Heavy Weather is the seventh album by Weather Report, released in 1977 through Columbia Records. The release originally sold about 500,000 copies; it would prove to be the band's most commercially successful album. Heavy Weather received a 5-star review from DownBeat magazine and went on to be voted jazz album of the year by the readers of that publication. On this album the lineup consisted of Weather Report founders Joe Zawinul and Wayne Shorter (saxophone), alongside Jaco Pastorius (bass), Alex Acuña (drums), and Manolo Badrena (percussion). It was produced and orchestrated by Zawinul, with additional production by Shorter and Pastorius, and engineered by Ron Malo.
Welcome is the fifth studio album by Santana, released in 1973. It followed the jazz-fusion formula that the preceding Caravanserai had inaugurated, but with an expanded and different lineup this time. Gregg Rolie had left the band along with Neal Schon to form Journey, and they were replaced by Tom Coster, Richard Kermode and Leon Thomas, along with guest John McLaughlin, who had collaborated with Carlos Santana on Love Devotion Surrender. Welcome also featured John Coltrane's widow, Alice, as a pianist on the album's opening track, "Going Home" and Flora Purim on vocals. This album was far more experimental than the first four albums, and Welcome did not produce any hit singles.
Slaughter on 10th Avenue is the debut album by English guitarist Mick Ronson, then-guitarist of David Bowie's backing band the Spiders from Mars. It was released in February 1974 by RCA Records.
Play Don't Worry is the second album by English guitarist and singer Mick Ronson, recorded in 1974 and released in January 1975 after his several projects in the early seventies together with David Bowie, Lou Reed and the band the Spiders from Mars. It contains mainly covers arranged by Ronson for his own sound, covering everyone from Pure Prairie League, The Velvet Underground and Little Richard. The backing track to "White Light/White Heat" was salvaged from Bowie's Pin Ups sessions. The title track was co-written by Bob Sargeant, later producer to The Beat amongst others, who released an album First Starring Role in April 1974 which included Ronson on recorder and producing four tracks.
Annette Peacock is an American composer, musician, songwriter, producer, and arranger. She is a pioneer in electronic music who combined her voice with one of the first Moog synthesizers in the late 1960s.
Blacknuss is an album by Rahsaan Roland Kirk. It was recorded in 1971 and released by Atlantic Records.
Peaceful World is the eighth studio album by rock band The Rascals, released on May 5, 1971. It peaked at number 122 on the Billboard 200 chart. In Canada, the album reached number 50. The single "Love Me" reached number 95 on the Billboard Hot 100.
I'm the One is the debut solo album by Annette Peacock and was released by RCA in 1972. In 2010 Peacock remastered and reissued it on her label, ironic US, in a signed, collector's edition. In 2012, the album was reissued again by the Future Days imprint of Light in the Attic Records.
Feels Good to Me is the 1978 debut solo album by former Yes and King Crimson drummer Bill Bruford. The band Bruford grew out of the line-up assembled for this album. The album features guitarist Allan Holdsworth, bassist Jeff Berlin, keyboardist Dave Stewart, and ECM stalwart Kenny Wheeler on fluegelhorn. Bruford also enlisted singer-songwriter Annette Peacock and Brand X guitarist John Goodsall. Dave Stewart was a pivotal figure in the music of the Canterbury scene with groups like Egg, Hatfield and the North and National Health, but despite his strong playing presence, the album does not sound much like the Canterbury bands, and is instead closer to contemporaries Brand X.
The Case of the 3 Sided Dream in Audio Color is an album by the jazz multi-instrumentalist Rahsaan Roland Kirk, released as a double LP, with side 4 appearing blank - although side 4 did have a hidden track, the contents of which are released as track #20 on the CD rerelease. It contains performances by Kirk with Pat Patrick, Hilton Ruiz, Richard Tee, Arthur Jenkins, Cornell Dupree, Keith Loving, Hugh McCracken, Francisco Centeno, Henry Pearson, Bill Salter, Sonny Brown, Steve Gadd, John Goldsmith, Lawrence Killian, Ralph MacDonald, and arrangements by William Eaton.
Sugar is an album by jazz saxophonist Stanley Turrentine, his first recorded for the CTI Records label following his long association with Blue Note, featuring performances by Turrentine with Freddie Hubbard, George Benson, Ron Carter, and Billy Kaye with Lonnie Liston Smith added on the title track and Butch Cornell and Richard "Pablo" Landrum on the other two tracks on the original release. The CD rerelease added a live version of the title track recorded at the Hollywood Palladium in 1971.
The Main Attraction is an album by American jazz guitarist Grant Green featuring performances recorded in 1976 and released on the Kudu label.
Bossa Nova Bacchanal is an album by American saxophonist Charlie Rouse recorded in 1962 and released in 1963 on the Blue Note label. It was the only album Rouse recorded as a leader for Blue Note. The CD reissue includes a bonus track recorded in 1965.
Nothing Ever Was, Anyway: Music of Annette Peacock is an album by pianist Marilyn Crispell, bassist Gary Peacock, and drummer Paul Motian recorded in 1996 and released on the ECM label.
Lawrence of Newark is a jazz album by organist/keyboardist Larry Young, released on the Perception Records label.
Connection is an album by trumpeter/bandleader Don Ellis recorded in 1972 and released on the Columbia label. The album features big band arrangements of pop hits of the day along with Ellis' "Theme from The French Connection" which won him a Grammy Award for Best Instrumental Arrangement in 1973
Bob Dylan – The Rolling Thunder Revue: The 1975 Live Recordings is a box set of 1975 live recordings by Bob Dylan, released on June 7, 2019. For this tour, Dylan assembled a loose collective of a backing band called Guam and played across North America for several dozen shows. The tie-in Netflix documentary film Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese was released the following week. A similar compilation was released in 2002 entitled Bob Dylan Live 1975, The Rolling Thunder Revue, as part of Dylan's ongoing Bootleg Series. That compilation was re-released on vinyl as a companion to the later release.
The Perfect Release is an album by Annette Peacock. It was recorded in London, and was released in 1979 by Aura Records. On the album, Peacock is joined by guitarist Robert Ahwai, keyboardist Max Middleton, bassist John McKenzie, drummer Richard Bailey, and percussionists Darryl Lee Que and Lennox Laington.
Love Will Find a Way is an album by saxophonist Pharoah Sanders. It was recorded in Burbank, California, in 1977, and was released in 1978 by Arista Records. On the album, which was produced by Norman Connors, Sanders is joined by a large ensemble of musicians.
My Mama Never Taught Me How to Cook: The Aura Years 1978–1982 is a compilation album by composer, singer, songwriter, and producer Annette Peacock. It brings together material previously released by the Aura label on X-Dreams (1978), The Perfect Release (1979), and The Collection (1982), and was released by Sanctuary Records in 2004.
