Funk is a music genre that originated in African-American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. It uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, and dominant seventh chords with altered ninths and thirteenths.
House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 120-130 beats per minute as a re-emergence of 1970s disco. It originated in the Black queer community in Chicago. It was created by DJs and music producers from Chicago's underground club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat. By early 1988, House became mainstream and supplanted the typical 80s music beat.
Breakbeat is a broad type of electronic music that tends to use drum breaks sampled from early recordings of funk, jazz, and R&B. Breakbeats have been used in styles such as Florida breaks, hip hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles.
Funk metal is a subgenre of funk rock and alternative metal that infuses heavy metal music with elements of funk and punk rock. Funk metal was part of the alternative metal movement, and has been described as a "brief but extremely media-hyped stylistic fad".
Funker Vogt is a German electronic-industrial music project with an aggressive style, formed by vocalist Jens Kästel and programmer Gerrit Thomas in 1995. Other members of the band are keyboardist/manager Björn Böttcher, live guitarist Frank Schweigert and lyricist Kai Schmidt. The name of the band translates from German to English as "Radio Operator Vogt", this being the surname of a friend of the band who was a military radio operator.
"Funkytown" is a song by American disco-funk group Lipps Inc., written and produced by Steven Greenberg and released by Casablanca Records in March 1980 as the second single from the group's 1979 debut studio album Mouth to Mouth.
Funky Monks is a 1991 documentary about the rock band Red Hot Chili Peppers and the recording of their highly successful 1991 Warner Bros. debut Blood Sugar Sex Magik. The album was produced by Rick Rubin and recorded in The Mansion, a supposedly haunted house which Rubin now owns. The 60-minute documentary, which was filmed in black-and-white, features footage of the band recording many of the tracks that made the album, and tracks that didn't make the album although would be released as singles and b-sides .It also features interviews from each member of the band, as well as Rick Rubin and the band's former and longtime manager, Lindy Goetz. Footage from the documentary was compiled for use in the "Suck My Kiss" music video, which was released in 1992. Funky Monks was originally released on VHS but was re-released on DVD. It was filmed and directed by Gavin Bowden.
French house is a style of house music devised by French musicians in the 1990s. It is a form of Euro disco and a popular strand of the late 1990s and 2000s European EDM scene. The defining characteristics of the genre are filter and phaser effects both on and alongside samples from late 1970s and early 1980s European disco tracks. Tracks sometimes contained original hooks inspired by these samples, providing thicker harmonic foundations than the genre's forerunners. Most tracks in this style are in 4
4 time and feature steady four-on-the-floor beats in the tempo range of 110–130 beats per minute. French house is similar to future funk, although there are some key differences. Purveyors of French house include Daft Punk, David Guetta, Bob Sinclar, Martin Solveig, Cassius, The Supermen Lovers, Modjo, Justice, Air, and Étienne de Cré
Funk rock is a fusion genre that mixes elements of funk and rock. James Brown and others declared that Little Richard and his mid-1950s road band, the Upsetters, were the first to put the funk in the rock and roll beat, with a biographer stating that their music "spark[ed] the musical transition from fifties rock and roll to sixties funk".
Funk carioca, also known as favela funk, in other parts of the world as baile funk and Brazilian funk, or even simply funk, is a hip hop-influenced music genre from Rio de Janeiro, blending the rap subgenres of Miami bass and gangsta rap. Despite its name, funk carioca has no musical correlation with the American funk by any means.
Nu-disco is a 21st-century dance music genre associated with a renewed interest in the late 1970s disco, synthesizer-heavy 1980s European dance music styles, and early 1990s electronic dance music. The genre was popular in the early 2000s, and experienced a mild resurgence in the 2010s.
Funky Kingston is the name of two albums by Jamaican reggae group Toots and the Maytals. The first was issued in Jamaica and the United Kingdom in 1973 on Dragon Records, a subsidiary label of Island Records, owned by Chris Blackwell. A different album, with the same cover and title, was issued in the United States in 1975 on Mango Records. That album was compiled from three previous Maytals albums by Island Records employee Danny Holloway and peaked at #164 on the Billboard 200. It was also voted the eleventh best album of 1975 in the annual Jazz & Pop poll. In 2003, the American version was placed at number 378 on Rolling Stone's list of The 500 Greatest Albums of All Time, 380 in a 2012 revised list and 344 in a 2020 revised list.
Hedkandi is an English record label, events and music brand owned by Ministry of Sound. Its back catalogue includes both artist albums and dance music compilations.
"Funky Worm" is a song by American funk group the Ohio Players, from their album Pleasure. It peaked at number one on the U.S. Billboard R&B chart in 1973 and also peaked at number fifteen on the Billboard Hot 100. Billboard ranked it as the No. 84 song for 1973.
Boogie is a rhythm and blues genre of electronic dance music with close ties to the post-disco style, that first emerged in the United States during the late 1970s to mid-1980s. The sound of boogie is defined by bridging acoustic and electronic musical instruments with emphasis on vocals and miscellaneous effects. It later evolved into electro and house music.
Luis Raúl Marrero, also known by his stage name Funky, is a Puerto Rican rapper and songwriter. With seven solo albums and multiple jobs as a producer, Marrero is internationally recognized as a hip hop and reggaeton Christian artist. He has collaborated with Christian music musicians, including Marcos Witt, Jesus Adrian Romero, and KJ-52. Marrero has been nominated for two Latin Grammy awards.
Daniel Douglas Orlando, also known as Funkefeller, is an Electro House producer from Phoenix, Arizona. Funkefeller has a computer science background and portrays the Funkefeller identity as a mad scientist. When playing live, Funkefeller can be found in full costume with an extensive amount of gear on stage. His shows are combined with a large plethora of visual effects that seem to have come from a science lab gone haywire.
Funkot is an electronic dance music genre from Indonesia that emerged in the 1990s. Funkot is a mix of House music with a tempo of 160 to 220 bpm. Many other names exist for this genre, namely "Hardfunk", "House Kota", "Indonesian House", and "Indonesian Hardcore".
