Zulian Zuliani | |
---|---|
noble family | |
Country | Republic of Venice, Italy |
Founded | 5th century [2] [3] |
The Zulian family (or Zuliani [4] [5] ) was an old Venetian noble family. The place from whence the Zulian came to Venice is unclear; however, the family is considered one of the first that moved to Venice, and thus one of the oldest Venetian and Italian noble families. The family produced tribunes, and in the early 8th century gained dukedom, as a family member rose to the position of Maestro dei cavalieri. The family produced several prominent Venetian figures, including statesmen, generals, patrons and magnates.
The origins of the Zulian (Zuliani) are unclear, as historians provide conflicting reports. [2] [3] Nonetheless, their old, [2] [3] or rather ancient [2] [3] origin is evident, as the family produced tribunes. [3] [2] The family appears to be one of the oldest in Venice. [3] They produced a Maestro dei cavalieri (Master of the Knights) in 741, [2] [3] an office which was instituted at the time as an equivalent to the title of Duke. [3]
Likewise, the family set their abode in Santa Fosca since early times. Indeed, as reported by Marco Barbaro, Marco Zulian, who in 1120 built the monastery and the Church of Santa Maria della Carità, came from Santa Fosca. A Francesco and Polo Zulian, mentioned in 1379 in documents of the comune, were also from Santa Fosca. Polo (or Paolo) Zulian, already a renowned figure in Venice due to several ambassadorships, was elected Duke of Candia in 1382, but declined out of modesty. [2] In 1410, Polo became Procurator of Saint Mark. [2]
Polo's nephew, Andrea, translated Cassius Dio into Latin, and left several orations, for which he was praised by Flavio Biondo in his magnum opus Italia illustrata (Italy Illuminated). [2]
In 1439, another Andrea Zulian valiantly defended the Castelvecchio of Verona from the attacks of Condottiero Niccolò Piccinino, who had surprised the city. [2]
The Zulian lived in Santa Fosca up to the 18th century. [2] In the 17th century they erected the Palazzo Zulian on the Canal Grande. They probably built the palace over a pre-existing building owned by them, as the family is registered in the estimo of the Contrada of Santa Fosca since 1379. [2] [6] Girolamo Zulian left the palace to the Priuli of Sts. Gervasius and Protasius, bequeathing it to them in the will he drew up on August 2, 1794. [6]
Cavaliere Girolamo Zulian was a famed ambassador and patron of the arts, who today is best remembered for his art collection, which he donated to the city of Venice in 1795, and for having been one of Canova's earliest patrons; commissioning from him the Theseus and the Minotaur in 1781, and greatly contributing to the Venetian's rise to fame. Girolamo Zulian was Savio di Terraferma , Senator, Correttore , Counsellor of Cannaregio and San Marco, Savio of the Council of Ten, and Savio del Consiglio . He later became Venetian ambassador to Rome and then bailo to Constantinople. Girolamo Zulian was a Knight of the Stola d'oro. [7] [8]
A group of Zuliani (spelled Zuliani) were nobles residing in Ceneda. In 1830 they are said to have been part of the Consiglio nobile di Ceneda for four generations. In 1745 they acquired the fief of Cesana and were created counts there. The family was confirmed noble by royal decree on October 28, 1823. [9]
The Zulian brothers Francesco and Matteo, born March 11, 1772, and December 9, 1773, made iron gates which earned them to add Porta di ferro to their name, and the title of Counts of Ceneda for them and all their descendants. Austrian Emperor Francis I confirmed the Zuliani Porta di Ferro as Counts of Ceneda. In 1830, they had been part of the Corporazione nobile di Ceneda (Noble Corporation of Ceneda) for four generations. [9] They were great landowners and lumber merchants. [10] They resided in Perarolo, in the Province of Belluno, and in 1720 were bestowed the titles of Cavalieri aurati and Counts palatine by official decree of Francesco Trevisan, Bishop of Ceneda, following approval by Pope Clement XI. [9] The Zuliani Porta di Ferro were confirmed noble by royal decree on October 28, 1823. [9] The Zuliani Porta di Ferro owned the Villa Doria De Zuliani in Noventa, which today is part of the Metropolitan City of Venice. The Zuliani came to Noventa from Belluno at the end of the 1700s. [10]
Zulian/Zuliani derives from Medieval Latin Zulianus, an archaic form of Julian (Italian: Giuliano), attested, for example, in a 12th-century investiture in Brescia. [11] Zulianus was based on the Roman name and cognomen Julianus, derived from the gentile name Julius . [12] [13] [14] The arms of Zulian consist of a spaccato of argent (white) and blue (spaccato d'argento e d'azzurro). [1]
Leonardo Loredan was a Venetian nobleman and statesman who reigned as the 75th Doge of Venice from 1501 until his death in 1521. As a wartime ruler, he was one of the most important doges in the history of Venice. In the dramatic events of the early 16th century, Loredan's Machiavellian plots and cunning political manoeuvres against the League of Cambrai, the Ottomans, the Mamluks, the Pope, the Republic of Genoa, the Holy Roman Empire, the French, the Egyptians and the Portuguese saved Venice from downfall.
The Contarini is one of the founding families of Venice and one of the oldest families of the Italian Nobility. In total eight Doges to the Republic of Venice emerged from this family, as well as 44 Procurators of San Marco, numerous ambassadors, diplomats and other notables. Among the ruling families of the republic, they held the most seats in the Great Council of Venice from the period before the Serrata del Maggior Consiglio when Councillors were elected annually to the end of the republic in 1797. The Contarini claimed to be of Roman origin through their patrilineal descendance of the Aurelii Cottae, a branch of the Roman family Aurelia, and traditionally trace their lineage back to Gaius Aurelius Cotta, consul of the Roman Republic in 252 BC and 248 BC.
The House of Loredan is a Venetian noble family of supposed ancient Roman origin, which has played a significant role in shaping the history of the entire Mediterranean. A political dynasty, the family has throughout the centuries produced a number of famous personalities: doges, statesmen, magnates, financiers, diplomats, procurators, military commanders, naval captains, church dignitaries, writers, and lawyers.
Carlo Francesco Pollarolo was an Italian composer, organist, and music director. Known chiefly for his operas, he wrote a total of 85 of them as well as 13 oratorios. His compositional style was initially indebted to the opera tradition of Giovanni Legrenzi and Carlo Pallavicino, but he moved beyond this style with innovations to the compositional structure of the aria characterized by expanded forms and orchestral elaborations. His early work used three part strings in the Legrenzi and Pallacino tradition of orchestration, but his mid and later works had developed into a richer orchestration of five strings parts and expanded instrumentation of brass and woodwinds. He was the first Venetian opera composer and one of the earliest Italian composers to use the oboe in his opera orchestrations.
The office of Procurator of Saint Mark was one of the few lifetime appointments in the government of the Venetian Republic and was considered second only to that of the doge in prestige. It was routinely occupied by nobles belonging to the most influential families and typically represented the climax of a distinguished political career, although it was often an intermediate position prior to election as doge.
Antonio Cappello (1494-1565) was a Venetian noble, a member of the San Polo branch of the Cappello family [it:Cappello (famiglia)]. A Procurator of St Mark's, he acted as ambassador to the court of Charles V at Gand, but is mainly remembered for his role as one of the main promoters of public art and architectural projects in sixteenth-century Venice. He resided in the palazzo on San Polo now known as Ca Cappello Layard and oversaw its redevelopment.
The Calbo family later on Calbo-Crotta is an Italian noble mercantile family originating from Padua and then established in Venice starting the year 891. It became part of the Great Council of Venice after the battle of Genoa in 1310. They were given nobility title in 1817 and were part of Venetian nobility.
The Papafava were an aristocratic family of Padua, a junior branch of the Carraresi. It was admitted into the Venetian patriciate among the so-called Houses Made for Money.
The Valmarana family is an aristocratic family in Vicenza, one branch of which also held Venetian patrician status. Its motto was "Plus Ultra" (Further). They were named after the village of Valmarana in the Berici Hills, where they held fiefs from the bishop of Vicenza.
Lodovico Flangini was a Venetian noble who served as Capitano Straordinario delle Navi during the Seventh Ottoman–Venetian War.
CavaliereGirolamo Zulian was a Venetian nobleman, ambassador, patron of the arts, art collector and Senatore Amplissimo. A member of the House of Zulian, he is best known for his leading art collection and for being one of the earliest patrons of Canova, a great friend of his, from whom he commissioned the Theseus and the Minotaur in 1781, while serving as ambassador to Rome. Zulian is credited as having played a fundamental role in Canova's rise to fame.
The Moro family was a patrician family of the Republic of Venice.
Paolo "Polo" Zuliani was a Venetian nobleman, statesman, and Duke-elect of Candia, who is remembered for having declined the title of Duke of Candia out of modesty upon his election in 1382.
This is an alphabetical index of people, places, things, and concepts related to or originating from the Republic of Venice. Feel free to add more, and create missing pages.
The Salamon family - sometimes Salomon or Salomoni - was a patrician Venetian noble family of ancient but uncertain origin, counted among the so-called “Case Vecchie” of the Republic of Venice.
Francesco Loredan was a Venetian magnate and nobleman of the Loredan family, and an ambassador of the Republic of Venice to Vienna during the peace negotiations between the Ottoman Empire and the Holy League, which resulted in the Treaty of Karlowitz (1699).
The House of Loredan-Santa Maria is a cadet branch of the noble House of Loredan which has produced many politicians, diplomats, military generals, naval captains, church dignitaries, writers and lawyers, and has played a significant role in the creation of modern opera with the Accademia degli Incogniti, also called the Loredanian Academy. The branch draws its name from the parishes of Santa Maria Formosa and Santa Maria dei Miracoli in Venice, around which it was historically settled. The progenitor of the branch is considered to be the famous admiral and procurator Pietro Loredan (1372-1438) by his sons Giacomo and Polo.
The Venetian patriciate was one of the three social bodies into which the society of the Republic of Venice was divided, together with citizens and foreigners. Patrizio was the noble title of the members of the aristocracy ruling the city of Venice and the Republic. The title was abbreviated, in front of the name, by the initials N.H., together with the feminine variant N.D.. Holding the title of a Venetian patrician was a great honour and many European kings and princes, as well as foreign noble families, are known to have asked for and obtained the prestigious title.
Longhi is an Italian surname of ancient origin, initially spelled as Longo, of which Longhi is plural. Some groups gained great power in the Middle Ages and into the modern era, holding dozens of titles of nobility and vast estates in north-central Italy. The surname appears in many dialectal variants, such as Longis, Longoni, Longa, Longhù, Longi, Longu and others. In addition to the Longus, the plural Longi is usually found in Latin texts. However, since in Italian longo means "long", "tall", "ancient" or "long", and is a word of common usage, it is likely that many of the numerous groups scattered throughout Italy had independent origins.