Workin' & Wailin'

Last updated
Workin' & Wailin'
Workin' & Wailin'.jpg
Studio album by Harold Mabern
Released 1969
Recorded June 30, 1969
Van Gelder Studio, Englewood Cliffs, New Jersey
Genre Jazz
Label Prestige
PR 7687
Producer Bob Porter
Harold Mabern chronology
Rakin' and Scrapin'
(1968) Rakin' and Scrapin'1968
Workin' & Wailin'
(1969)
Greasy Kid Stuff!
(1970) Greasy Kid Stuff!1970

Workin' & Wailin' is the third album led by pianist Harold Mabern which was recorded in 1968 and released on the Prestige label. [1]

Harold Mabern American pianist

Harold Mabern, Jr. is an American jazz pianist and composer, principally in the hard bop, post-bop, and soul jazz fields. He is described in The Penguin Guide to Jazz Recordings as "one of the great post-bop pianists".

Prestige Records American jazz record label

Prestige Records is a jazz record company and label founded in 1949 by Bob Weinstock in New York City. The company recorded hundreds of albums by many of the leading jazz musicians of the day, sometimes issuing them under subsidiaries. In 1971, the company was sold to Fantasy, which was later absorbed by Concord.

Contents

Reception

Professional ratings
Review scores
SourceRating
Allmusic Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [2]

Allmusic awarded the album 3 stars stating "The date utilizes trumpeter Virgil Jones, tenor saxophonist George Coleman, bassist Buster Williams and drummer Idris Muhammad on four challenging Mabern originals and Johnny Mandel's "A Time for Love." [2]

Track listing

All compositions by Harold Mabern except as indicated

  1. "Too Busy Thinking About My Baby" (Janie Bradford, Norman Whitfield, Barrett Strong) - 4:18
  2. "Strozier's Mode" - 7:50
  3. "Blues for Phineas" - 5:05
  4. "I Can't Understand What I See in You" - 8:40
  5. "Waltzing Westward" - 9:16
  6. "A Time for Love" (Johnny Mandel, Paul Francis Webster) - 4:50

Personnel

Piano musical instrument

The piano is an acoustic, stringed musical instrument invented in Italy by Bartolomeo Cristofori around the year 1700, in which the strings are struck by hammers. It is played using a keyboard, which is a row of keys that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings.

Electric piano musical instrument

An electric piano is an electric musical instrument which produces sounds when a performer presses the keys of the piano-style musical keyboard. Pressing keys causes mechanical hammers to strike metal strings, metal reeds or wire tines, leading to vibrations which are converted into electrical signals by magnetic pickups, which are then connected to an instrument amplifier and loudspeaker to make a sound loud enough for the performer and audience to hear. Unlike a synthesizer, the electric piano is not an electronic instrument. Instead, it is an electro-mechanical instrument. Some early electric pianos used lengths of wire to produce the tone, like a traditional piano. Smaller electric pianos used short slivers of steel to produce the tone. The earliest electric pianos were invented in the late 1920s; the 1929 Neo-Bechstein electric grand piano was among the first. Probably the earliest stringless model was Lloyd Loar's Vivi-Tone Clavier. A few other noteworthy producers of electric pianos include Baldwin Piano and Organ Company and the Wurlitzer Company.

Trumpet musical instrument with the highest register in the brass family

A trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group contains the instruments with the highest register in the brass family. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC; they began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips, producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century they have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape.

Related Research Articles

George Coleman American musician

George Edward Coleman is an American jazz saxophonist known for his work with Miles Davis and Herbie Hancock in the 1960s. In 2015, he was named an NEA Jazz Master.

<i>The Procrastinator</i> album by Lee Morgan

The Procrastinator is an album by jazz trumpeter Lee Morgan released posthumously on the Blue Note label, featuring performances by Morgan, Wayne Shorter, Bobby Hutcherson, Herbie Hancock, Ron Carter and Billy Higgins. It was originally issued in 1978 as a double LP featuring tracks recorded in three different sessions: July 1967, September 1969 and October 1969. Alongside the US-issue there was a single album release in Japan the same year titled Lee Morgan All-Star Sextet, which only comprised the session of 1967 (ST-83023/GXF-3023). The first and remastered CD release, that came out in 1995 as part of the Blue Note "Connoisseur Series", included only this session. The remaining tracks of the original double album have been finally issued on CD in 1998 in Japan, then in 2003 in the US, as bonus tracks on Sonic Boom.

<i>Sonic Boom</i> (Lee Morgan album) album by Lee Morgan

Sonic Boom is an album by jazz trumpeter Lee Morgan, recorded on April 14 and 28, 1967 but not released on the Blue Note label until 1979. The 2003 CD reissue added seven tracks recorded on September 12 & October 10, 1969 which were first released on the original double LP edition of The Procrastinator. Therefore, the CD edition includes performances by Morgan with two line-ups: the first one with David Newman, Cedar Walton, Ron Carter and Billy Higgins, whilst the second features Julian Priester, George Coleman, Harold Mabern, Walter Booker and Mickey Roker.

In the last decade of his life, Duke Ellington wrote three Sacred Concerts:

<i>Reeds & Deeds</i> album by Rahsaan Roland Kirk

Reeds & Deeds is an album by jazz multi-instrumentalist Roland Kirk. It was originally released on the Mercury label in 1963 and features performances by Kirk with Virgil Jones, Charles Greenlee, Harold Mabern, Abdullah Rafik, Walter Perkins, Tom McIntosh and Richard Davis with arrangements by Benny Golson.

<i>The Roland Kirk Quartet Meets the Benny Golson Orchestra</i> album by Rahsaan Roland Kirk

The Roland Kirk Quartet Meets the Benny Golson Orchestra is an album by jazz multi-instrumentalist Roland Kirk. It was originally released on the Mercury label in 1964 and features performances by Kirk's Quartet and Benny Golson's Orchestra. The cover artwork was by Dezső Csanády.

<i>The Spirit of 67</i> (Oliver Nelson and Pee Wee Russell album) album by Pee Wee Russell

The Spirit of '67 is an album by American jazz clarinetist Pee Wee Russell and composer/arranger Oliver Nelson featuring performances recorded in 1967 for the Impulse! label.

<i>Coleman Hawkins All Stars</i> album by Coleman Hawkins

Coleman Hawkins All Stars is an album by saxophonist Coleman Hawkins featuring trumpeter Joe Thomas and trombonist Vic Dickenson which was recorded in 1960 and released on the Swingville label.

<i>Oh Happy Day</i> (Don Patterson album) album by Don Patterson

Oh Happy Day is an album by organist Don Patterson recorded in 1969 and released on the Prestige label. The CD is titled Dem New York Dues combined with another Patterson session

<i>A Few Miles from Memphis</i> album by Harold Mabern

A Few Miles from Memphis is the debut album by pianist Harold Mabern which was recorded in 1968 and released on the Prestige label.

<i>Rakin and Scrapin</i> album by Harold Mabern

Rakin' and Scrapin' is the second album led by pianist Harold Mabern which was recorded in 1968 and released on the Prestige label.

<i>Greasy Kid Stuff!</i> album by Harold Mabern

Greasy Kid Stuff! is the fourth album led by pianist Harold Mabern which was recorded in 1970 and released on the Prestige label.

<i>Person to Person!</i> 1970 studio album by Houston Person

Person to Person! is the eighth album led by saxophonist Houston Person which was recorded in 1970 and released on the Prestige label.

<i>Soul Summit Vol. 2</i> album by Gene Ammons

Soul Summit Vol 2 is an album by saxophonist Gene Ammons with vocalist Etta Jones and organist Jack McDuff recorded in 1961 and 1962 and released on the Prestige label.

<i>Love Potion No. 9</i> (album) album by Johnny "Hammond" Smith

Love Potion #9 is an album by jazz organist Johnny "Hammond" Smith recorded for the Prestige label in 1966.

<i>Soul Mist!</i> album by Richard Holmes

Soul Mist! is an album by jazz organist Richard "Groove" Holmes which was recorded in 1966 but not released on the Prestige label until 1970.

<i>Akilah!</i> album by Melvin Sparks

Akilah! is the third album by soul jazz guitarist Melvin Sparks recorded for the Prestige label in 1972.

<i>Black Rhythm Revolution!</i> album by Idris Muhammad

Black Rhythm Revolution! is the debut album by jazz drummer Idris Muhammad recorded for the Prestige label in 1970.

<i>Earl Coleman Returns</i>

Earl Coleman Returns is an album by American jazz singer Earl Coleman recorded in 1956 and released on the Prestige label. The 1994 CD reissue added four additional tracks originally released on 78 RPM singles.

References

  1. Prestige Records discography accessed April 10, 2013
  2. 1 2 Yanow, S. Allmusic listing accessed April 10, 2013