Yūpa

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Yūpa
Isapur sacrificial pillar of Vasishka.jpg
Yūpa sacrificial pillar of the time of Vasishka, third century CE, Isapur, near Mathura. Mathura Museum.

A Yūpa (यूप), or Yūpastambha, was a Vedic sacrificial pillar used in Ancient India. [1] It is one of the most important elements of the Vedic rituals for animal sacrifice. [2]

Contents

The execution of a victim (generally an animal), who was tied at the yūpa, was meant to bring prosperity to everyone. [1] [2]

Most yūpa, and all from the Vedic period, were in wood, and have not survived. The few stone survivals seem to be a later type of memorial using the form of the wooden originals. The Isapur Yupa, the most complete, replicates in stone the rope used to tether the animal. The topmost section is missing; texts describe a "wheel-like headpiece made of perishable material", representing the sun, but the appearance of that is rather unclear from the Gupta period coins that are the best other visual evidence. [3]

Isapur Yūpa

The Isapur Yūpa, now in the Mathura Museum, was found at Isapur ( 27°30′41″N77°41′21″E / 27.5115°N 77.6893°E / 27.5115; 77.6893 ) in the vicinity of Mathura, and has an inscription in the name of the third century CE Kushan ruler Vāsishka, and mentions the erection of the Yūpa pillar for a sacrificial session. [4] [5]

Yūpa in coinage

During the Gupta Empire period, the Ashvamedha scene of a horse tied to a yūpa sacrificial post appears on the coinage of Samudragupta. On the reverse, the queen is holding a chowrie for the fanning of the horse and a needle-like pointed instrument, with legend "One powerful enough to perform the Ashvamedha sacrifice". [7] [8]

Yūpa inscription in Indonesia

The oldest known Sanskrit inscriptions in the Nusantara are those on seven stone pillars, or Yūpa ("sacrificial posts"), found in the eastern part of Borneo, in the historical area of Kutai, East Kalimantan province. [9] They were written by Brahmins using the early Pallava script, in the Sanskrit language, to commemorate sacrifices held by a generous mighty king called Mulavarman who ruled the Kutai Martadipura Kingdom, the first Hindu kingdom in present Indonesia. Based on palaeographical grounds, they have been dated to the second half of the 4th century CE. They attest to the emergence of an Indianized state in the Indonesian archipelago prior to 400 CE. [10]

In addition to Mulavarman, the reigning king, the inscriptions mention the names of his father Aswawarman and his grandfather Kudungga (the founder of the Kutai Martadipura Kingdom). Aswawarman is the first of the line to bear a Sanskrit name in the Yupa which indicates that he was probably the first to adhere to Hinduism. [10]

Text

The four Yupa inscriptions founded are classified as "Muarakaman"s and has been translated by language experts as follows:

Translation

Translation according to the Indonesia University of Education: [14]

The Yupas are now kept in the National Museum of Indonesia in Jakarta.

Related Research Articles

The Gupta Empire was an ancient Indian empire which existed from the early 4th century CE to early 6th century CE. At its zenith, from approximately 319 to 467 CE, it covered much of the Indian subcontinent. This period has been considered as the Golden Age of India by some historians, although this characterisation has been disputed by other historians. The ruling dynasty of the empire was founded by Gupta, and the most notable rulers of the dynasty were Chandragupta I, Samudragupta, Chandragupta II and Skandagupta. The 5th-century CE Sanskrit poet Kalidasa credits the Guptas with having conquered about twenty-one kingdoms, both in and outside India, including the kingdoms of Parasikas, the Hunas, the Kambojas, tribes located in the west and east Oxus valleys, the Kinnaras, Kiratas, and others.

<span class="mw-page-title-main">Chandragupta II</span> Ruler of Gupta Empire from c. 376 to c. 415

Chandragupta II, also known by his title Vikramaditya, as well as Chandragupta Vikramaditya, was the third ruler of the Gupta Empire in India.

<span class="mw-page-title-main">Samudragupta</span> 4th-century ruler of the Gupta Empire

Samudragupta (Gupta script: Sa-mu-dra-gu-pta, was the second emperor of the Gupta Empire of ancient India, and is regarded among the greatest rulers of India. As a son of the Gupta emperor Chandragupta I and the Licchavi princess Kumaradevi, he greatly expanded his dynasty's political and military power. Samudragupta remained undefeated during his entire reign and is considered one of the greatest emperors in the history of the world. During his and his son, Chandragupta II's rule the Gupta Empire was undoubtedly the strongest and the most powerful empire in the world at that time.

<span class="mw-page-title-main">Brahmi script</span> Ancient script of Central and South Asia

Brahmi is a writing system of ancient India that appeared as a fully developed script in the third century BCE. Its descendants, the Brahmic scripts, continue to be used today across Southern and Southeastern Asia.

<span class="mw-page-title-main">Ashvamedha</span> Horse sacrifice ritual followed by the Śrauta tradition of Vedic religion

The Ashvamedha was a horse sacrifice ritual followed by the Śrauta tradition of Vedic religion. It was used by ancient Indian kings to prove their imperial sovereignty: a horse accompanied by the king's warriors would be released to wander for a year. In the territory traversed by the horse, any rival could dispute the king's authority by challenging the warriors accompanying it. After one year, if no enemy had managed to kill or capture the horse, the animal would be guided back to the king's capital. It would be then sacrificed, and the king would be declared as an undisputed sovereign.

<span class="mw-page-title-main">Kanishka III</span> Kushan emperor from c. 265 to c. 270

Kanishka III, was a Kushan emperor who reigned from around the year 265 CE to 270 CE. He is believed to have succeeded Vasishka and was succeeded by Vasudeva II. He ruled in areas of Northwestern India.

<span class="mw-page-title-main">Sodasa</span> Indo-Scythian Northern Satraps king

Sodasa was an Indo-Scythian Northern Satrap and ruler of Mathura during the later part of the 1st century BCE or the early part of 1st century CE. He was the son of Rajuvula, the Great Satrap of the region from Taxila to Mathura. He is mentioned in the Mathura lion capital.

The Ikshvaku dynasty ruled in the eastern Krishna River valley of India, from their capital at Vijayapuri for over a century during 3rd and 4th centuries CE. The Ikshvakus are also known as the Andhra Ikshvakus or Ikshvakus of Vijayapuri to distinguish them from their legendary namesakes.

<span class="mw-page-title-main">Pallava script</span> Brahmic writing system

The Pallava script or Pallava Grantha is a Brahmic script named after the Pallava dynasty of Southern India and is attested to since the 4th century CE. In India, the Pallava script evolved into the Tamil and Grantha script. Pallava also spread to Southeast Asia and evolved into local scripts such as Balinese, Baybayin, Javanese, Kawi, Khmer, Lanna, Lao, Mon–Burmese, New Tai Lue alphabet, Sundanese, and Thai.

<span class="mw-page-title-main">Vāsishka</span> Kushan emperor from c.247 to c.265

Vāsishka was a Kushan emperor, who seems to have had a short reign following Kanishka II.

<span class="mw-page-title-main">Kutai</span> Historical region in what is now East Kalimantan, Indonesia

Kutai is a historical region in what is now known as East Kalimantan, Indonesia on the island of Borneo and is also the name of the native ethnic group of the region, numbering around 300,000 who have their own language known as the Kutainese language which accompanies their own rich history. Today, the name is preserved in the names of three regencies in East Kalimantan province which are the Kutai Kartanegara Regency, the West Kutai Regency and the East Kutai Regency with the major river flowing in the heart of the region known as the Mahakam River. Kutai is known to be the place of the first and oldest Hindu kingdom to exist in East Indies Archipelago, the Kutai Martadipura Kingdom which was later succeeded by the Muslim Kutai Kartanegara Sultanate.

<span class="mw-page-title-main">Mulavarman</span>

Sri Mulavarman Nala Deva, was the king of the Kutai Martadipura Kingdom located in eastern Borneo around the year 400 CE. What little is known of him comes from the seven Yupa inscriptions found at a sanctuary in Kutai, East Kalimantan. He is known to have been generous to brahmins through the giving of gifts including thousands of cattle and large amounts of gold.

A good number of inscriptions written in Sanskrit language have been found in Malaysia and Indonesia. "Early inscriptions written in Indian languages and scripts abound in Southeast Asia. [...] The fact that southern Indian languages didn't travel eastwards along with the script further suggests that the main carriers of ideas from the southeast coast of India to the east - and the main users in Southeast Asia of religious texts written in Sanskrit and Pali - were Southeast Asians themselves. The spread of these north Indian sacred languages thus provides no specific evidence for any movements of South Asian individuals or groups to Southeast Asia.

<span class="mw-page-title-main">Kudungga</span>

Kudungga was the founder of the Kutai Martadipura kingdom who ruled around the year 350 AD or 4th century AD. Kudungga first ruled the kingdom of Kutai Martadipura as a community leader or chieftain. Kutai Martadipura during Kudungga rule do not have a regular and systematical system of governance. In contrary, the latest claim is said that Maharaja Kudungga is possibly a king from ancient kingdom Bakulapura in Tebalrung , and Asvavarman which his son-in-law rather his son, then become the first king of Kutai Martadipura.

The Northern Satraps, or sometimes Satraps of Mathura, or Northern Sakas, are a dynasty of Indo-Scythian ("Saka") rulers who held sway over the area of Punjab and Mathura after the decline of the Indo-Greeks, from the end of the 1st century BCE to the 2nd century CE. They are called "Northern Satraps" in modern historiography to differentiate them from the "Western Satraps", who ruled in Sindh, Gujarat and Malwa at roughly the same time and until the 4th century CE. They are thought to have replaced the last of the Indo-Greek kings in the Punjab region, as well as the Mitra dynasty and the Datta dynasty of local Indian rulers in Mathura.

<span class="mw-page-title-main">Art of Mathura</span> Ancient school of art, especially Sculpture, in India

The Art of Mathura refers to a particular school of Indian art, almost entirely surviving in the form of sculpture, starting in the 2nd century BCE, which centered on the city of Mathura, in central northern India, during a period in which Buddhism, Jainism together with Hinduism flourished in India. Mathura "was the first artistic center to produce devotional icons for all the three faiths", and the pre-eminent center of religious artistic expression in India at least until the Gupta period, and was influential throughout the sub-continent.

Ayodhya Inscription of Dhana is a stone inscription related to a Hindu Deva king named Dhana or Dhana–deva of the 1st-century BCE or 1st century CE. He ruled from the city of Ayodhya, Kosala, in India. His name is found in ancient coins and the inscription. According to P. L. Gupta, he was among the fifteen kings who ruled from Ayodhya between 130 BCE and 158 CE, and whose coins have been found: Muladeva, Vayudeva, Vishakadeva, Dhanadeva, Ajavarman, Sanghamirta, Vijayamitra, Satyamitra, Devamitra and Aryamitra. D.C. Sircar dates the inscription to 1st-century CE based on the epigraphical evidence. The paleography of the inscription is identical to that of the Northern Satraps in Mathura, which gives a 1st century CE date. The damaged inscription is notable for its mention of general Pushyamitra and his descendant Dhana–, his use of Vedic Ashvamedha horse to assert the range of his empire, and the building of a temple shrine.

<span class="mw-page-title-main">Lakulisa Mathura Pillar Inscription</span>

The Lakulisa Mathura Pillar Inscription is a 4th-century CE Sanskrit inscription in early Gupta script related to the Shaivism tradition of Hinduism. Discovered near a Mathura well in north India, the damaged inscription is one of the earliest evidences of murti (statue) consecration in a temple made to celebrate gurus. It is, according to the Indologist Michael Willis, crucial to understanding the "history of Pashupata Shaivism" and a floruit for the antiquity of its practices. The Lakulisha Mathura inscription is one of the earliest epigraphical evidence of a developed Shaiva initiation tradition.

<span class="mw-page-title-main">Gupta art</span> Art of the Gupta Empire

Gupta art is the art of the Gupta Empire, which ruled most of northern India, with its peak between about 300 and 480 CE, surviving in much reduced form until c. 550. The Gupta period is generally regarded as a classic peak and golden age of North Indian art for all the major religious groups. Gupta art is characterized by its "Classical decorum", in contrast to the subsequent Indian medieval art, which "subordinated the figure to the larger religious purpose".

<span class="mw-page-title-main">Indo-Scythian art</span> Art flourished during reign of Indo-Scythian rulers in northwestern India

Indo-Scythian art developed under the various dynasties of Indo-Scythian rulers in northwestern India, from the 1st century BCE to the early 5th century CE, encompassing the productions of the early Indo-Scythians, the Northern Satraps and the Western Satraps. It follows the development of Indo-Greek art in northwestern India. The Scythians in India were ultimately replaced by the Kushan Empire and the Gupta Empire, whose art form appear in Kushan art and Gupta art.

References

  1. 1 2 Bonnefoy, Yves (1993). Asian Mythologies. University of Chicago Press. pp. 37–39. ISBN   978-0-226-06456-7.
  2. 1 2 SAHOO, P. C. (1994). "On the Yṻpa in the Brāhmaṇa Texts". Bulletin of the Deccan College Research Institute. 54/55: 175–183. ISSN   0045-9801. JSTOR   42930469.
  3. Irwin, John, "The Heliodorus Pillar: A Fresh Appraisal", p. 8, AARP, Art and Archaeology Research Papers, December, 1974, Internet archive, (also published in Purātattva, 8, 1975-1976, pp. 166-178)
  4. Catalogue Of The Archaeological Museum At Mathura. 1910. p. 189.
  5. Rosenfield, John M. (1967). The Dynastic Arts of the Kushans. University of California Press. p. 57.
  6. Singh, Upinder (2008). A History of Ancient and Early Medieval India: From the Stone Age to the 12th Century. Pearson Education India. pp. 431–433. ISBN   978-81-317-1677-9.
  7. 1 2 3 Houben, Jan E. M.; Kooij, Karel Rijk van (1999). Violence Denied: Violence, Non-Violence and the Rationalization of Violence in South Asian Cultural History. BRILL. p. 128. ISBN   978-90-04-11344-2.
  8. 1 2 3 Ganguly, Dilip Kumar (1984). History and Historians in Ancient India . Abhinav Publications. p.  152. ISBN   978-0-391-03250-7.
  9. Kulke, Hermann (1998). A History of India. p. 145.
  10. 1 2 S. Supomo, "Chapter 15. Indic Transformation: The Sanskritization of Jawa and the Javanization of the Bharata" in Peter S. Bellwood, James J. Fox, Darrell T. Tryon (eds.), The Austronesians: Historical and Comparative Perspectives, Australian National University, 1995
  11. R.M. Poerbatjaraka, Riwayat Indonesia, I, 1952, hal. 9.
  12. 1 2 R. M. Poerbatjaraka, Ibid., hal. 10.
  13. R. M. Poerbatjaraka, Ibid., hal. 11.
  14. Sumantri, Yeni Kurniawati. Rangkuman Materi Perkuliahan: Sejarah Indonesia Kuno . Fakultas Pendidikan Ilmu Pengetahuan Sosial, Universitas Pendidikan Indonesia.
  15. Note: archaeologists and historical experts has stated that "Waprakeswara" referred to a field dedicated to worship the Lord Shiva