Working Man Trilogy

Last updated
Working Man Trilogy
Created by Tim Kincaid (as Joe Gage)
Films and television
Film(s)

The Working Man Trilogy is a landmark American gay pornographic trilogy released in the late 1970s. The films were created and directed by Tim Kincaid under the pseudonym Joe Gage, with Sam Gage serving as producer on all three. The series featured universally masculine, working class male actors engaging in various sexual activities with each other, a notable divergence from the usual masculine/feminine partner roles found in earlier gay porn.

Contents

Films

FilmDirectorWriterProducerCinematographerStarring
Kansas City Trucking Co. Tim Kincaid
(as Joe Gage)
Tim Kincaid
(as Joe Gage)
Sam GageNick Elliot
El Paso Wrecking Corp.
L.A. Tool & Die

Richard Youngblood

  • Richard Locke
  • Michael Kearns
  • Will Seagers
  • Paul Barresi

Gage aimed to replicate the narratives, characters, and drama of mainstream films within his porn films. [1] The trilogy is tied together via narration of the main character Hank (Richard Locke), a truck driver. The scenes follows his sexual adventures through various truck trips and jobs.

Masturbation is the most commonly depicted sexual act within the series. Gage dismissed frequent anal sex as "not very cinematic" due to his desire to focus more closely on the penis: "The whole idea of making homosexual pornography… [if] you strip it down to its absolute basics, [is] the worship of the phallus, the worship of the penis. If you’re going to make homosexual pornography, you’d better light the dick. So masturbation and oral sex are … the best way to photograph. You’re highlighting the penis—that’s what it’s about.” [2]

The series begins with Locke working with a new heterosexual trucking partner (Steve Boyd) in Kansas City Trucking Co.. A number of the film's porn scenes presented as sexual fantasies and dreams. Dialogue focuses on Locke consoling Boyd over his sexual frustration due to his distance from his girlfriend, until the two leads engage in a three way orgy with another man at the end. [3]

Male friendship, as experienced by the characters of Locke and Fred Halsted, serves as the core of the El Paso Wrecking Corp. The duo travel and have sex together. Voyeurism is a frequent theme, with one scene featuring a father watching his son engage in sexual activity. [3] El Paso Wrecking Corp. also features a famous glory hole scene, remembered especially for its plethora of slobber. [4]

In LA Tool & Die, Gage explored more serious themes, including grief, the war in Vietnam (via a death scene flashback), and settling down. Locke completes the series with a long-term partner, Will Seagers, and a plot of land of his own. [3] That ending is unusual for Gage, who historically opposed romance focus in porn. Gage admitted he wanted his lead to find an ending with a man that was grieving. [5]

Production

Joe Gage met Sam Gage, then a casting director, at a party. Joe Gage pitched the idea to Sam Gage, and Sam Gage helped Joe Gage find investors for the project. [6]

Joe and Sam Gage hired both professional porn stars and members of the surrounding community to star in the film. According to Joe Gage, "the majority of men who applied wanted to appear in the films for political reasons as much as anything else." [1]

All sexual activities and dialogue was scripted in detail. [1] The working class nature of the film was inspired by Joe Gage's own sexual experiences. [6]

LA Tool & Die took 20 days to shoot, much longer than most porn films. [3]

Reception

Kansas City Trucking Co was released at the end of 1976, and it rose to popularity in 1977, launching the series. [6] The Working Man Trilogy became the biggest selling gay porn film series of the pre-condom era. [7]

The film was particularly popular due to the general disinterest of the characters in labels of gayness despite frequent homosexual activity, a trait that appealed to similar minded men who felt otherwise alienated by the focus on gay identity tropes in earlier gay porn. [8]

Legacy

The Trilogy has been called "the most influential works of gay male hardcore erotica of all time." [7]

Stallion critic Jerry Douglas commented that the trilogy "introduced a new sort of hero to the gay film, and celebrated the freedom of the sexual revolution that had spread across America during the years that they were being made. Today, in retrospect, the trio stand together as the definitive cinematic statement on the emergence of the macho homosexual who sexual transiency and voracity influenced larger and larger numbers of gay--until the advent of AIDS." [5]

The series broke new ground in its emphasis on exclusively rugged men and masculinity, as opposed to the man-woman gender roles replicated in male-male porn videos prior to Kansas City Trucking Co. The characters of the trilogy were not classically coded as homosexual. Especially in El Paso Wrecking Corp, male camaraderie is emphasized outside the realm of sex. [9]

In the wake of the series, the phrase "Gage men" rose to prominence briefly as term for masculine, hunky, hairy men like the ones featured in the film. [1]

Filmmaker Wash West cites Kansas City Trucking Co as one of his biggest influences: “If you look back at the early days in the 1970s during the ‘golden age’ of porn, people were really interested in making ‘films.’ For example, Kansas City Trucking Company (1976) and LA Plays Itself (1972) were the work of real filmmakers—well-constructed, beautifully shot, visually experimental, and sexy.... They were my biggest influences. I wanted to return to elements of ’70s filmmaking and bring that up to date.” [10]

Related Research Articles

<span class="mw-page-title-main">Jack Wrangler</span> American actor, director and producer

John Robert Stillman, billed professionally as Jack Wrangler, was an American gay pornographic film actor, theatrical producer, director, and writer. He performed in both gay and straight films.

<span class="mw-page-title-main">Stag film</span> Silent pornographic film genre

A stag film is a type of pornographic film produced secretly in the first two-thirds of the 20th century. Typically, stag films had certain traits. They were brief in duration, were silent, depicted hardcore pornography and were produced clandestinely due to censorship laws. Stag films were screened for all-male audiences in fraternities or similar locations; observers offered a raucous collective response to the film, exchanging sexual banter and achieving sexual arousal. Stag films were often screened in brothels.

Cartoon pornography is the portrayal of illustrated or animated fictional cartoon characters in erotic or sexual situations. Animated cartoon pornography, or erotic animation, is a subset of the larger field of adult animation, not all of which is sexually explicit.

Tim Kincaid is an American film director, film writer and film producer. As a pornographic director, Kincaid is often credited as Joe Gage.

<i>Boys in the Sand</i> 1971 film by Wakefield Poole

Boys in the Sand is a landmark American gay pornographic film, released early in the Golden Age of Porn. The 1971 film was directed by Wakefield Poole and stars Casey Donovan. It was the first gay porn film to include credits and to be reviewed by the film industry journal Variety, and one of the earliest porn films – after Andy Warhol's 1969 film Blue Movie, but preceding 1972's Deep Throat – to gain mainstream credibility.

<span class="mw-page-title-main">Bisexual pornography</span> Pornography depicting bisexuality

Bisexual pornography is a genre of pornography that most typically depicts men and at least one woman who all perform sex acts on each other. A sex scene involving women and one man who all perform sex acts on each other is generally not identified or labeled as bisexual.

Falcon Entertainment, a United States independent company based in San Francisco, California, is one of the world's largest producers of gay pornography.

<i>Kansas City Trucking Co.</i> 1976 American film

Kansas City Trucking Co. is a 1976 American gay pornographic film directed by Tim Kincaid, better known as Joe Gage. It is the first of the three films in Gage's "Working Man Trilogy", continuing with 1978's El Paso Wrecking Corp. and concluding with 1979's L.A. Tool & Die, and stars Richard Locke, Steve Boyd and Jack Wrangler.

<i>El Paso Wrecking Corp.</i> 1978 American film

El Paso Wrecking Corp. (1978) is an American gay pornographic film written and directed by Tim Kincaid, better known as Joe Gage. It is the second in what has come to be known as his "Working Man Trilogy", which begins with 1976's Kansas City Trucking Co. and concludes with 1979's L.A. Tool & Die. The lead roles are by Richard Locke and Fred Halsted.

<i>L.A. Tool & Die</i> 1979 film by Tim Kincaid

L.A. Tool & Die is a 1979 American gay pornographic film directed by Tim Kincaid, credited as Joe Gage. It is the concluding film in Gage's "Working Man Trilogy", the first two being 1976's Kansas City Trucking Co. and 1978's El Paso Wrecking Corp.. It stars Richard Locke and features Will Seagers and Paul Barresi in a heterosexual scene with Becky Savage.

<i>Le ménage moderne du Madame Butterfly</i> 1920 film

Le Ménage moderne du Madame Butterfly is a bisexual, hardcore pornographic film from France. It is notable for being the earliest known adult film to incorporate bisexual and homosexual intercourse.

<span class="mw-page-title-main">Gay pornography</span> Pornography depicting sex acts between males

Gay pornography is the representation of sexual activity between males. Its primary goal is sexual arousal in its audience. Softcore gay pornography also exists; which at one time constituted the genre, and may be produced as beefcake pornography directed toward heterosexual female, homosexual male and bisexual audiences of any gender.

Rod Barry is a former pornographic actor and director from the United States who has been credited in over 150 pornographic films and internet-based shows since entering the industry in 1996. Most of Barry's appearances have been in the gay pornography genre, but he has appeared in bisexual, transsexual and heterosexual videos. In 2008, he was inducted into the gay pornography industry's Hall of Fame.

<i>Dream Team</i> (1999 film) 1999 gay pornographic film, written and directed by Jerry Douglas

Dream Team is a 1999 gay pornographic film, written and directed by Jerry Douglas, starring Tony Donovan, Rick Chase and Kurt Young, and produced by Studio 2000. This movie tells the coming-of-age stories of a group of high school basketball team players who come to terms with their sexualities at a young age in 1957, and later in a 1962 reunion.

Fred Charles Halsted was an American gay pornographic film director, actor, escort, publisher, and sex club owner. His films Sex Garage and L.A. Plays Itself are the only gay pornographic movies in the permanent collection of the Museum of Modern Art, where they were screened before a capacity audience on April 23, 1974. A screening of L.A. Plays Itself was sponsored by the San Francisco Museum of Modern Art on February 28, 2013, and another took place on December 16, 2011, at the Los Angeles art gallery Human Resources. His films have also been shown the Netherlands Film Museum and in competition at The Deauville Film Festival.

George Payne is an American actor and retired pornographic film actor. He found early success as a swimsuit model and was featured in Physique Pictorial. Payne began work in the adult film industry in The Back Row in 1973 opposite actor Casey Donovan. He was featured on the cover of the LGBT magazine The Advocate the same year. He later starred with Jack Wrangler in Navy Blue in 1979, and in Centurians of Rome in 1981. Payne later transitioned to straight roles in the adult industry; his work is considered part of the Golden Age of Porn. He was inducted into the X-Rated Critics Organization Hall of Fame in 1999.

Richard Holt Locke was an American actor in gay erotic films of the 1970s and 1980s, who went on to become an AIDS educator and activist. As a performer in adult cinema, Locke has been credited with being one of the "earliest and most widely emulated VCR stars" in gay erotic cinema, as well as someone whose performance and physicality contributed to the evolution of gay sexual behavior in the 1970s and 1980s.

<i>The Other Side of Aspen</i> 1978 American gay pornographic film

The Other Side of Aspen is a 1978 American gay pornographic film produced by Falcon Studios, directed by Matt Sterling, starring Casey Donovan, Al Parker, and Dick Fisk. The film consists of sex scenes filmed in Lake Tahoe, California, interspersed with dialogue scenes shot in San Francisco. The Other Side of Aspen was Falcon's first feature-length release, notable as one of the first adult films distributed on videocassette.

<span class="mw-page-title-main">Physique photography</span>

Physique photography is a tradition of photography of nude or semi-nude men which was largely popular between the early 20th century and the 1960s. Physique photography originated with the physical culture and bodybuilding movements of the early 20th century, but was gradually co-opted by homosexual producers and consumers, who favoured increasingly homoerotic content. The practiced reached its height in the 1950s and early 1960s with the inception of physique magazines, which existed largely to showcase physique photographs and were widely consumed by a mostly-gay audience.

References

  1. 1 2 3 4 Gary, Morris (November 2003). "Keep on Truckin'". Bright Lights. Retrieved 21 November 2014.
  2. Escoffier, Jeffrey (2012). Bigger than life : the history of gay porn cinema from beefcake to hardcore (EasyRead large print ed.). [S.l.]: Read How You Want. p. 154. ISBN   978-1458779885.
  3. 1 2 3 4 BJ. "Joe Gage". BJLAND. Retrieved 21 November 2014.
  4. "El Paso Wrecking Corp". Madison Gay Video Club. Retrieved 21 November 2014.
  5. 1 2 Jerry, Douglas (August 1992). "Interview with a Legend". Manshots. II.
  6. 1 2 3 Frank, Rodriguez. "TOP PORNOGRAPHER LOVES TO BANG OUT A LOAD WHILE WATCHING HIS OWN LEGENDARY FILMS". Butt. Retrieved 21 November 2014.
  7. 1 2 "Joe Gage Classic Trilogy". Madison Gay Video Club. Retrieved 21 November 2014.
  8. Escoffier, Jeffrey (2012). Bigger than life : the history of gay porn cinema from beefcake to hardcore (EasyRead large print ed.). [S.l.]: Read How You Want. p. 156. ISBN   978-1458779885.
  9. "Who In The Hell Is Tim Kincaid? Kansas City Trucking Co. – Joe Gage". Gay Porn Gossip. Who In The Hell Is Tim Kincaid? Kansas City Trucking Co. – Joe Gage. Retrieved 21 November 2014.
  10. Hays, Matthew (2007). The view from here conversations with gay and lesbian filmmakers. Vancouver: Arsenal Pulp Press. p. 141. ISBN   9781551522203.