| Women's Prison Massacre | |
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| Directed by | Bruno Mattei |
| Screenplay by |
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| Story by |
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| Starring |
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| Cinematography | Luigi Ciccarese [1] |
| Edited by | Gilbert Kikoine [1] |
Production companies |
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| Distributed by | Indipendenti Regionali [1] |
Release date | 1983 |
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Women's Prison Massacre (Italian : Blade Violent) [1] is a 1983 film directed by Bruno Mattei and starring Laura Gemser, Gabriele Tinti, Carlo De Mejo, Lorraine De Selle, and Franca Stoppi. [3]
Emanuelle (Laura Gemser) is sent to a violent women's prison. While she is in prison, she comes into confrontation with the "top dog" inmate Albina (Ursula Flores), ending in a series of fights. Albina gets the worse of it, including a broken arm, a knife in her leg, and her wig pulled off. Following a series of cat fights and arguments, the women's lives are interrupted by the arrival of four male death row inmates led by "Crazy Boy" Henderson (Gabriele Tinti), who break into the prison. The male convicts proceed to rape, mutilate and torture the female inmates (involving a sick game of Russian roulette) and executions. One convict is killed when a SWAT team attempts to invade the prison. Another is killed by a female inmate who hides a razor blade inside her vagina before enticing him to have his way with her. Henderson and the remaining male cons attempt to break out using the warden (Lorraine De Selle), Emanuelle and a wounded sheriff as human shields. After a gory finale, Emanuelle and the sheriff (Carlo De Mejo) are the only characters left alive and the sheriff promises to reopen her case.[ citation needed ]
The French funding for the film was provided by an undergarments company which is worn by the female cast during the film. [4] The liner notes for the Women's Prison Massacre DVD release state "Mattei, using the moniker Gilbert Roussel, shot Women's Prison Massacre back-to-back with his Violence in a Women's Prison . It has basically the same cast, but both films are completely different." [5] [ incomplete short citation ]
Women's Prison Massacre was released in 1983. [6]
On December 8, 2015, Shout! Factory released this film on Blu-Ray under the title Women's Prison Massacre. [7] The film has been released under the titles Révolte au pénitencier de filles in France and I violenti in Italy. [1] The film has also been released under the titles Emmanuelle in Prison and Emmanuelle Escapes from Hell. [3]
AllMovie reviewed the film saying: "For even the most jaded fans of the genre, Women's Prison Massacre is as entertaining and arousing as (an) autopsy footage. As unpleasant as it is, though, the film doesn't begin to approach the depths reached by Mattei's previous effort ( Violence in a Women's Prison (1982)) which features the same cast, crew, and basic plot." [4]
Laurette Marcia Gemser is an Indonesian-Dutch retired actress, model and costume designer. She is primarily known for her work in Italian erotic cinema, most notably the Emanuelle series. Many of her films were collaborations with directors Joe D'Amato and Bruno Mattei.
Aristide Massaccesi, known professionally as Joe D'Amato, was an Italian film director, producer, cinematographer, and screenwriter who worked in many genres but is best known for his horror, erotic and adult films.
Claudio Fragasso is a film director and screenwriter. Fragasso first attempted to make art films in the early 1970s, then became a screenwriter in the Italian film industry in the mid-1970s. Fragasso met director Bruno Mattei, which led to a ten-year partnership from 1980 to 1990 during which the two worked together closely on films, with Fragasso's contributions often going uncredited. Fragasso's wife Rossella Drudi was also a screenwriter and collaborated with him on a number of projects. Fragasso would later go on to write and direct his own films in the 1980s, including Monster Dog with rock musician Alice Cooper and After Death. Fragasso directed Troll 2 in 1989, which was later the topic of Best Worst Movie, a documentary film that discussed Troll 2's fandom.
Black Emanuelle is a softcore sexploitation film from 1975 directed by Bitto Albertini. This Africa set film was shot mostly in Kenya. The music was composed by Nico Fidenco. Black Emanuelle was followed by a number of sequels, all revolving around the erotic adventures of Mae Jordan, a globe-trotting, hedonistic investigative journalist and photographer known to her readers as "Emanuelle". Her character has been described as "a strong and independent woman, sexually proactive, at the centre of wealthy young and old white men of power, and involved in any sort of depraved set and situation."
Bruno Mattei was an Italian film director, screenwriter, and editor who directed exploitation films in many genres, including women in prison, nunsploitation, zombie, mondo, cannibal, and Nazisploitation films. Mattei's films often followed popular genre trends of the era. Mattei continued work as a director primarily in the Philippines until his death in 2007, just before he was to enter production on his fifth Zombie film.
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Emanuelle and the Last Cannibals is a 1977 Italian sexploitation cannibal film directed by Joe D'Amato. The film involves photojournalist Emanuelle, who encounters a cannibalistic woman bearing a tattoo of an Amazonian tribe in a mental hospital. Along with Professor Mark Lester, the two travel to the Amazon with a team to discover the source of the long-thought-extinct tribe that still practices cannibalism today.
Emanuelle's Revenge is an Italian film directed by Joe D'Amato. It is a remake of the Greek film The Wild Pussycat (1969). Unlike the French Emmanuelle series, to which it refers only in name, Emanuelle's Revenge has been described as being closer to a sex-themed giallo, or as a combination of several genres: the rape and revenge film, the splatter film, the erotic film and the thriller. The film was written by Bruno Mattei and D'Amato. Bruno Mattei co-directed the film with D'Amato, but only D'Amato was credited.
Suor Emanuelle is a 1977 exploitation film. It can be classified under both the nunsploitation and sexploitation exploitation film subgenres. It is part of the long running Black Emanuelle series of films starring Laura Gemser.
Violence in a Women's Prison is a women in prison film directed by Bruno Mattei. The film stars Laura Gemser and Gabriele Tinti. It tells the story of Emanuelle, who is sent to Santa Catarina Women's Penitentiary for drugs and prostitution, where she meets the warden and the other inmates. Her actual reason is undercover reporting for Amnesty International. It is the seventh film in the Emanuelle nera film series and the first one directed by Mattei.
Gabriele Tinti was an Italian actor who was married to actress and model Laura Gemser.
Emanuelle in Bangkok is an Italian sexploitation film from 1976 starring Laura Gemser and Gabriele Tinti and directed by Joe D'Amato. It is the second in a series of films featuring the investigative journalist Emanuelle.
Emanuelle and the White Slave Trade is an Italian sexploitation film from 1978 directed by Joe D'Amato as his last Black Emanuelle film. It was also known as Emanuelle and the Girls of Madame Claude.
Black Cobra Woman is a 1976 Italian exploitation movie written and directed by Joe D'Amato. The film starred Jack Palance and Laura Gemser.
Smooth Velvet, Raw Silk is a 1976 sexploitation film directed by Brunello Rondi. Despite the alternate title, and the presence of Laura Gemser, it has no relation to other Emanuelle films and doesn't feature any characters with that name.
The Other Hell is a 1981 Italian horror film written and directed by Bruno Mattei and Claudio Fragasso and starring Franca Stoppi and Carlo De Mejo.
Voglia di donna is a 1978 commedia sexy all'italiana film written and directed by Franco Bottari. It consists of three segments starring Laura Gemser, Rena Niehaus, and Ilona Staller.
Lorraine de Selle is an Italian-born former actress noted for her work in Italian genre cinema during the 1970s and 1980s.
...And Give Us Our Daily Sex is a 1979 Italian-Spanish film directed by José Ramón Larraz, written by Larraz and Sergio Garrone, and starring Laura Gemser and Bárbara Rey.