Critical reception
In a 2020 retrospective review, Matthew Hocter from Albumism noted the "funky groove" of the song, adding that it's a "continued demonstration of their vocal symbiosis". [3] AllMusic editor Jose F. Promis called it "biting" in his review of Born to Sing . [4] Upon the release, Larry Flick from Billboard complimented it as a "bass-lined funk gem", remarking that "flawless harmonizing softens track's rough-hewn groove foundation, and makes this sound like another radio smash". [5] Pan-European magazine Music & Media declared the song as "mid-tempo dance-pop, in a soulful setting, featuring a bitter-sweet melody and outstanding vocal exercises". [6] Roger Morton from NME wrote, "The Vogue do Janet Jackson but substitute her defiance with a Supremes style quiescence." [7] David Quantick for Smash Hits labeled it as "comparatively active". [8]
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