Work with Me, Annie

Last updated
"Work with Me, Annie"
Single by Hank Ballard
Released1954
Songwriter(s) Hank Ballard

"Work with Me, Annie" is a 12-bar blues song with words and music by Hank Ballard. It was recorded by Hank Ballard & the Midnighters (formerly The Royals) [1] in Cincinnati on the Federal Records label on January 14, 1954, and released the following month. The Federal Communications Commission (FCC) immediately opposed it due to its overtly sexual lyrics, lyrics that had crossed over and were now being listened to by a white teenage audience. Because the record was in such demand and received so much publicity, attempts to restrict it failed and the record shot to number one in the US Billboard R&B chart, and remained there for seven weeks. [2]

Contents

This was the first of the "Annie" records and sold a million copies; so did the answer song "Annie Had a Baby". [1] They all were banned for radio play by the FCC. The success of these recordings spurred the practice of recording double entendre records and answer songs. Another answer, "The Wallflower", by Etta James, popularly known as "Roll with Me, Henry", was reworded by Georgia Gibbs as "Dance with Me, Henry" for Top 40 consumption. It had the same melody as "Work with Me, Annie". The melody was recycled again by the Midnighters for the song "Henry's Got Flat Feet (Can't Dance No More)".

The song "Work with Me, Annie" is part of the Rock and Roll Hall of Fame's "The Songs That Shaped Rock and Roll" list. [3]

The song

Hank Ballard had been a fan of "Sixty Minute Man" recorded by The Dominoes, a song so explicitly sexual that only a rhythm and blues label would take it. When he got the chance he wrote his own bawdy tune. [2] With its strong melody and distinctive rhythm, the song's structure anticipated the style of rock and roll and was flexible enough that later it could be used with entirely different words. [4] The "Annie" lyrics were extremely sexually explicit for the period: [5]

"Annie, please don't cheat. Give me all my meat."

And the punchline:

"Let's get it while the getting is good."

Hank Ballard's baritone and excited squeals backed by the group's 'ah-oom' were accompanied by a boogie piano, a driving electric guitar and a booming electric bass. "Work With Me, Annie" defined what was to become rock and roll. [2]

See also

Related Research Articles

Rock and roll is a genre of popular music that evolved in the United States during the late 1940s and early 1950s. It originated from African American music such as jazz, rhythm and blues, boogie-woogie, electric blues, gospel, and jump blues, as well as country music. While rock and roll's formative elements can be heard in blues records from the 1920s and in country records of the 1930s, the genre did not acquire its name until 1954.

<span class="mw-page-title-main">Rocket 88</span> Song first recorded by Jackie Brenston with Ike Turner in 1951

"Rocket 88" is a song that was first recorded in Memphis, Tennessee, in March 1951. The recording was credited to "Jackie Brenston and his Delta Cats"; while Brenston did provide the vocals, the band was actually Ike Turner and his Kings of Rhythm. The single reached number one on the Billboard R&B chart.

<span class="mw-page-title-main">Hank Ballard</span> American singer (1927–2003)

Hank Ballard was an American singer and songwriter, the lead vocalist of the Midnighters and one of the first rock and roll artists to emerge in the early 1950s. He played an integral part in the development of the genre, releasing the hit singles "Work with Me, Annie" and answer songs "Annie Had a Baby" and "Annie's Aunt Fannie" with his Midnighters. He later wrote and originally recorded "The Twist" which was notably covered a year later by Chubby Checker, this second version spreading the popularity of the dance. He was inducted into the Rock and Roll Hall of Fame in 1990.

Jump blues is an up-tempo style of blues, jazz, and boogie woogie usually played by small groups and featuring horn instruments. It was popular in the 1940s and was a precursor of rhythm and blues and rock and roll. Appreciation of jump blues was renewed in the 1990s as part of the swing revival.

The origins of rock and roll are complex. Rock and roll emerged as a defined musical style in the United States in the early to mid-1950s. It derived most directly from the rhythm and blues music of the 1940s, which itself developed from earlier blues, the beat-heavy jump blues, boogie woogie, up-tempo jazz, and swing music. It was also influenced by gospel, country and western, and traditional folk music. Rock and roll in turn provided the main basis for the music that, since the mid-1960s, has been generally known simply as rock music.

Federal Records was an American record label founded in 1950 as a subsidiary of Syd Nathan's King Records and based in Cincinnati, Ohio. It was run by famed record producer Ralph Bass and was mainly devoted to Rhythm & Blues releases. The company also released hillbilly and rockabilly recordings from 1951 onward, e.g., "Rockin' and Rollin" by Ramblin' Tommy Scott on Federal 10003. Singles were published on both 45 and 78 rpm speed formats.

"The Wallflower" is a 1955 song by Etta James. It was one of several answer songs to "Work with Me, Annie" and has the same 12-bar blues form.

<span class="mw-page-title-main">Boogie Chillen'</span> Single by John Lee Hooker

"Boogie Chillen'" or "Boogie Chillun" is a blues song first recorded by John Lee Hooker in 1948. It is a solo performance featuring Hooker's vocal, electric guitar, and rhythmic foot stomps. The lyrics are partly autobiographical and alternate between spoken and sung verses. The song was his debut record release and in 1949, it became the first "down-home" electric blues song to reach number one in the R&B records chart.

"The Twist" is an American pop song written and originally released in 1958 by Hank Ballard and the Midnighters as a B-side to "Teardrops on Your Letter". It was inspired by the twist dance craze. Ballard's version was a moderate hit, peaking at number 28 on the Billboard Hot 100 in 1960. On the US Billboard Hot R&B Sides chart, the original version of "The Twist" first peaked at number 16 in 1959 and at number six in 1960. By 1962, the record sold in excess of one million copies, becoming Ballard's fourth million seller.

<span class="mw-page-title-main">The Midnighters</span> American vocal group

The Midnighters were an American vocal group from Detroit, Michigan. They were an influential group in the 1950s and early 1960s, with many R&B hit records. They were also notable for launching the career of lead singer Hank Ballard and the worldwide dance craze the twist. Between 1953 and 1962, the Midnighters had several hits on the U.S. pop and R&B charts. Their hits included the million-selling Billboard top 10 pop hits "Finger Poppin' Time", and "Let's Go, Let's Go, Let's Go". The Midnighters also had 13 top 10 R&B hits, including three that reached number 1. Their top 10 R&B hits included "Work with Me, Annie", "It's Love Baby ", "Annie Had a Baby", "The Hoochi Coochi Coo", "Teardrops on Your Letter", "Get It", "The Float" and "Nothing but Good". They received the Rhythm and Blues Foundation's prestigious Pioneer Award in 1992 and were inducted into the Vocal Group Hall of Fame in 1999. The Midnighters are also noted for achieving a music industry milestone in 1960, by becoming the first group in history to place 3 singles on the Billboard Hot 100 at the same time. The group's lead singer, Hank Ballard, was inducted into the Rock and Roll Hall of Fame in 1990. The Midnighters as a group were inducted into the Rock and Roll Hall of Fame on April 14, 2012.

<span class="mw-page-title-main">Sixty Minute Man</span> 1951 Dominoes song

"Sixty Minute Man" is an R&B record released on Federal Records in 1951 by the Dominoes. It was written by Billy Ward and Rose Marks and was one of the first R&B hit records to cross over to become a hit on the pop chart. It is regarded as one of the most important of the recordings that helped generate and shape rock and roll.

Rudolph Toombs was an American performer and songwriter. He wrote "Teardrops from My Eyes", Ruth Brown's first number one R&B song, and other hit songs for her, including "5-10-15 Hours". He also wrote "One Mint Julep" for The Clovers.

<span class="mw-page-title-main">The Things That I Used to Do</span> 1953 blues standard by Guitar Slim

"The Things That I Used to Do" is a blues standard written by Guitar Slim. He recorded it at Cosimo Matassa's J&M Recording Studio in New Orleans, where the young Ray Charles arranged and produced the session. Specialty Records released the song as a single in 1953 and it became a bestseller the following year. Specialty founder Art Rupe believed that the appeal would be limited to the Southern U.S. rural audience. However, urban rhythm and blues radio stations in the North began airing the song and built it into a national hit. As a result, Guitar Slim became in great demand as a performer and played at venues such as the Apollo Theater in New York City.

<span class="mw-page-title-main">Honey Hush</span> 1953 single by Big Joe Turner

"Honey Hush", is a blues song, written by Big Joe Turner, recorded in May 1953 in New Orleans, Louisiana, and released that August by Atlantic Records. It was a number-one song on Billboard's Rhythm and Blues chart for eight weeks.

Dirty blues is a form of blues music that deals with socially taboo and obscene subjects, often referring to sexual acts and drug use. Because of the sometimes graphic subject matter, such music was often banned from radio and available only on jukeboxes. The style was most popular in the years before World War II, although it experienced a revival in the early 1950s.

<span class="mw-page-title-main">Henry Glover</span> American songwriter, arranger, record producer and trumpet player

Henry Bernard Glover was an American songwriter, arranger, record producer and trumpet player. In the music industry of the time, Glover was one of the most successful and influential black executives. He gained eminence in the late 1940s, primarily working for the independent King label. His duties included operating as a producer, arranger, songwriter, engineer, trumpet player, talent scout, A&R man, studio constructor, while later in his career he became the owner of his own label. Glover worked with country, blues, R&B, pop, rock, and jazz musicians, and he helped King Records to become one of the largest independent labels of its time. Thanks to the efforts of family, friends and fans, Glover's hometown of Hot Springs, Arkansas celebrated the 100th anniversary of his birth in 2021 by inducting him into the downtown "Walk of Fame," the Mayor's "Proclamation," "Key to the City," and named a parklet "Henry Glover Way," along Black Broadway after him. In 2018, Glover was recognized with a Lifetime Achievement Award by the King Records 75th Anniversary. In 2013, he was inducted into the Blues Hall of Fame.

J. C. Davis, known as Billy Davis, is an American rock and blues guitarist, singer and songwriter, best known for his work with Hank Ballard & the Midnighters. He is a Rock & Roll Hall of Fame inductee.

"Finger Poppin' Time" is a song by Hank Ballard and the Midnighters. Written by Ballard, it reached number two on the US Billboard R&B chart and number seven on the pop chart in 1960. It was featured on their 1960 album Mr. Rhythm and Blues. Ballard re-released a version of the song in 1972 as a single, but it did not chart.

"Keep On Churnin' (Till the Butter Comes)" is a rhythm and blues song written by Henry Glover, Jester Hairston, and Lois Mann. It was first recorded in 1952 by Wynonie Harris, with backing from the Todd Rhodes Orchestra, and released by King Records. The song was also recorded by Hank Ballard and the Midnighters. It has been rated as one of the best double entendre songs of all time.

<span class="mw-page-title-main">Done Somebody Wrong</span> 1960 single by Elmore James

"I Must Have Done Somebody Wrong" is a blues song written and recorded by Eddie Kirkland in 1959. Using the same lyrics but modifying aspects of the music, Elmore James recorded it as "Done Somebody Wrong" in 1960; he took sole writing credit for it and it came to be known as an Elmore James song. "Done Somebody Wrong" was interpreted by the Allman Brothers Band in 1971 and featured on their classic live album At Fillmore East. As Billboard magazine has stated, the song became "more associated with the Allmans than with James in the end."

References

  1. 1 2 Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. p. 67. ISBN   0-214-20512-6.
  2. 1 2 3 Dawson, Jim; Propes, Steve (1992). What Was the First Rock 'n' Roll Record. Boston & London: Faber & Faber. pp. 131–137. ISBN   0-571-12939-0.
  3. "Rock and Roll Hall of Fame and Museum : Exhibitions : Permanent Collection". Archived from the original on 2006-11-18. Retrieved 2006-11-08.
  4. Gillett, Charlie (1996). The Sound of the City: The Rise of Rock and Roll ((2nd Ed.) ed.). New York, N.Y.: Da Capo Press. p. 129. ISBN   0-306-80683-5.
  5. "Hank Ballard". Archived from the original on 2006-10-20. Retrieved 2006-11-08.