Ambient house

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Ambient house is a downtempo [2] subgenre of house music that first emerged in the late 1980s, combining elements of acid house and ambient music. The genre developed in chill-out rooms and specialist clubs as part of the UK's dance music scene. [2] It was most prominently pioneered by the Orb and the KLF, along with artists such as Global Communication, Irresistible Force, Youth, and 808 State. [2] [3] The term was used vaguely, and eventually fell out of favor as more specific subgenres were recognized. [4]

Contents

Genre

AllMusic describes "ambient house" as an "early categorical marker" for music "appropriating certain primary elements of acid house music -- midtempo, four-on-the-floor beats; synth pads and strings; soaring vocal samples -- used in a dreamier, more atmospheric fashion". [4] Bloomsbury Encyclopedia of Popular Music of the World noted common elements: repeated synthesizer arpeggios that are gradually modulated; reverbed snippets of dialogue from film, radio, or relaxation tapes; and samples of other musical works drifting in and out of the mix. [2]

Ambient house is sometimes conflated with "chill-out", [5] and AllMusic acknowledges that the term "ambient house" is now rarely used, replaced by a morass of more specific genres and terms. [4]

History

Origins

Ambient house was, in the words of John Bush of AllMusic, "virtually invented" by UK band the Orb - Alex Paterson and Jimmy Cauty - during The Land of Oz events at the night-club Heaven, [6] while Dom Phillips at Mixmag has said the Orb "kickstarted the whole ambient business". [7] Neil McCormick has similarly credited Cauty and Paterson with inventing the genre, in The Daily Telegraph . [8] In 1989, Paul Oakenfold ran the acid house night at Heaven, and Paterson ran a chill-out counterpart in the White Room with Cauty and Youth. [9] There, Paterson spun Brian Eno, Pink Floyd, and 10CC songs at low volume and accompanied them with multiscreen video projections. [10] Around the same time, in the East End of London, so-called spacetime parties were held at Cable Street. These parties, organized by Jonah Sharp, were designed to encourage conversation rather than dance, and featured Mixmaster Morris (also known as the Irresistible Force), [10] another pioneer of the genre. [4]

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"Loving You" (1989)
Sample from The Orb's "Loving You" (which would later become "A Huge Ever Growing Brain...") featuring the vocals of Minnie Riperton.
Problems playing this file? See media help.

The Orb released the twenty-minute track "A Huge Ever Growing Pulsating Brain That Rules from the Centre of the Ultraworld" as a single in October 1989, making it to the UK singles chart at No. 78. The track featured "bright, translucent sounds" and "tinkl[ing]" keyboards, as well as heavily sampling Minnie Riperton's "Lovin' You". [11] Other early ambient house records included "Sueño Latino" (1989) by the Italian group of the same name (based on Manuel Gottsching's 1984 album E2-E4 ), "Pacific State" (1989) by 808 State, "Flotation" (1990) by the Grid, "Paradise" (1989) by Quadrophenia, "Journeys Into Rhythm" (1989) by Audio One, and "Natural Thing" (1990) by Innocence. [10]

Commercial peak

In February 1990, Cauty's other band the KLF, a partnership with Bill Drummond, released the album Chill Out : [12] "one of the initial works in the ambient house canon" and "essential" according to John Bush at AllMusic, [13] "one of the most influential records in ambient house music" according to Pitchfork , [14] and an album with which the KLF were "claiming pre-eminence in the ambient house field" (Ira Robbins of Trouser Press ). [15] In a press release for Chill Out, Scott Piering claimed that the term "ambient house" had been invented "off-the-cuff" by the KLF. [16] After leaving the Orb in April 1990, [6] Cauty finished work on Space , [17] which was originally intended to be the Orb's debut album, [9] [18] and Paterson's Orb went on to create the single "Little Fluffy Clouds" with Youth, [9] both important works of ambient house. The KLF retired from the music industry in 1992, [19] In 1991, the Orb released the album The Orb's Adventures Beyond the Ultraworld , featuring both of their previous singles. Combining Moog synthesizers with religious chorales and audio clips of the Apollo 11 rocket launch, the Orb popularized the "spacy" sound of ambient house. [11] The album would influence subsequent dub influenced electronic music. [20]

Ambient house became a label for artists beyond the KLF and the Orb, including Irresistible Force, the Future Sound of London, and Orbital. [4] Ultramarine's 1991 album Every Man and Woman is a Star was also lumped in with the chillout/ambient house scene of the Orb and the KLF. [21] Other ambient house recordings emerged by artists such as the Grid ("Flotation" in 1990), Interplay ("Synthesis" in 1991), and the Future Sound of London ("Papua New Guinea" in 1991). [2] In 1992, the Orb released the single "Blue Room" which was to become their most successful, reaching eighth place in the UK singles chart. At forty minutes, it was the longest single to reach the UK charts. [22] An edited form of it appeared on the Orb album U.F.Orb later that year. U.F.Orb reached No. 1 in the UK albums chart; AllMusic called it "the commercial and artistic peak of the ambient-house movement." [23] In the years after the release of their live album, Live 93 , the Orb largely stopped their ambient-house music production, instead concentrating on producing more "metallic" music. [11]

In 1994, Global Communication released their largely beat-free album 76:14 ; AllMusic called it "a notable high point of the ambient house movement." [24] Slant Magazine called it "one of several universally celebrated ambient house records," and labeled each track "its own spacey symphony, etched with ticking clocks, soft piano lines and tidal white noise." [25]

See also

Related Research Articles

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<i>Chill Out</i> (KLF album) 1990 studio album by The KLF

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<i>The Orbs Adventures Beyond the Ultraworld</i> 1991 studio album by The Orb

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<span class="mw-page-title-main">Little Fluffy Clouds</span> 1990 single by the Orb

"Little Fluffy Clouds" is a single released by the British ambient house group the Orb. It was originally released in November 1990 on the record label Big Life and peaked at number 87 on the UK Singles Chart. The Orb also included it on their 1991 double album The Orb's Adventures Beyond the Ultraworld. "Little Fluffy Clouds" was re-released several times with different B-sides, with its 1993 re-release reaching number 10 in the UK.

<span class="mw-page-title-main">Last Train to Trancentral</span> 1990 single by The KLF

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<span class="mw-page-title-main">The KLF</span> British electronic music duo

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<span class="mw-page-title-main">Alex Paterson</span> English musician (born 1959)

Alex Paterson is an English musician and co-founder of ambient house group The Orb, in which he has worked since its inception.

<span class="mw-page-title-main">A Huge Ever Growing Pulsating Brain That Rules from the Centre of the Ultraworld</span> 1989 single by The Orb

"A Huge Ever Growing Pulsating Brain That Rules from the Centre of the Ultraworld" is the debut single by the ambient house group The Orb. It was originally released in October 1989 and made the UK Singles Chart in 1990, peaking at #78. The 'Peel Session' version was also voted into #10 place in John Peel's 1990 Festive Fifty. In April 1991, it was released on the debut album The Orb's Adventures Beyond the Ultraworld. The title is taken from a sound effects track from Blake's 7 on BBC Sound Effects No. 26 - Sci-Fi Sound Effects titled "The Core, A Huge Evergrowing Pulsating Brain which Rules from the Centre of Ultraworld".

<span class="mw-page-title-main">The Orb</span> European electronic music group

The Orb are an English electronic music group founded in 1988 by Alex Paterson and Jimmy Cauty. Known for their psychedelic sound, the Orb developed a cult following among clubbers "coming down" from drug-induced highs. Their influential 1991 debut album The Orb's Adventures Beyond the Ultraworld pioneered the UK's nascent ambient house movement, while its UK chart-topping follow-up U.F.Orb represented the group's commercial peak.

<span class="mw-page-title-main">The Orb discography</span>

The discography of European electronic music group The Orb includes seventeen studio albums, one live album, six compilation albums, four remix albums, four mix albums, two video albums, ten extended plays, fifteen singles and twenty-two music videos. Founded by Alex Paterson and Jimmy Cauty in 1988, the group's first release was the extended play Kiss EP, issued in May 1989. The single "A Huge Ever Growing Pulsating Brain That Rules from the Centre of the Ultraworld", which marked the group's first foray into the ambient house genre, was released in October 1989 on Adam Morris and Martin Glover's record label WAU! Mr. Modo Recordings. It was later re-issued by Big Life and peaked at number 78 in the United Kingdom despite sample clearance issues. Following Cauty's departure from the group, The Orb signed a long-term recording contract with Big Life and released their debut studio album The Orb's Adventures Beyond the Ultraworld in April 1991. It peaked at number 29 in the United Kingdom and has since been recognized as a seminal album of the ambient house genre. "Little Fluffy Clouds" and "Perpetual Dawn" were released as singles from the album.

References

  1. ↑ Reynolds, Simon (2012). Energy Flash: A Journey Through Rave Music and Dance Culture. Soft Skull Press. pp. 166–7.
  2. 1 2 3 4 5 Albiez, Sean (2017). Bloomsbury Encyclopedia of Popular Music of the World, Volume 11. Bloomsbury. p. 26. ISBN   9781501326103 . Retrieved 10 January 2020.
  3. ↑ Peel, Ian (2004). Encyclopedia of Recorded Sound. Taylor & Francos. p. 50.
  4. 1 2 3 4 5 Ambient House at AllMusic . Retrieved 8 March 2020.
  5. ↑ Snoman, Rick (2013). Dance Music Manual: Tools, Toys, and Techniques. Taylor & Francis. pp. 88, 330, 340–342. ISBN   978-1136115745 . Retrieved 17 May 2014.
  6. 1 2 Bush, John. The Orb at AllMusic . Retrieved 5 March 2020.
  7. ↑ Phillips, Dom (1 March 1996). "50 greatest dance albums - No. 5, Chill Out - The KLF". Mixmag . Archived (via the Library of Mu) on 16 September 2016.
  8. ↑ McCormick, Neil (11 October 1998). "Yes, this is the cutting edge of rave music". The Arts. The Daily Telegraph . London. p. 26. Archived from the original on February 26, 2016. Retrieved 11 March 2020.
  9. 1 2 3 Simpson, Dave (7 June 2016). "How we made the Orb's Little Fluffy Clouds". The Guardian (Interview with Youth and Alex Paterson). Retrieved 7 March 2020.
  10. 1 2 3 Reynolds, Simon. Generation ecstasy: into the world of techno and rave culture. New York: Routledge, 1999.
  11. 1 2 3 Prendergast, Mark. The Ambient Century: From Mahler to Moby-The Evolution of Sound in the Electronic Age. London: Bloomsbury Publishing Plc, 2003.
  12. ↑ Longmire, Ernie; et al. (2020) [1998]. "Discography: The KLF (including The JAMS, The Timelords, 2K etc.)". Archived from the original on 29 February 2020.
  13. ↑ Bush, John. Chill Out at AllMusic . Retrieved 5 March 2020.
  14. ↑ Sherburne, Philip (16 February 2020). "The KLF: Chill Out". Pitchfork . Retrieved 16 February 2020.
  15. ↑ Robbins, Ira. "The KLF". Trouser Press . Retrieved 19 April 2006.
  16. ↑ "The KLF - "Chill Out".. (Ambient house) LP" (Press release). Appearing. 1990.
  17. ↑ Bush, John. Space at AllMusic . Retrieved 6 March 2020.
  18. ↑ "KLF Communications Info Sheet Nine". KLF Communications. June 1990. Archived (via the Library of Mu) on 12 March 2007.
  19. ↑ Shaw, William (July 1992). "Who Killed The KLF". Select . Archived (via the Library of Mu) on 11 October 2016.
  20. ↑ Reynolds, Simon (2012). Energy Flash: A Journey Through Rave Music and Dance Culture. Soft Skull Press. pp. 156–7.
  21. ↑ Bergstrom, John (24 January 2014). "Ultramarine: This Time Last Year". PopMatters . Retrieved 31 March 2019.
  22. ↑ "Record-Breakers and Trivia - everyHit.com". www.everyhit.com.
  23. ↑ Bush, John. "U.F.Orb – The Orb". AllMusic . Retrieved 20 November 2015.
  24. ↑ Bush, John. "Global Communication - Biography". AllMusic. Retrieved 15 September 2022.
  25. ↑ Cinquemani, Sal (20 August 2002). "Global Communication: 76:14". Slant Magazine . Retrieved 6 April 2015.
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