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King Arthur, according to legends, was a king of Britain. He is a folk hero and a central figure in the medieval literary tradition known as the Matter of Britain.
The Mabinogion are the earliest Welsh prose stories, and belong to the Matter of Britain. The stories were compiled in Middle Welsh in the 12th–13th centuries from earlier oral traditions. There are two main source manuscripts, created c. 1350–1410, as well as a few earlier fragments. The title covers a collection of eleven prose stories of widely different types, offering drama, philosophy, romance, tragedy, fantasy and humour, and created by various narrators over time. There is a classic hero quest, "Culhwch and Olwen"; a historic legend in "Lludd and Llefelys", complete with glimpses of a far off age; and other tales portray a very different King Arthur from the later popular versions. The highly sophisticated complexity of the Four Branches of the Mabinogi defies categorisation. The stories are so diverse that it has been argued that they are not even a true collection.
Tristan, also known as Tristram, Tristyn or Tristain and similar names, is the folk hero of the legend of Tristan and Iseult. In the legend, his objective is escorting the Irish princess Iseult to wed Tristan's uncle, King Mark of Cornwall. Tristan and Iseult accidentally drink a love potion during the journey and fall in love, beginning an adulterous relationship that eventually leads to Tristan's banishment and death. The character's first recorded appearance is in retellings of British mythology from the 12th century by Thomas of Britain and Gottfried von Strassburg, and later in the Prose Tristan. He is featured in Arthurian legends, including the seminal text Le Morte d'Arthur, as a skilled knight and a friend of Lancelot. He is also a Knight of the Round Table.
Peredur is the name of a number of men from the boundaries of history and legend in sub-Roman Britain. The Peredur who is most familiar to a modern audience is the character who made his entrance as a knight in the Arthurian world of Middle Welsh prose literature.
The Welsh Triads are a group of related texts in medieval manuscripts which preserve fragments of Welsh folklore, mythology and traditional history in groups of three. The triad is a rhetorical form whereby objects are grouped together in threes, with a heading indicating the point of likeness; for example, "Three things not easily restrained, the flow of a torrent, the flight of an arrow, and the tongue of a fool."
Tristan and Iseult, also known as Tristan and Isolde and other names, is a medieval chivalric romance told in numerous variations since the 12th century. Of disputed source, usually assumed to be primarily Celtic, the tale is a tragedy about the illicit love between the Cornish knight Tristan and the Irish princess Iseult in the days of King Arthur. It depicts Tristan's mission to escort Iseult from Ireland to marry his uncle, King Mark of Cornwall. On the journey, Tristan and Iseult ingest a love potion, instigating a forbidden love affair between them.
Twrch Trwyth, is a fabulous wild boar from the Legend of King Arthur, of which a richly elaborate account of its hunt described in the Welsh prose romance Culhwch and Olwen, probably written around 1100.
In Arthurian legend, Ywain, also known as Yvain and Owain among other spellings, is a Knight of the Round Table. Tradition often portrays him as the son of King Urien of Gorre and of either the enchantress Modron or the sorceress Morgan le Fay. The historical Owain mab Urien, the basis of the literary character, ruled as the king of Rheged in Britain during the late-6th century.
The Brut or Roman de Brut by the poet Wace is a loose and expanded translation in almost 15,000 lines of Norman-French verse of Geoffrey of Monmouth's Latin History of the Kings of Britain. It was formerly known as the Brut d'Engleterre or Roman des Rois d'Angleterre, though Wace's own name for it was the Geste des Bretons, or Deeds of the Britons. Its genre is equivocal, being more than a chronicle but not quite a fully-fledged romance.
Rachel Bromwich born Rachel Sheldon Amos, was a British scholar. Her focus was on medieval Welsh literature, and she taught Celtic Languages and Literature in the Department of Anglo-Saxon, Norse and Celtic at the University of Cambridge, from 1945 to 1976. Among her most important contributions to the study of Welsh literature is Trioedd Ynys Prydein, her edition of the Welsh Triads.
Thomas Mowbray Charles-Edwards is an emeritus academic at the University of Oxford. He formerly held the post of Jesus Professor of Celtic and is a Professorial Fellow at Jesus College.
Vita Merlini, or The Life of Merlin, is a Latin poem in 1,529 hexameter lines written around the year 1150. Though doubts have in the past been raised about its authorship it is now widely believed to be by Geoffrey of Monmouth. It tells the story of Merlin's madness, his life as a wild man of the woods, and his prophecies and conversations with his sister, Ganieda, and the poet Taliesin. Its plot derives from previous Celtic legends of early Middle Welsh origin, traditions of the bard Myrddin Wyllt and the wild man Lailoken, and it includes an important early account of King Arthur's final journey to Avalon, but it also displays much pseudo-scientific learning drawn from earlier scholarly Latin authors. Though its popularity was never remotely comparable to that of Geoffrey's Historia Regum Britanniae, it did have a noticeable influence on medieval Arthurian romance, and has been drawn on by modern writers such as Laurence Binyon and Mary Stewart.
King Arthur's family grew throughout the centuries with King Arthur's legend. Many of the legendary members of this mythical king's family became leading characters of mythical tales in their own right.
Brut y Brenhinedd is a collection of variant Middle Welsh versions of Geoffrey of Monmouth's Latin Historia Regum Britanniae. About 60 versions survive, with the earliest dating to the mid-13th century. Adaptations of Geoffrey's Historia were extremely popular throughout Western Europe during the Middle Ages, but the Brut proved especially influential in medieval Wales, where it was largely regarded as an accurate account of the early history of the Celtic Britons.
The Englynion y Beddau is a Middle Welsh verse catalogue listing the resting places (beddau) of legendary heroes. It consists of a series of englynion, or short stanzas in quantitative meter, and survives in a number of manuscripts. The collection is thought to be considerably older than its earliest manuscript, the 13th-century Black Book of Carmarthen, and provides an important early glimpse at medieval Welsh heroic tradition and topographical folklore.
Poem 31 of the Black Book of Carmarthen, a mid-13th century manuscript, is known from its first line as Pa gur yv y porthaur? or Pa gur, or alternatively as Ymddiddan Arthur a Glewlwyd Gafaelfawr. It is a fragmentary, anonymous poem in Old Welsh, taking the form of a dialogue between King Arthur and the gatekeeper Glewlwyd Gafaelfawr, in which Arthur boasts of his own exploits and those of his companions, especially Cai the Fair. Pa gur is notable for being one of the earliest vernacular Arthurian works, and for alluding to several early adventures of Arthur which are now lost. Its precise age is not known and has been the subject of wide-ranging disagreement, but scholarly opinion now tends to favour a date of c. 1100.
Gwenddydd, also known as Gwendydd and Ganieda, is a character from Welsh legend. She first appears in the early Welsh poems like the Dialogue of Myrddin and Gwenddydd and in the 12th-century Latin Vita Merlini by Geoffrey of Monmouth, where she is represented as being a figure in the Old North of Britain, the sister of Myrddin or Merlin, and a prophet in her own right. Geoffrey also makes her the wife of the northern king Rhydderch Hael. She was remembered in Welsh traditions recorded in the 16th century by Elis Gruffydd, and even as late as the 18th century. Since the late 19th century she has occasionally appeared as Merlin's sister or lover in Arthurian fiction, poetry and drama by writers such as Laurence Binyon, John Cowper Powys, John Arden, Margaretta D'Arcy and Stephen R. Lawhead.
Cyfoesi Myrddin a Gwenddydd ei Chwaer is an anonymous Middle Welsh poem of uncertain date consisting of 136 stanzas, mostly in englyn form. Myrddin, the legendary 6th-century North British bard and warrior, is depicted as being encouraged by his sister Gwenddydd to utter a series of prophecies detailing the future history of the kings of Gwynedd, leading up to an apocalyptic ending. The mood of the poem has been described as "one of despair and of loss of faith and trust in this world".
An Dialog etre Arzur Roe d'an Bretounet ha Guynglaff is an anonymous poem in 247 lines relating the apocalyptic prophecies which King Arthur extracted from one Guynglaff, a wild man, prophet and magician closely analogous to Merlin in the earliest Welsh tradition. It dates from about the middle of the 15th century, making it the oldest surviving work of literature in the Breton language.
Indeg, daughter of Garwy Hir, was known in early Welsh legend as one of the three mistresses of King Arthur. Though her story seems to have survived down to the later Middle Ages, when she was frequently cited by Welsh poets as a standard for beauty, it has since been lost.
References
- Bromwich, Rachel (1991). "The Tristan of the Welsh". In Bromwich, Rachel; Jarman, A. O. H.; Roberts, Brynley F. (eds.). The Arthur of the Welsh: The Arthurian Legend in Medieval Welsh Literature. Arthurian Literature in the Middle Ages, 1. Cardiff: University of Wales Press. pp. 209–228. ISBN 1786837358 . Retrieved 28 September 2024.
- Thomson, R. L. (1977). "The Welsh Fragment of Tristan". In Hill, Joyce (ed.). The Tristan Legend: Texts from Northern and Eastern Europe in Modern English Translation. Leeds Medieval Studies, 2. Leeds: The University of Leeds, Graduate Centre for Medieval Studies. pp. 1–5. ISSN 0140-8089 . Retrieved 25 September 2024.