Winona Laura Horowitz, known professionally as Winona Ryder, is an American actress. Having come to attention with quirky roles in the initial phase of her career, she achieved fame and critical success with her more diverse performances in various genres throughout the 1990s. Ryder's many accolades include a Golden Globe Award, as well as nominations for two Academy Awards, a BAFTA Award, and a Grammy Award.
Steve Albini was an American musician, audio engineer and music journalist, whose many recording projects have exerted an important influence on independent music since the 1980s. Most of his projects from 1997 onwards were recorded at the Electrical Audio studios in Chicago. Albini is occasionally credited as a record producer, though he disliked the term to describe his work, preferring the term "recording engineer" when credited, and refused to take royalties from bands recording in his studio, as he felt it would be unethical to do so.
Alec Empire is a German experimental electronic musician who is best known as a founding member of the band Atari Teenage Riot, as well as a solo artist, producer and DJ. He has released many albums, EPs and singles, some under aliases, and remixed over seventy tracks for various artists including Björk. He was also the driving force behind the creation of the digital hardcore genre, and founded the record labels Digital Hardcore Recordings and Eat Your Heart Out Records.
The Jon Spencer Blues Explosion was an American three-piece rock band from New York City, formed in 1991. The group consisted of Judah Bauer on guitar, backing vocals, harmonica and occasional lead vocals, Russell Simins on drums and Jon Spencer on vocals, guitar and theremin. Their musical style is largely rooted in rock and roll although it draws influences from punk, blues, garage, rockabilly, soul, noise rock, rhythm and blues and hip hop.
Daniel M. Nakamura, better known by his stage name Dan the Automator, is an American music producer from San Francisco, California. He is the founder of the publishing company Sharkman Music and the record label 75 Ark.
Now I Got Worry is the fifth studio album by Jon Spencer Blues Explosion. It was released via Matador Records on October 15, 1996. "Fuck Shit Up" is a cover of a Dub Narcotic song. "Weird Al" Yankovic directed the music video for "Wail".
Orange is the fourth studio album by the Jon Spencer Blues Explosion. It was released through Matador Records on October 11, 1994. The Village Voice ranked the album #16 of the top albums of 1994. NME named it the 16th best album of 1994. In 2018, Paste named it the 48th best garage rock album of all time. The single "Bellbottoms" was included in The Pitchfork 500.
Acme is the sixth studio album by Jon Spencer Blues Explosion. It was released via Matador Records on October 20, 1998.
The Negatones is a Brooklyn, New York based band, founded by siblings Jay Braun and Justin Braun with Jun Takeshta and Jesse Wallace.
Stand Your Ground is the second album by the band Little Barrie. The album is produced by Dan the Automator and Mike "Prince Fatty" Pelanconi. The band went for a more straight rock’n’roll sound in their own words as
a result of touring the first record ... we wanted more something more rock’n’roll to play on stage. And it’s partly because while we were touring we were getting back into stuff we hadn’t listened to for a while, like old garage stuff, and The Cramps. We thought it might be a bit more of a stripped-down, southern fried soul sort of thing. We expected it would maybe almost have a Lee Dorsey, Tony Joe White influence. But then we started getting into different things – started toughening the beats up, and getting into mad '50s reverb on the guitars. I became interested in the energy of those sounds, but still keeping the soulful thing in it. It sort of went a bit darker. We wanted this record to be less psychedelic than the last one, and there's less guitars on it.
Luther Andrews Dickinson is the lead guitarist and vocalist for the North Mississippi Allstars and the son of record producer Jim Dickinson. He is also known for being a guitarist for The Black Crowes. He hosts Guitar Xpress on the Video on Demand network Mag Rack.
A's, B's and Rarities is an album by the band Fun Lovin' Criminals. It was released by their former label EMI Chrysalis, and collects a large number of rarities from their time with the label, although not all of them.
Damage is the eighth studio album by American punk blues band Blues Explosion, released in 2004. This is the first album that the band has released under the abbreviated name "Blues Explosion" rather than their previous name, "The Jon Spencer Blues Explosion". Spencer said about the band name change:
"It's always been a band, never a solo project, The name change honors a band that allows the three of us to make music for a while. It may not be the best thing to do. Sometimes we shoot ourselves in the foot. The Blues Explosion is kind of a punk rock band. We do what we want."
Crypt Style is the second official album by the group The Jon Spencer Blues Explosion, and was first released in 1992 on CD in Japan on the "1+2" label. It was later released with an abbreviated track listing on CD in Germany, and as an LP in the US, both in 1993 under the Crypt label. The album tracks were recorded in two different sessions. The first come from a recording session with Kramer in July 1991, and followed by a recording session with Steve Albini in November and December 1991.
Plastic Fang is the seventh official release by the American punk blues group The Jon Spencer Blues Explosion, released on Matador in 2002. "She Said" was released as a single and a music video was filmed for it. In the video, Jon Spencer is a vampire being hunted by nuns whom he eventually seduces into a striptease en masse, before fighting and dying at the hands of a vampiress.
The Jon Spencer Blues Explosion is the debut album by the New York City-based eponymous band. Few copies of the album were produced; however, some songs are featured on the album Crypt Style, released one year after. Additionally, some songs are featured on the album A Reverse Willie Horton, released one year earlier, and considered either a bootleg or the group's true first album, as it contains all studio tracks. All three albums are culled from separate 1991 recording sessions with Kramer and Steve Albini.
Hands on In Between is a remix album from Paul van Dyk, released on 24 November 2008. This album consists of two CDs of remixed songs featured on the original In Between album in 2007. Selections from this album were remixed by various trance artists in the scene. It also includes the winning remix from van Dyk's "Far Away Remix Competition" featured on Beatport earlier in the year. The winning remix was promised a release, in which progressive trance producer Mateo Murphy was given the honour. As well as a release on the "Far Away" single, his remix made it onto this compilation too.
A Reverse Willie Horton is either the debut album, or an early bootleg album, by the New York City-based Jon Spencer Blues Explosion. Few copies of the album were produced; many songs appear on the group's next album, 1992's The Jon Spencer Blues Explosion, albeit in a different mix or recording altogether. All three albums are made up of tracks recorded in 1991 by producer Kramer and engineer Steve Albini.
"Right Place, Wrong Time" is a song by American musician Dr. John. It was the first single from his sixth album, In the Right Place, and became his biggest hit single.
Come On In is a remix album by Delta blues guitarist R. L. Burnside, released by the label Fat Possum in 1998. Largely produced by Tom Rothrock, the album was a departure for Burnside in that it fuses his blues guitar work with dance and electronic music, incorporating sampling and looping techniques. Burnside was originally skeptical of the idea, but enjoyed the finished product. Although the album's fusion of styles was deemed unusual by critics, it received acclaim from music journalists and showed respectable sales, becoming the best-selling album distributed by Epitaph Records in early 1999. The album's sound was explored by Burnside in his later works.
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