The Foundations were a British soul band who were primarily active between 1967 and 1970. The group's background was: West Indian, White British and Sri Lankan. Their 1967 debut single "Baby Now That I've Found You" reached number one in the UK and Canada, and number eleven in the US, while their 1968 single "Build Me Up Buttercup" reached number two in the UK and number three on the US Billboard Hot 100. The group was the first multi-racial group to have a number one hit in the UK in the 1960s.
"Some Might Say" is a song by English rock band Oasis. It was released as the first single on 24 April 1995 by Creation from their second studio album, (What's the Story) Morning Glory? (1995). The song was written by the band's lead guitarist Noel Gallagher. "Some Might Say" provided Oasis with their first number one on the UK Singles Chart and reached the top 10 in Finland, Iceland, Ireland and Sweden. The song is also the last to feature all five original members, as original drummer Tony McCarroll was fired shortly after the song's release.
"When I Come Around" is a song by American rock band Green Day. It is the 10th track on their third studio album, Dookie (1994), and was shipped to radio in December 1994 before being physically released as the fourth single from that album in January 1995 by Reprise Records. It was played live as early as 1992.
"The Sidewinder Sleeps Tonite" is a song by American alternative rock band R.E.M. It was influenced by the song "The Lion Sleeps Tonight", both in the title of the song and through the song's opening refrain. The band used "The Lion Sleeps Tonight" as the B-side to this song in the U.S. The song was released on R.E.M.'s 1992 album, Automatic for the People, and was later released as a single in February 1993, reaching number one in Iceland, number 13 in Ireland, number 17 in the United Kingdom, and number 29 in New Zealand.
"Sorted for E's & Wizz" is a song written and performed by the English band Pulp for their 1995 album Different Class. Based lyrically on a phrase that lead singer Jarvis Cocker overheard at a rave, the song features lyrics examining the hollow and artificial nature of drug culture. Because of its subject matter, the song sparked controversy in the UK, where several tabloids attacked the song.
"This Is How We Do It" is the debut single of American singer-songwriter Montell Jordan. It was released by Def Jam Recordings on February 6, 1995, as the lead single from his debut studio album of the same name (1995). The single was Def Jam's first R&B release, and is Jordan's signature song.
You and Me Both is the second and final studio album by English synth-pop duo Yazoo, released on 4 July 1983 in the United Kingdom by Mute Records and in North America by Sire Records. The album's title was an ironic reference to the fact that the duo had grown estranged from each other and recorded much of the album separately; they announced their split a few weeks before the album's release.
"Drive" is a song by American alternative rock band R.E.M. It is the first track on and the lead single from their eighth studio album, Automatic for the People (1992), and was the first song lead singer Michael Stipe wrote on a computer. "Drive" peaked at number 28 on the US Billboard Hot 100, number one on the Billboard Modern Rock Tracks chart, and number two on the Billboard Album Rock Tracks chart. Internationally, "Drive" became R.E.M.'s then-second-biggest hit on the UK Singles Charts, peaking at number 11, and their biggest hit in Norway until "Supernatural Superserious" in 2008, reaching number three. Elsewhere, the song reached the top 10 in Canada, Ireland, New Zealand, and Switzerland.
Northern Uproar are an English rock band formed in Stockport in 1995. They disbanded in 1999, but reunited in 2006, and recorded two more studio albums and a live album. They have released four studio albums and a number of singles, several of which charted in the UK Singles Chart. Their biggest-selling single was the double A-side "From A Window/This Morning", which peaked in the UK's Top 20 in February 1996.
"Just Like Heaven" is a song by British alternative rock band the Cure. The group wrote most of the song during recording sessions in southern France in 1987. The lyrics were written by their frontman Robert Smith, who drew inspiration from a past trip to the sea shore with his future wife. Smith's memories of the trip formed the basis for the song's accompanying music video. Before Smith had completed the lyrics, an instrumental version of the song was used as the theme for the French television show Les Enfants du Rock.
From Langley Park to Memphis is the third studio album by English pop band Prefab Sprout. It was released by Kitchenware Records on 14 March 1988. It peaked at number five on the UK Albums Chart, the highest position for any studio album released by the band. Recorded in Newcastle, London and Los Angeles, it has a more polished and commercial sound than their earlier releases, and features several guest stars including Stevie Wonder and Pete Townshend. The album's simpler songs, big productions and straight-forward cover photo reflect frontman Paddy McAloon's wish for it to be a more universal work than their more cerebral earlier work.
"Animal" is a song by the American rock band Pearl Jam, released in 1994 as the third single from the band's second studio album, Vs. (1993). Although credited to all members of Pearl Jam, it features lyrics written by vocalist Eddie Vedder and music primarily written by guitarist Stone Gossard. The song peaked at number 21 on the Billboard Mainstream Rock Tracks chart. The song was included on Pearl Jam's 2004 greatest hits album, rearviewmirror .
"Do You Love Me" is a rhythm and blues song recorded by the Contours in 1962. Written and produced by Motown Records owner Berry Gordy Jr., it appeared twice on the Billboard Hot 100 chart, reaching numbers three in 1962 and eleven in 1988.
"You Have Placed a Chill in My Heart" is a song by British pop duo Eurythmics. It was written by group members Annie Lennox and David A. Stewart, and appears on the duo's sixth studio album, Savage (1987). The song was released in May 1988 by RCA as the fourth and final single from the album in the United Kingdom and as the second in the United States. In the first, it was the only single from the album to reach the top 20 on the UK Singles Chart, peaking at number 16. The music video for the song was directed by Sophie Muller.
"Baby, Now That I've Found You" is a song written by Tony Macaulay and John MacLeod, and performed by the Foundations. Part of the song was written in the same bar of a Soho tavern where Karl Marx is supposed to have written Das Kapital. The lyrics are a plea that an unnamed subject not break up with the singer.
"Mis-Shapes" is a song written and released by Sheffield band Pulp from their 1995 album Different Class. Lyrically inspired by Cocker's experiences socializing in Sheffield as an outcast, the song features lyrics that call for misfits to unite and take over. This lyrical theme would make Cocker uncomfortable with Pulp's growing popularity with "townies" after the song's release.
"Everytime You Touch Me" is a song by American electronica musician Moby, released on February 13, 1995 by Mute and Elektra, as the third single from his third studio album, Everything Is Wrong (1995). Guest vocals on the song are performed by Rozz Morehead and Kochie Banton. It became a number-one hit in Finland and reached the top 20 in Ireland, the Netherlands, and Scotland, as well as on the Canadian RPM Dance chart. Its music video was directed by Julie Hermelin.
"It's Getting Better" is a song written by Barry Mann and Cynthia Weil that was a sunshine pop hit single in 1969 for Mama Cass.
"That's the Way It Is" is a song by British pop duo Mel and Kim that was featured on the soundtrack album of Coming to America, starring Eddie Murphy. The song was written and produced by Stock Aitken Waterman (SAW). The single, released by Supreme Records and PolyGram peaked at number ten in the United Kingdom, becoming their fourth consecutive top ten hit.
"The Changingman" is a song by British singer-songwriter Paul Weller, released in April 1995 by Go! Discs as the lead single from his third solo album, Stanley Road (1995). The song charted at number seven on the UK Singles Chart.
