Kramer's first experience in the New York music scene came when he played in the band New York Gong, led by Daevid Allen, in 1979 and 1980.[5] Kramer played organ on one song on their 1979 album About Time.
In 1980, Kramer joined the band The Chadbournes, led by Eugene Chadbourne, which also included David Licht, Tom Cora and John Zorn. They played together until Chadbourne, Kramer and Licht formed the band Shockabilly, which toured internationally from 1982 until 1985.[5] The band dissolved while on a US tour early in 1985. That tour included a brief trip through Texas with the then-unknown Butthole Surfers. Forging a close friendship with co-founding Butthole Surfers members Gibby Haynes and Paul Leary, Kramer was available when the band needed to replace their bassist later that year. Kramer bought a Höfner Beatle bass and joined the Butthole Surfers' for a string of shows in the USA, and for the band's debut European tour in 1985. Prior to his purchase of Noise New York, he recorded several songs from the band's "Rembrandt Pussy Horse" LP there, along with the songs "Florida" and "Two Parter".[6]
Production and studio
After touring, Kramer took over a New York recording studio named Noise New York, using a loan of $5,000 from an uncle.[5] The studio was to serve as a mainstay for artists and bands both local and international, and Kramer became one of the busiest indie music producers in New York City. The first recording at Noise New York was the Buttholes' rendition of "American Woman".[5]
The label remained a favorite at college radio stations throughout the 1980's and 90's.
Bongwater
In the early 1980s Kramer met Ann Magnuson, New York City performance artist, when he ran the sound for a band she was in, Pulsallama, during their frequent performances at Club 57. After Pulsallama disbanded in 1984, the two began to collaborate, and in 1986 they formed Bongwater. Together they released five LPs, including Double Bummer, and culminating with their 1991 swansong, The Big Sell-Out.[2] In 1991 they began a romantic relationship while Kramer was separated from his estranged wife.[5] After several months, Kramer decided to end the romantic relationship and reconcile with his wife, and the end of the relationship also spelled the end of the band.[5] Several months later, Magnuson sued Kramer for $4.5 million for breach of contract, among other charges, and Kramer responded with a counter-suit.[5] The subsequent legal battle resulted in the financial crippling of the Shimmy-Disc label, which never recovered. The lawsuits were eventually settled out of court in 1997 for undisclosed terms.[5]
Association with Penn & Teller
A pivotal moment in Kramer's early career came when Jad Fair of Half Japanese introduced him to Penn & Teller. Kramer soon found himself working eight shows per week as Sound Consultant on Penn & Teller's 1987 Broadway show, and composing the music for their Cruel Tricks for Dear Friends special. In 1992, Kramer formed the band the Captain Howdy with Penn Jillette, and together with guest artists Debbie Harry (of Blondie) and Billy West, they made two highly eclectic CDs together, both released on Shimmy-Disc. Following Penn's permanent relocation to Las Vegas in 1997, the group disbanded.
Collaboration with other artists
In 1988 Kramer & Jad Fair released the record Roll Out the Barrel together on Kramer's Shimmy-Disc label. They reunited in 1998 and published the record The Sound of Music. An Unfinished Symphony in 12 Parts that year. In 2020, they released their 3rd collaboration, "The History of Crying" on Kramer's newly relaunched Shimmy-Disc label.
In 1990 Kramer first met the two-man band Ween when they played a show at a small New York club, the Pyramid Club. Kramer struck up a friendship with the two, who had already been fans of his Shimmy-Disc label. He signed them to Shimmy-Disc, and creleased their new double-LP The Pod. In January 1992, THE WEEN went on a brief tour of England with Kramer on bass and Claude Coleman Jr on drums, culminating with the recording of 4 songs from THE POD for a John Peel Session.
In 2023, Shimmy-Disc released Kramer's collaboration with new-age pioneer Laraaji, entitled "Baptismal".
In 2024, Shimmy-Disc released Kramer's collaboration with Pan American (Mark K. Nelson) entitled "Reverberations of Non-Stop Traffic on Redding Road", featuring cover art photography by Rudy Royston.
Changes in ownership of studio and record label
In 1992 Kramer sold his Noise New York recording studio and moved just across the Hudson River, where he'd found a house going into foreclosure with a state-of-the-art 24-track recording studio built in. He dubbed the studio Noise New Jersey, and continued to produce recordings there,[5] including, most famously, Urge Overkill's cover of "Girl, You'll Be a Woman Soon".
Shortly following the sale of Shimmy-Disc and his recording facility to the Knitting Factory in 1998 (in which he was contracted to play a continuing role in the label as producer and Director of A&R), Kramer sued the Knitting Factory for breach of contract[5] and soon found himself without a creative base for the first time in his professional career. This experience left him emotionally devastated and looking to exit the music business without delay.
Film and theater
Kramer turned to his lifelong passion in film and theater, and in late 2000, he began studying directing under film and stage director Arthur Penn, whom he had met in 1989 when Penn directed Penn & Teller Get Killed. Kramer spent the better part of four years at New York's Actors Studio, where, in addition to learning directing, he did sound design and music for various productions at the Actors Studio Free Theater on 42nd street. This phase of Kramer's career culminated in 2002 when he composed the music for Fortune's Fool, the Tony Award-winning Broadway play directed by Arthur Penn. Kramer had been appointed assistant director on Arthur Penn's next Broadway play (Sly Fox) when his mother Rosalyn was stricken with a debilitating stroke, which drew him to Florida in 2003. She died 16 months later. [citation needed]
Work with the James Randi Educational Foundation
After moving to the Fort Lauderdale area, Kramer worked for the James Randi Educational Foundation from 2004 until February 2006.[5] His main job was to manage the foundation's One Million Dollar Paranormal Challenge. Kramer also maintained the foundation's video library and oversaw the digital transfer of over 700 archival VHS tapes to DVD, comprising the most complete document of the life and career of James Randi.[citation needed]
Recent activities
Kramer is associated with the formation of the "slowcore" movement because of his production work for Low and Galaxie 500.[7]
From 2003 to 2023, Kramer operated a private CD/LP mastering and mixing studio in Florida. In 2006, he announced the return of his record company under the name Second-Shimmy. The debut release in October 2006 was I Killed the Monster - 21 Artists Performing the Songs by Daniel Johnston, featuring performances by Dot Allison, Fair & Kramer, Daniel Smith & Sufjan Stevens, Kimya Dawson, R. Stevie Moore, Major Matt Mason USA, Jeff Lewis, Mike Watt, and many others. The label released 5 CDs and ceased operations.
In 2006, Kramer produced Exaltation of Larks, a solo release from Dot Allison for which he acted as arranger and played most of the instruments. The LP was released in September 2007 on Cooking Vinyl in the UK and P-Vine in Japan.
Kramer premiered his composition "Things to Come" in Tokyo in 2007. Hoping to perform the piece annually, he performed it in Tel Aviv in 2008, Melbourne in 2009 and Paris in 2010. In January 2008, Kramer toured 14 cities in 14 days in Japan with Mike Watt and Samm Bennett in a "dueling bass" trio named Brother's Sister's Daughter.[8]
In 2012 Kramer released The Brill Building on John Zorn's Tzadik label, an album of cover songs written in the Brill Building in the early 1960s. In 2017, Tzadik followed that release with Kramer's The Brill Building, Book Two, featuring guitar performances by Bill Frisell.[9]
In January 2020, Kramer was named one of the 12 curators of the Joyful Noise RecordingsWhite Label Series, with David Lynch, Lydia Lunch, Son Lux and others.[10] On April 29, 2020, Joyful Noise Recordings also named Kramer its 2020 Artist-in-Residence, and simultaneously announced a new partnership with Kramer for the rebirth of his Shimmy-Disc label. The first release by the label was from Let It Come Down, Kramer's recording project with U.K. vocalist Xan Tyler. Their debut LP, titled "Songs We Sang in Our Dreams", was released on June 12, 2020. The A.I.R. series culminated in a five-LP box set of Kramer projects.[11]
The A.I.R. box also includes "Words and Music", Kramer's spoken-word LP in which he sets music to the voices of poets and writers as diverse as Allen Ginsberg, Gregory Corso, Terry Southern, Tina May Hall, Christine Schutt, Scott McClanahan and others, and his first full-length 'ambient cinema' releases, "Music for Pianos and Sunflowers", and "Music for Films Edited by Moths", collaborating with Dutch multi-disciplinary artist Tinca Veerman on a series of videos for each piece of music. Another collaboration with Tinca Veerman followed in 2024, when he was commissioned by her to compose the music for her Amsterdam installation at De Hallen, "We Are Passengers".
In November 2021, Kramer released "And The Wind Blew It All Away", his first solo LP of original songs since 1998's "Songs From The Pink Death".
In 2022, Kramer re-mixed the first demos recorded in 1994 by Josh Haden for his band Spain, and released them on Shimmy-Disc as "World Of Blue", featuring many of the songs eventually included on Spain's debut LP, "The Blue Moods of Spain".
In 2023, Shimmy-Disc released Kramer's remixes of "THE LION FOR REAL" by Allen Ginsberg, originally produced in 1988/89 by Hal Willner. Originally released as one vinyl LP, this double-LP re-release featured many songs not included on the original LP, with music composed by Bill Frisell, Marc Ribot, Arto Lindsay, and many others.
In January 2024, Shimmy-Disc released an LP of a live performance by Daniel Johnston entitled "Alive in New York City", recorded and live-mixed by Kramer in 2001.
As of January 2023, Kramer lives in a small town near Asheville, North Carolina, where he continues his activities as a composer/producer and maintains a modest recording/mixing/mastering facility in his home.
Butthole Surfers are an American rock band formed in San Antonio, Texas, by singer Gibby Haynes and guitarist Paul Leary in 1981. The band has had numerous personnel changes, but its core lineup of Haynes, Leary, and drummer King Coffey has been consistent since 1983. Teresa Nervosa served as second drummer from 1983 to 1985, 1986 to 1989, and 2009. The band has also employed a variety of bass players, most notably Jeff Pinkus.
Danielson is an American rock band from Clarksboro, New Jersey, that plays indie pop gospel music. The group consists of frontman Daniel Smith and a number of various artists with whom he collaborates. Smith has also released solo work as Brother Danielson.
King Missile is an American avant-garde art rock band best known for its 1992 single "Detachable Penis". Vocalist John S. Hall has fronted several disparate incarnations of the group since founding it in 1986.
Half Japanese is an American art punk band formed by brothers Jad and David Fair in 1974, after their family's relocation to Uniontown, Maryland.
Tadpoles are an American psychedelic rock band, formed in 1990 in New York City by Todd Parker (guitars/vocals), Michael Kite Audino (drums) and Josh Bracken (bass.) In 1992, Nick Kramer (guitars/vocals), David Max (bass) and Andrew Jackson (guitars) of the fledgling Manhattan group, Hit, joined the Tadpoles after putting Hit on hiatus.
Andrew Weiss is an American musician, composer, audio engineer and record producer.
Shimmy Disc is a New York City-based independent record label founded in 1987 by Mark Kramer. Before it was sold to the Knitting Factory, artists like Bongwater, Daniel Johnston, Fly Ashtray, Galaxie 500, King Missile, Boredoms, Ruins, Ween, Gwar, The Semibeings, and Uncle Wiggly recorded on the label. The label also released compilation albums such as Rutles Highway Revisited , 1990, which featured various artists from the label, and also introduced new artists like Paleface.
Ween is an American rock band from New Hope, Pennsylvania, formed in 1984 by Aaron Freeman and Mickey Melchiondo, better known by their respective stage names, Gene and Dean Ween. Generally categorized as an alternative rock band, the band are known for their irreverent, highly eclectic catalog of songs inspired by funk, soul, country, gospel, prog, psychedelia, R&B, heavy metal, and punk rock.
Hell-O! is the debut album by Gwar. The album was released in September 1988, on Shimmy Disc Records.
Jadwin B. Fair is an American singer, guitarist, graphic artist, and founding member of lo-fi alternative rock group Half Japanese.
Paul Leary Walthall, known as Paul Leary, is an American musician and music producer from Austin, Texas, best known as the lead guitarist and occasional lead vocalist for the rock band Butthole Surfers. He is also the producer of a number of songs and albums by other bands, including U2, Sublime, Meat Puppets, Daniel Johnston, The Reverend Horton Heat, Pepper, Maggie Walters, Bad Livers, Slightly Stoopid, and The Refreshments. Leary produced Sublime with Rome's debut album, Yours Truly.
Damon & Naomi are an American dream pop/indie folk duo, formed in 1991 by Damon Krukowski and Naomi Yang, formerly of Galaxie 500.
Joyful Noise Recordings is an independent record label with headquarters in Indianapolis, Indiana. The label was founded in 2003 in Bloomington, Indiana by Karl Hofstetter, who also played drums several of the label's first releases. Joyful Noise maintains an active roster of over 30 bands playing various musical styles, though according to the label, each artist "in one way or another bridges the gap between pop and noise."
Jeff "J.D." Pinkus is an American bassist best known for his work with American punk band Butthole Surfers from 1985 to 1994 and the 2009 reunion.
Stationary Odyssey was an American alternative rock band from Evansville, Indiana, United States, composed of Aaron Tanner and Brett Siler. Their debut EP, Komondor, was named one of the top 15 Most Important Releases of 2004 in Japan.
It's Spooky is a collaborative album by musicians Jad Fair and Daniel Johnston. It was first released in 1989 on 50 Skidillion Watts Records, under the title Jad Fair and Daniel Johnston. Although receiving praise from critics and fans alike, the record was commercially overlooked. Both Johnston and Fair play the majority of instruments, including vocals, guitars, piano, keyboards and drums.
1990 is the eleventh album by American singer-songwriter Daniel Johnston. It was released in January 1990, through record label Shimmy Disc. Like Continued Story before it, 1990 was intended to be Johnston's first studio album, but had to be completed using live recordings and home demos.
Merry Christmas is the tenth self-released music cassette album by singer-songwriter Daniel Johnston, recorded in 1988. The back of the cover features a typed message from Daniel: "Thanks to everyone who's helped in the past year, especially those who have bought and played my album. Thanks again."
The Semibeings were an alternative rock band based in Mercerville-Hamilton Square, New Jersey, and active in the 1990s. The band released Sickness and Health on Shimmy Disc in 1995 and Three Pawns Standing on Seattle’s C/Z label in 1997, both produced by Mark Kramer and recorded at his Noise New Jersey studio. The band’s primary members were brother’s Joe and Pat Baker and Keith Monacchio. Playing numerous shows at the City Gardens club in Trenton, the group disbanded in 1999 to pursue other interests. The Semibeings' music was featured on a number of seasons of MTV's The Real World and Road Rules during the 1990s.
Let It Come Down is an American avant-garde art rock band composed of Kramer and Xan Tyler on the newly relaunched Shimmy-Disc label, in partnership with Joyful Noise Recordings.
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