Critical reception
In a 2020 retrospective review, Matthew Hocter from Albumism noted the "funky groove" of the song, adding that it's a "continued demonstration of their vocal symbiosis". [3]  AllMusic editor Jose F. Promis called it "biting" in his review of  Born to Sing . [4]  Upon the release, Larry Flick from  Billboard  complimented it as a "bass-lined funk gem", remarking that "flawless harmonizing softens track's rough-hewn groove foundation, and makes this sound like another radio smash". [5]  Pan-European magazine  Music & Media  declared the song as "mid-tempo dance-pop, in a soulful setting, featuring a bitter-sweet melody and outstanding vocal exercises". [6]  Roger Morton from  NME  wrote, "The Vogue do Janet Jackson but substitute her defiance with a Supremes style quiescence." [7]  David Quantick for  Smash Hits  labeled it as "comparatively active". [8] 
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