Yolanda | |
---|---|
Directed by | Robert G. Vignola |
Written by | Luther Reed (screenplay) |
Based on | Yolanda by Charles Major |
Produced by | William Randolph Hearst |
Starring | Marion Davies |
Cinematography | George Barnes Ira H. Morgan |
Music by | William Frederick Peters |
Distributed by | Metro-Goldwyn (Metro-Goldwyn-Mayer as of May 1924) |
Release dates |
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Running time | 11 reels (10,700 feet) |
Country | United States |
Language | Silent (English intertitles) |
Yolanda is a 1924 American silent historical drama film produced by William Randolph Hearst (through his Cosmopolitan Productions) and starring Marion Davies. [1] Robert G. Vignola directed as he had Enchantment (1921) and several other Davies costume films. The film began production as a Metro-Goldwyn film, with the company becoming Metro-Goldwyn-Mayer in May 1924. [2] [3]
This was the second Marion Davies vehicle produced by Cosmopolitan from a Charles Major novel, the first being the phenomenally successful (and expensive) When Knighthood Was in Flower in 1922. Unlike Knighthood, Yolanda was not financially successful. [4]
As described in a film magazine review, [5] Princess Mary of Burgundy is informed by her father the Duke that she is to marry Maximillian of Styria. Presents are exchanged. The Princess incognito goes to the silk fair and meets and falls in love with a knight who proves to be Maximillian. The later is thrown into the castle dungeon by conspirators and is about to be executed when saved through the intervention of the Princess. Through evil influences the Duke is induced to change his mind regarding a son-in-law and transfers the alliance to one with the half-witted son of the French king. Mary is given over to the care of the French court. Maximillian rescues her and, following the death of the Duke in a battle with the Swiss, is chosen to lead the Burgundians. The wedding of Maximillian and Mary is announced.
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In her 18th film, Marion Davies starred in a dual role: as Princess Mary of Burgundy and as Yolanda. Joseph Urban designed the mammoth sets which covered a city block on 2nd Avenue in New York. Exhibitors Herald reported it was the largest movie set ever built on the East Coast. This was the final Davies film Robert G. Vignola directed. This was also the only pairing of Davies and Ralph Graves. While the film did well in big cities, that success did not extend to small towns and the film was generally considered a failure. It was just too similar to When Knighthood Was in Flower . [6]
Yolanda is extant at Cinematheque de Belgique and the Museum of Modern Art and a trailer survives at the Library of Congress. [7] [8]
Charles Major was an American lawyer and novelist.
Enemies of Women is a 1923 American silent romantic drama film directed by Alan Crosland and starring Lionel Barrymore, Alma Rubens, Gladys Hulette, Pedro de Cordoba, and Paul Panzer. The film was produced by William Randolph Hearst through his Cosmopolitan Productions. Pre-fame actresses Clara Bow and Margaret Dumont have uncredited bit roles.
Quality Street is a 1927 American silent romance film directed by Sidney Franklin and starring Marion Davies, Conrad Nagel and Helen Jerome Eddy. Produced by Cosmopolitan Productions for release through MGM, it was based on the 1901 play of the same name by James M. Barrie. Prints of this film are preserved at the Library of Congress and in the Turner Archive.
Cosmopolitan Productions, also often referred to as Cosmopolitan Pictures, was an American film company based in New York City from 1918 to 1923 and Hollywood until 1938.
Lights of Old Broadway is a 1925 American silent drama film directed by Monta Bell, produced by William Randolph Hearst's Cosmopolitan Productions, and released by Metro-Goldwyn-Mayer. The film stars Marion Davies in a dual role and Conrad Nagel, and is an adaptation of the play The Merry Wives of Gotham by Laurence Eyre (USA). The film has color sequences using tinting, Technicolor, and the Handschiegl color process.
Dulcy is a 1923 American silent comedy film directed by Sidney A. Franklin and starring Constance Talmadge. The film was adapted from the Broadway production of the same name written by George S. Kaufman and Marc Connelly. The play opened in New York in August 1921 and ran for 241 performances.
Enchantment is a 1921 American silent romantic comedy film produced by Cosmopolitan Productions and released by Paramount Pictures. The film was directed by Robert G. Vignola and starred Marion Davies. A print of the film exists in the Library of Congress.
The Lucky Lady is a 1926 American silent romance film produced by Famous Players–Lasky, distributed by Paramount Pictures, directed by Raoul Walsh, and starring Greta Nissen, Lionel Barrymore, William Collier, Jr., and Marc McDermott.
When Knighthood Was in Flower is a 1922 American silent historical film directed by Robert G. Vignola, based on the novel by Charles Major and play by Paul Kester. The film was produced by William Randolph Hearst for Marion Davies and distributed by Paramount Pictures. This was William Powell's second film. The story was re-filmed by Walt Disney in 1953 as The Sword and the Rose, directed by Ken Annakin.
The Great White Way is a 1924 American silent comedy film centered on the sport of boxing. It was directed by E. Mason Hopper and produced by Cosmopolitan Productions and distributed through Goldwyn Pictures. The film was made with the cooperation of the New York City Fire Department. The film stars Oscar Shaw and Anita Stewart. It was remade twelve years later as Cain and Mabel with Marion Davies and Clark Gable.
Why Men Leave Home is a 1924 American silent comedy-drama film directed by John M. Stahl directed and stars Lewis Stone and Helene Chadwick. Produced by Louis B. Mayer and released through First National Pictures, the film is based on the 1922 play of the same name by Avery Hopwood.
The Spreading Dawn is a 1917 American silent drama film produced by Samuel Goldwyn in his first year of producing independently in his own studio and starring Broadway stage star Jane Cowl in her second and final silent film. It was directed by Laurence Trimble. The film is lost with a fragment, apparently only part of reel 3, surviving at the Library of Congress.
Polly of the Circus is a 1917 American silent drama film notable as the first film produced by Samuel Goldwyn after founding his studio Goldwyn Pictures. This film starred Mae Marsh, usually an actress for D.W. Griffith, but now under contract to Goldwyn for a series of films. The film was based on the 1907 Broadway play Polly of the Circus by Margaret Mayo which starred Mabel Taliaferro. Presumably when MGM remade Polly of the Circus in 1932 with Marion Davies, they still owned the screen rights inherited from the 1924 merger by Marcus Loew of the Metro, Goldwyn, and Louis B. Mayer studios. This film marks the first appearance of Slats, the lion mascot of Goldwyn Pictures and Metro-Goldwyn-Mayer. Prints and/or fragments were found in the Dawson Film Find in 1978.
The Bride's Play is a 1922 American silent romance film produced by William Randolph Hearst as a starring vehicle for Marion Davies. It was directed by George Terwilliger and distributed by Paramount Pictures. It is an extant film that is preserved at the Library of Congress.
The Face in the Fog is a 1922 American silent film produced by Cosmopolitan Productions and distributed by Paramount Pictures. It was directed by Alan Crosland and starred Lionel Barrymore as detective Boston Blackie. An incomplete print is preserved at the Library of Congress.
Through the Dark is a 1924 American silent mystery crime drama film directed by George W. Hill, and starring Colleen Moore and Forrest Stanley as the popular jewel thief and sometimes detective character Boston Blackie. The film's scenario, written by Frances Marion, is based on the short story "The Daughter of Mother McGinn" by Jack Boyle, which appeared in serial form in Cosmopolitan. The film was produced by William Randolph Hearst's Cosmopolitan Productions and distributed through Goldwyn Pictures.
Just Around the Corner is an extant 1921 American silent drama film produced by William Randolph Hearst's Cosmopolitan Productions and distributed through Paramount Pictures. The film is based on a short story, "Superman," by Fannie Hurst and was directed by Frances Marion, a prolific Hollywood scenarist.
Beauty's Worth is a 1922 American romantic comedy drama film directed by Robert G. Vignola, starring Marion Davies as an unsophisticated Quaker who ventures to a seaside resort, meets a Bohemian artist, and falls in love.
Adam and Eva is a 1923 American comedy silent film directed by Robert G. Vignola and adapted by Luther Reed from the play by Guy Bolton and George Middleton. The film stars Marion Davies, T. Roy Barnes, Tom Lewis, William Norris, Percy Ames, Leon Gordon, and Luella Gear. Marion Davies plays an extravagant girl who, when her father goes bust, reforms by learning the simple life and making a farm a thriving business venture. The film was released on February 11, 1923, by Paramount Pictures.
The Lullaby is a 1924 American silent drama film directed by Chester Bennett and starring Jane Novak, Robert Anderson, and Fred Malatesta. The story recounts a man being hung and his pregnant wife sent to prison.