released on October 15, 2013, by Mercury Nashville. The album is produced by Frank Rogers with the exception of two tracks produced by Mark Bright.
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