Wolf Burchard, PhD FSA is a British-German art historian and museum curator. He joined the Metropolitan Museum of Art in New York City in 2019.
Burchard held curatorial positions at the Royal Collection Trust (2009–2014) and the National Trust (2015–2018). In 2014, he co-organized the exhibition The First Georgians: Art and Monarchy, 1714–1760, shown at the Queen's Gallery, Buckingham Palace to mark the tercentenary of the Hanoverian succession. [1] At the National Trust, he oversaw the digital cataloguing of the trust's collection of 55,000 pieces of furniture. [2] [3]
He is the curator of Inspiring Walt Disney: The Animation of French Decorative Arts (2021), [4] [5] [6] [7] [8] [9] the Metropolitan Museum of Art's first ever exhibit devoted to Walt Disney, which was subsequently shown at the Wallace Collection in London and the Huntington Museum in San Marino, California. [10] [11] [12] [13] [14] [15] Burchard led the 22 million dollar renovation of the Met's British Galleries, of which the re-opening marked the museum's 150th anniversary. [16] [17] [18] [19] [20]
Burchard was born and raised in Paris, France. He read history of art and architecture at the universities of Tübingen, Vienna and the Courtauld Institute of Art in London, from which he holds an MA and PhD. In 2022, he received the Sir John Soane's Museum Foundation's Visionary Award in recognition of contributions to curatorial practice and the history of art and architecture. In October 2023, Burchard was appointed a Chevalier dans l’ordre des arts et des lettres.
Burchard is a regular contributor to Apollo Magazine , The Art Newspaper and Furniture History. [26] [27] [28]
Wolf Burchard is the great nephew of modernist architect and Bauhaus founder Walter Gropius and the brother of film and theatre actresses Marie Burchard and Bettina Burchard. [29]
The Metropolitan Museum of Art, colloquially referred to as the Met, is an encyclopedic art museum in New York City. By floor area, it is the fourth-largest museum in the world and the largest art museum in the Americas. With 5.36 million visitors in 2023, it is the most-visited museum in the United States and the fourth-most visited art museum in the world.
François Boucher was a French painter, draughtsman and etcher, who worked in the Rococo style. Boucher is known for his idyllic and voluptuous paintings on classical themes, decorative allegories, and pastoral scenes. He was perhaps the most celebrated painter and decorative artist of the 18th century.
The Wallace Collection is a museum in London occupying Hertford House in Manchester Square, the former townhouse of the Seymour family, Marquesses of Hertford. It is named after Sir Richard Wallace, who built the extensive collection, along with the Marquesses of Hertford, in the 18th and 19th centuries. The collection features fine and decorative arts from the 15th to the 19th centuries with important holdings of French 18th-century paintings, furniture, arms and armour, porcelain and Old Master paintings arranged into 25 galleries. It is open to the public and entry is free.
The Musée des Arts Décoratifs is a museum in Paris, France, dedicated to the exhibition and preservation of the decorative arts. Located in the city’s 1st arrondissement, the museum occupies the Pavillon de Marsan, the north-western wing of the Palais du Louvre. With approximately one million objects in its collection, the Musée des Arts Décoratifs is the largest museum of decorative arts in continental Europe. It is one of three museums operated by the non-profit arts association MAD, founded in 1882.
The Savonnerie manufactory was the most prestigious European manufactory of knotted-pile carpets, enjoying its greatest period c. 1650–1685; the cachet of its name is casually applied to many knotted-pile carpets made at other centers. The manufactory had its immediate origins in a carpet manufactory established in a former soap factory on the Quai de Chaillot downstream of Paris in 1615 by Pierre DuPont, who was returning from the Levant.
Martin Carlin was a Parisian ébéniste (cabinet-maker), born at Freiburg, who was received as Master Ébéniste at Paris on 30 July 1766. Renowned for his "graceful furniture mounted with Sèvres porcelain", Carlin fed into the luxury market of eighteenth-century decorative arts, where porcelain-fitted furniture was considered among "the most exquisite furnishings" within the transitional and neoclassical styles. Carlin's furniture was popular amongst the main great dealers, including Poirier, Daguerre, and Darnault, who sold his furniture to Marie Antoinette and many amongst the social elite class. He died on 6 March 1785.
French furniture comprises both the most sophisticated furniture made in Paris for king and court, aristocrats and rich upper bourgeoisie, on the one hand, and French provincial furniture made in the provincial cities and towns many of which, like Lyon and Liège, retained cultural identities distinct from the metropolis. There was also a conservative artisanal rural tradition of French country furniture which remained unbroken until the advent of the railroads in the mid-nineteenth century.
Wharton Esherick was an American sculptor who worked primarily in wood, especially applying the principles of sculpture to common utilitarian objects. Consequently, he is best known for his sculptural furniture and furnishings. Esherick was recognized in his lifetime by his peers as the “dean of American craftsmen” for his leadership in developing nontraditional designs and for encouraging and inspiring artists and artisans by example. Esherick’s influence is evident in the work of contemporary artisans, particularly in the Studio Craft Movement. His home and studio in Malvern, Pennsylvania, are part of the Wharton Esherick Museum, which has been listed as a National Historic Landmark since 1993.
Jonathan Leo Fairbanks is an American artist and expert of American arts and antiques. Fairbanks created the American Decorative Arts and Sculpture department at the Museum of Fine Arts, Boston, and served as Curator of the department from 1970 to 1999.
Thomas Patrick Campbell is the director and CEO of the Fine Arts Museums of San Francisco, overseeing the de Young and Legion of Honor museums. He served as the director and CEO of the Metropolitan Museum of Art between 2009 and 2017. On 30 June 2017, Campbell stepped down as director and CEO of the Metropolitan Museum of Art under pressure and accepted the Getty Foundation's Rothschild Fellowship for research and study at both the J. Paul Getty Museum in Los Angeles and at Waddesdon Manor, in the UK.
Egyptian revival decorative arts is a style in Western art, mainly of the early nineteenth century, in which Egyptian motifs were applied to a wide variety of decorative arts objects.
Charles Lane Venable is an American art curator and museum director. Early in his career, he published multiple articles and books on American art history, including on the history of silverware and furniture. Starting in 1986, Venable was a curator at the Dallas Museum of Art, before moving to the Cleveland Museum of Art in 2002, and the Speed Art Museum in 2007, where he served as the director. In 2012, Venable became the director of the Indianapolis Museum of Art, which was renamed to "Newfields" under a rebranding effort he initiated. Venable served as the head of the museum until 2021, when he stepped down from the role amidst calls for his removal.
Monika Kinley was a British art dealer, collector and curator, particularly noted for her championing of the work and integrity of outsider artists. The Times called her "outsider art's champion".
James Parker was an American art historian. He served for nearly three decades as a curator at The Metropolitan Museum of Art.
Betty Joel was a British furniture, textile and interior designer, active in England from c. 1921 until 1937. Her work was featured in The Studio, the illustrated fine arts and decorative arts magazine, from 1927 to 1937. Examples of her work can be seen in the Victoria & Albert Museum, London and the Geffrye Museum, London.
Penelope Hunter-Stiebel is an American art curator and historian, who has been associated with New York's Metropolitan Museum of Art and the Portland Museum of Art.
Adrian Sassoon is an English art dealer, art collector and writer. He was schooled at Eton College, where he was taught ceramics by Gordon Baldwin; he went on to study further at Christie’s Education. He worked as an assistant curator at the J. Paul Getty Museum in the department of decorative arts. He is the owner and founder of a gallery that shows contemporary art, as well as 18th Century French porcelain.
Luke Syson is an English museum curator and art historian. Since 2019, he has been the director of the Fitzwilliam Museum at the University of Cambridge, prior to which he held positions at the British Museum (1991–2002), the Victoria and Albert Museum (2002–2003), the National Gallery (2003–2012) and the Metropolitan Museum of Art (2015–2019). In 2011 he curated the acclaimed Leonardo da Vinci exhibition at the National Gallery: Leonardo da Vinci: Painter at the Court of Milan, which included his pivotal role in the controversial authentication by the National Gallery of da Vinci's Salvator Mundi.
Morrison Harris Heckscher is an American retired curator and art historian who served as the Lawrence A. Fleischman Chair of the American Wing at the Metropolitan Museum of Art from 2001 to 2014. He had worked in various curatorial roles at the Met since 1966. As chair, he oversaw a complete renovation of the interior and exhibits. He is a recipient of the Antique Dealers' Association Award of Merit and the Winterthur Museum's Henry Francis du Pont Award.