Yorkville Sound is a Canadian manufacturer of audio amplifiers (including the Traynor amplifier line), loudspeakers and related professional sound reinforcement equipment. [1] [2] Based in Pickering, Ontario, Canada, the firm has a global presence as an importer and exporter of audio electronic products. [3] [4]
Yorkville manages its original Traynor brand, its own Yorkville brand and has expanded to include other brands such as Apex, ART (Applied Research and Technology), Orion FX Lights, Granite Percussion and Denver guitars. [5] Yorkville provides North American distribution for Hughes & Kettner guitar amplifiers as well as exclusive distribution for KRK studio monitor speakers, Line 6 guitar amplifier, effects and wireless systems, Dynaudio studio monitor speakers, Epiphone guitars, Gibson guitars, Steinberger guitars, Gold Tone guitars, Ritter bags, Samson audio products, HK Audio products, X-Vive Wireless products, Aston microphones and Gallien-Krueger amplifiers. [6]
Yorkville Sound began in 1963 [7] [8] in the back room of Long & McQuade, a music store on Yonge Street in Toronto. Peter Traynor was working as the business's repairman [9] and had been customizing amplifiers by using readily available components. [10] Traynor developed a rugged bass amplifier that was more resistant to the rigors of the road and began renting this new 'Dynabass' amp to customers. [11] [12] [13]
By the end of 1963, Traynor began selling his Dynabass amps along with matching 15-inch speaker cabinets, as well as public address (PA) speakers [14] based on a reference book of 1930s RCA commercial loudspeaker designs. [15] Traynor approached Jack Long, co-founder of the music store, with the idea of starting Yorkville Sound to sell Traynor-branded bass amplifiers and more. Long and Traynor partnered in the venture, [10] with Long owning two-thirds and Traynor one-third.
The line of products was sold with Traynor logos on the front and rear nameplates reading "mfg. by Yorkville Sound." [15]
In 1965, Yorkville Sound incorporated as "Yorkville Sound Limited" with Long as President and Traynor as Vice-President. The operation moved to Dundas Street near Parliament in Toronto. In 1966, more products were introduced including the YVM-1 "Voice Master", a portable 45 watt tube amplifier combined with a four-channel microphone mixer. The Voice Master contained 1/4-inch phone jacks for PA speakers, a master volume control, treble, mid-range and bass tone controls and patching points for the TR-1, a spring reverb unit made by Traynor. The portable mixer-amplifier concept was a novel idea that quickly proved popular among musicians, and was the inspiration for the 1967 introduction of the competing "Vocal Master" product line by Shure. [15]
In 1967, Yorkville expanded distribution westward to Vancouver and southward into the United States via Buffalo, New York. [15] In 1969, Yorkville began designing larger concert equipment including eight-, sixteen- and 24-channel mixers with a pair of integral graphic equalizers, an audio snake and heavy folded-horn "W"-style bass bins loaded with 18-inch drivers. The sound contracting business also designed and used wedge-shaped monitor speakers on stage for artists to hear themselves. [16] Concurrently, Yorkville incorporated their Buffalo operation to create a US-based business entity: Yorkville Sound Inc. [15]
In 1970, the Canadian dollar ceased to be pegged to the American dollar and US dealers found their Yorkville prices suddenly jump 10% higher, followed quickly by another 10% added due to a short-lived US surtax on imported finished goods. [15]
In 1972, Yorkville expanded operations to Europe, opening offices in the UK and Sweden. [14] In 1976, Peter Traynor sold his shares and left Yorkville Sound. [10] The Traynor brand would be slowly phased out over the next 17 years, until it was reintroduced in 2000. Steve Long, son of founder Jack Long, began working full-time at Yorkville Sound in 1981 and eventually became company president. [15]
During the 1970s and 1980s, the company grew. Around 1981–1982, Yorkville Sound was contracted to fabricate loudspeaker enclosures for Martin Audio's North American market. In 1983, Yorkville Sound created their own "Sound Crew" line of concert speakers. In 1985, two new product lines appeared with the introduction of the "élite" series of portable loudspeakers with non-user adjustable 'black box' processing and the "Audiopro" line of electronic amplifiers. A thousand-watt subwoofer was brought out in 1986: the SW-1000. [15]
A line of studio monitor speakers was created in 1991. [15] In 1996, Yorkville introduced the "TX" line of concert touring loudspeakers. [14] In 2001, Yorkville contracted with designer Tom Danley to create the "Unity" line of loudspeakers which was introduced in 2003. The Unity design was licensed from Danley's company Sound Physics Labs. [17]
In 2014, Jack Long received the Order of Canada for his contribution to the Canadian music industry, and in particular for founding both Long & McQuade and Yorkville Sound. [7] [18]
In 2021, Yorkville Sound continues to be owned by the Long family. [19]
A mixing console or mixing desk is an electronic device for mixing audio signals, used in sound recording and reproduction and sound reinforcement systems. Inputs to the console include microphones, signals from electric or electronic instruments, or recorded sounds. Mixers may control analog or digital signals. The modified signals are summed to produce the combined output signals, which can then be broadcast, amplified through a sound reinforcement system or recorded.
An instrument amplifier is an electronic device that converts the often barely audible or purely electronic signal of a musical instrument into a larger electronic signal to feed to a loudspeaker. An instrument amplifier is used with musical instruments such as an electric guitar, an electric bass, electric organ, synthesizers and drum machine to convert the signal from the pickup or other sound source into an electronic signal that has enough power, due to being routed through a power amplifier, capable of driving one or more loudspeaker that can be heard by the performers and audience.
A guitar amplifier is an electronic device or system that strengthens the electrical signal from a pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which are typically housed in a wooden cabinet. A guitar amplifier may be a standalone wood or metal cabinet that contains only the power amplifier circuits, requiring the use of a separate speaker cabinet–or it may be a "combo" amplifier, which contains both the amplifier and one or more speakers in a wooden cabinet. There is a wide range of sizes and power ratings for guitar amplifiers, from small, lightweight "practice amplifiers" with a single 6-inch speaker and a 10-watt amp to heavy combo amps with four 10-inch or four 12-inch speakers and a 100-watt amplifier, which are loud enough to use in a nightclub or bar performance.
A public address system is an electronic system comprising microphones, amplifiers, loudspeakers, and related equipment. It increases the apparent volume (loudness) of a human voice, musical instrument, or other acoustic sound source or recorded sound or music. PA systems are used in any public venue that requires that an announcer, performer, etc. be sufficiently audible at a distance or over a large area. Typical applications include sports stadiums, public transportation vehicles and facilities, and live or recorded music venues and events. A PA system may include multiple microphones or other sound sources, a mixing console to combine and modify multiple sources, and multiple amplifiers and loudspeakers for louder volume or wider distribution.
A sound reinforcement system is the combination of microphones, signal processors, amplifiers, and loudspeakers in enclosures all controlled by a mixing console that makes live or pre-recorded sounds louder and may also distribute those sounds to a larger or more distant audience. In many situations, a sound reinforcement system is also used to enhance or alter the sound of the sources on the stage, typically by using electronic effects, such as reverb, as opposed to simply amplifying the sources unaltered.
JBL is an American audio equipment manufacturer headquartered in Los Angeles, California, United States. JBL serves the consumer home and professional market. The professional market includes studios, installed/tour/portable sound, cars, music production, DJ, cinema markets, etc. JBL is owned by Harman International, a subsidiary of Samsung Electronics.
Mackie is an American professional audio products brand. Founded in Seattle in 1988 by Greg Mackie as a manufacturer of affordable and versatile compact pro audio mixers, Mackie is the primary product line of LOUD Technologies.
Hughes & Kettner is a German manufacturer of instrument amplifiers, cabinets and effects boxes.
Powered speakers, also known as self-powered speakers and active speakers, are loudspeakers that have built-in amplifiers. Powered speakers are used in a range of settings, including in sound reinforcement systems, both for the main speakers facing the audience and the monitor speakers facing the performers; by DJs performing at dance events and raves; in private homes as part of hi-fi or home cinema audio systems and as computer speakers. They can be connected directly to a mixing console or other low-level audio signal source without the need for an external amplifier. Some active speakers designed for sound reinforcement system use have an onboard mixing console and microphone preamplifier, which enables microphones to be connected directly to the speaker.
A bass amplifier or "bass amp" is a musical instrument electronic device that uses electrical power to make lower-pitched instruments such as the bass guitar or double bass loud enough to be heard by the performers and audience. Bass amps typically consist of a preamplifier, tone controls, a power amplifier and one or more loudspeakers ("drivers") in a cabinet.
Viscount International SpA (Viscount) is a musical instrument manufacturer based in Mondaino, Italy. The brand Viscount was registered in 1969 by Marcello Galanti, but the company was established in the late 19th century by his forefather Antonio Galanti. After 1969 Viscount’s primary focus has been on classic organs and digital pianos. Several alternative brands were formed in the 2000s to aim at expanding into other markets: VERSE and Voice Systems, respectively, for the high and low-end Pro-Audio markets and Physis for digital organs using Viscount’s physical modeling technology. The company also used the Oberheim brand for several years, to market vintage organs, synthesizers and guitar effects. Currently, Viscount’s manufacturing and R&D activity is based in Italy. The company has been continuously owned by the Galanti family since its inception.
QSC is an American manufacturer of audio products including power amplifiers, loudspeakers, digital mixers and digital signal processors including the Q-Sys networked audio, video and control platform. QSC products are used by professional installed, portable, production, corporate and cinema customers worldwide.
A stage monitor system is a set of performer-facing loudspeakers called monitor speakers, stage monitors, floor monitors, wedges, or foldbacks on stage during live music performances in which a sound reinforcement system is used to amplify a performance for the audience. The monitor system allows musicians to hear themselves and fellow band members clearly.
Traynor is a brand of bass amplifiers and guitar amplifiers, the first brand formed by Yorkville Sound. The Traynor brand, named for founder Peter Traynor, began in 1963 with the Dynabass bass amplifier, a rental product. Traynor first became popular in Canada by providing less expensive versions of the circuits used in Marshall and Fender amplifiers of the time. The revived brand now produces a wide range of electric, acoustic, and bass guitar amps.
A keyboard amplifier is a powered electronic amplifier and loudspeaker in a wooden speaker cabinet used for amplification of electronic keyboard instruments. Keyboard amplifiers are distinct from other types of amplification systems such as guitar amplifiers due to the particular challenges associated with making keyboards sound louder on stage; namely, to provide solid low-frequency sound reproduction for the deep basslines which keyboards can play and crisp high-frequency sound for the high-register notes. Another difference between keyboard amplifiers and guitar/bass amplifiers is that keyboard amps are usually designed with a relatively flat frequency response and low distortion. In contrast, many guitar and bass amp designers purposely make their amplifiers modify the frequency response, typically to "roll off" very high frequencies, and most rock and blues guitar amps, and since the 1980s and 1990s, even many bass amps are designed to add distortion or overdrive to the instrument tone.
A professional audio store is a retail business that sells, and in many cases rents, sound reinforcement system equipment and PA system components used in music concerts, live shows, dance parties and speaking events. This equipment typically includes microphones, power amplifiers, electronic effects units, speaker enclosures, monitor speakers, subwoofers and audio consoles (mixers). Some professional audio stores also sell sound recording equipment, DJ equipment, lighting equipment used in nightclubs and concerts and video equipment used in events, such as video projectors and screens. Some professional audio stores rent "backline" equipment used in rock and pop shows, such as stage pianos and bass amplifiers. While professional audio stores typically focus on selling new merchandise, some stores also sell used equipment, which is often the equipment that the company has previously rented out for shows and events.
Pete Traynor was a Canadian guitarist, bassist, businessman and designer of Traynor sound amplification equipment for the music industry.
RCF S.p.A. is a widely recognized Italian manufacturer of high performance audio products including power amplifiers, loudspeakers, digital mixers and digital signal processors (DSP).
Thomas J. Danley is an American audio engineer, electrical engineer and inventor, the holder of multiple patents for audio transducers, especially high-linearity, high-output professional horn loudspeaker systems. Danley first gained notice in the 1980s with his novel servomotor-driven subwoofer systems used to reproduce very low frequencies in concert tours and theme parks. In 2000 he advanced the implementation of multiple-entry horns in 2000 with several designs led by the SPL-td1, a seven-driver loudspeaker. In 2005, he started a new company, Danley Sound Labs, through which he patented further technologies and produced a wide variety of loudspeaker models based on these technologies.