This article needs additional citations for verification . (July 2020) (Learn how and when to remove this template message) |
A Reverse Willie Horton | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1992 | |||
Recorded | 1992 | |||
Genre | Punk blues, alternative rock | |||
Label | Pubic Pop Can [1] | |||
Producer | Kramer [2] | |||
The Jon Spencer Blues Explosion chronology | ||||
|
A Reverse Willie Horton is either the debut album, or an early bootleg album, by the New York City-based Jon Spencer Blues Explosion. [1] [3] [4] Few copies of the album were produced; many songs appear on the group's next album, 1992's The Jon Spencer Blues Explosion , albeit in a different mix or recording altogether (the sound of A Reverse Willie Horton is closer to Crypt Style ). [5] All three albums are made up of tracks recorded in 1991 by producer Kramer and engineer Steve Albini (in separate sessions).[ citation needed ]
The album was released as a black vinyl LP in an edition of 500 copies. The front and rear art work are two separate images pasted onto a plain black card sleeve (with the exception of white text reading 'JACKET ME IN CANA' on the rear).
During an interview with Fiz Magazine (Issue #5), Spencer discussed the various editions of the first album and hinted at the origins of the release: "When I was travelling around with the Gibson Bros. last year I had a tape of that with me because we had just done it. I let a few people dub it so maybe something came from that."[ citation needed ]
Dave Thompson, in Alternative Rock, called the album "deliciously downplayed racket, purposely recorded to sound like a pile of old blues records, rattling through the cheapest speakers in the world." [2] Spin acknowledged the mystery surrounding the recording and called it better than anything that Spencer's former band, Pussy Galore, had ever released. [1]
Pointing out that many of the songs appeared on the band's Caroline album, Trouser Press advised that the versions contained on A Reverse Willie Horton were superior, writing "with their echoey mixes and cardboard drums, they sound like they could’ve been appropriated from scratchy 45s found in a secluded Tennessee thrift shop." [5]
Burn to Shine is an album by Ben Harper and the Innocent Criminals, released in 1999 on Virgin Records America. The album shows Harper working within many different genres, including blues, rock, soul, and folk. The songs "Steal My Kisses" and "Suzie Blue" became successful on college radio. Like most other Harper albums, different versions were released in different regions within varying bonus material.
The Jon Spencer Blues Explosion was an American three-piece rock band from New York City, formed in 1991. The group consisted of Judah Bauer on guitar, backing vocals, harmonica and occasional lead vocals, Russell Simins on drums and Jon Spencer on vocals, guitar and theremin. Their musical style is largely rooted in rock and roll although it draws influences from punk, blues, garage, rockabilly, soul, noise rock, rhythm and blues and hip hop. They released nine official studio albums, collaborative records with Dub Narcotic Sound System and R.L. Burnside as well as numerous live, singles, out-take albums, compilations, remix albums and, in 2010, a series of expanded reissues.
Pussy Galore was an American garage rock band that formed in Washington, D.C. in 1985. They had a constantly fluid line-up until their demise in 1990. They took their name from the character in the James Bond film, Goldfinger, and their sound was inspired by The Rolling Stones and Einstürzende Neubauten.
Jon Spencer is an American singer, composer and guitarist. He has been involved in multiple musical acts, such as Pussy Galore, Boss Hog, Heavy Trash and The Jon Spencer Blues Explosion.
Hard Volume is the second album by the Rollins Band, released in 1989. It was reissued with new tracks in 1999.
Fumble is the final studio album by American hardcore band Scream. It was recorded in December 1989 at Inner Ear Studios in Arlington, Virginia, and released in July 1993 through Dischord. It is notable for showcasing the band's expansion in style, towards a more post-hardcore sound.
Dirtdish is an album by Wiseblood. It was released in 1986 by K.422/Some Bizzare. It was re-released on CD in 1995 by Thirsty Ear. The CD release of Dirtdish is Some Bizzare #WISE 3CD.
Orange is the fourth studio album by the Jon Spencer Blues Explosion. It was released through Matador Records on October 12, 1994. The Village Voice ranked the album #16 of the top albums of 1994. NME named it the 16th best album of 1994. In 2018, Paste named it the 48th best garage rock album of all time. The single "Bellbottoms" was included in The Pitchfork 500.
Fleetwood Mac in Chicago is an album by the rock band Fleetwood Mac released on 5 December 1969. It was the result of a recording session in early 1969 at Chess Records in Chicago with Fleetwood Mac, then a young British blues band, and a number of famous Chicago blues artists from whom they drew inspiration. The album has also been released, with slightly different track listings, under the titles Blues Jam at Chess and Blues Jam in Chicago Volumes One and Two.
Weeville is an album by New Zealand band Tall Dwarfs, released in 1990. It was the band's first album, after almost a decade of EP-only releases.
Amazing Disgrace is the fourth album by Seattle alternative rock band The Posies, released in 1996. It was their final release for DGC Records.
Robert David Hole is an Australian slide guitarist known for his style of playing rock and roll and blues music.
Worry Bomb is an album by Carter the Unstoppable Sex Machine, released in 1995. It reached #9 in the UK charts. It included a limited edition CD of the live show Doma Sportova...Live At Zagreb, recorded on 20 May 1994.
My First Bells is a compilation album by the American punk rock band Minutemen, released on SST Records in 1985.
Crypt Style is the second official album by the group The Jon Spencer Blues Explosion, and was first released in 1992 on CD in Japan on the "1+2" label. It was later released with an abbreviated track listing on CD in Germany, and as an LP in the US, both in 1993 under the Crypt label. The album tracks were recorded in two different sessions. The first come from a recording session with Kramer in July 1991, and followed by a recording session with Steve Albini in November and December 1991.
Should the World Fail to Fall Apart is the debut album by the British solo artist Peter Murphy, formerly of the gothic rock band Bauhaus. The album contains Murphy's covers of Magazine's "The Light Pours Out of Me" and Pere Ubu's "Final Solution." It was released in 1986.
The Jon Spencer Blues Explosion is the debut album by the New York City-based eponymous band. Few copies of the album were produced; however, some songs are featured on the album Crypt Style, released one year after. Additionally, some songs are featured on the album A Reverse Willie Horton, released one year earlier, and considered either a bootleg or the group's true first album, as it contains all studio tracks. All three albums are culled from separate 1991 recording sessions with Kramer and Steve Albini.
Sexy Pee Story is the sixth studio album by Minneapolis-based noise rock band Cows. It was released on March 23, 1993, by Amphetamine Reptile Records.
Mother Juno is an album by The Gun Club, released in 1987. It was produced by Robin Guthrie of the Cocteau Twins.
Malefactor, Ade is the fifth album by the experimental rock band Red Krayola, released in 1989 by Glass Records. The album was adopted by Drag City and re-issued on CD in 2000.
This 1990s alternative rock album–related article is a stub. You can help Wikipedia by expanding it. |