Harsh noise wall

Last updated

Harsh noise wall, also known as wall noise or HNW, is an extreme subgenre of noise music, described as "a literal consistent, unflinching and enveloping wall of monolithic noise." The movement is spearheaded by French musician Vomir, [1] who described his aesthetic as "no ideas, no change, no development, no entertainment, no remorse". [2] The genre soon gained traction in the United States. Artists such as the Haters, Daniel Menche, and Richard Ramirez are best known for popularizing the noise genre in the US. [3] [4]

Contents

Harsh noise wall features noises layered together to form a static sound. Harsh noise wall musician Sam McKinlay, also known as The Rita, considered the genre as "the purification of the Japanese harsh noise scene into a more refined crunch, which crystallizes the tonal qualities of distortion in a slow moving minimalistic texture." [5]

Despite largely staying underground, harsh noise wall has enjoyed a cult following among the noise music scene. A series of events dedicated to the genre, named as Harsh Noise Wall Festival, is organized at Les Instants Chavirés, Montreuil, Seine-Saint-Denis by Vomir, with guests involving prominent musicians such as Werewolf Jerusalem, TheNightProduct, Black Leather Jesus and Tissa Mawartyassari. [2]

See also

Related Research Articles

Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries.

Shoegaze is a subgenre of indie and alternative rock characterized by its ethereal mixture of obscured vocals, guitar distortion and effects, feedback, and overwhelming volume. It emerged in Ireland and the United Kingdom in the late 1980s among neo-psychedelic groups who usually stood motionless during live performances in a detached, non-confrontational state. The name comes from the heavy use of effects pedals, as the performers were often looking down at their pedals during concerts.

Ambient techno is a subgenre of techno that incorporates the atmospheric textures of ambient music with the rhythmic elements and production of techno. It was pioneered by 1990s electronic artists such as Aphex Twin, Carl Craig, the Black Dog, Pete Namlook and Biosphere.

Maso Yamazaki, better known by his stage name Masonna, is a Japanese noise musician. He was born Takushi Yamazaki on November 16, 1966, in Miyazu, Kyoto, Japan.

Krautrock is a broad genre of experimental rock that developed in West Germany in the late 1960s and early 1970s. It originated among artists who blended elements of psychedelic rock, avant-garde composition, and electronic music, among other eclectic sources. Common elements included hypnotic rhythms, extended improvisation, musique concrète techniques, and early synthesizers, while the music generally moved away from the rhythm & blues roots and song structure found in traditional Anglo-American rock music. Prominent groups associated with the krautrock label included Neu!, Can, Faust, Tangerine Dream, Kraftwerk, Cluster, Ash Ra Tempel, Popol Vuh, Amon Düül II and Harmonia.

<span class="mw-page-title-main">Noise rock</span> Experimental rock music mixed with noise

Noise rock is a noise-oriented style of experimental rock that spun off from punk rock in the 1980s. Drawing on movements such as minimalism, industrial music, and New York hardcore, artists indulge in extreme levels of distortion through the use of electric guitars and, less frequently, electronic instrumentation, either to provide percussive sounds or to contribute to the overall arrangement.

Dark ambient is a genre of post-industrial music that features an ominous, dark droning and often gloomy, monumental or catacombal atmosphere, partially with discordant overtones. It shows similarities with ambient music, a genre that has been cited as a main influence by many dark ambient artists, both conceptually and compositionally. Although mostly electronically generated, dark ambient also includes the sampling of hand-played instruments and semi-acoustic recording procedures.

Power noise is a form of industrial music and a fusion of noise music and various styles of electronic dance music. It should not be confused with "power electronics", which is not influenced by electronic dance music and is closer to harsh noise. Its origins are predominantly European.

<span class="mw-page-title-main">Japanoise</span> Noise music scene of Japan

Japanoise, a portmanteau of "Japanese" and "noise", is the noise music scene of Japan.

<span class="mw-page-title-main">Mark Stewart (English musician)</span> English singer (1960–2023)

Mark Stewart was an English singer and founding member of the Pop Group. A pioneer of post-punk and industrial hip-hop, he recorded for On-U Sound Records and Mute Records.

Psychedelic music is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as 5-MeO-DMT, DMT, LSD, mescaline, and psilocybin mushrooms, to experience synesthesia and altered states of consciousness. Psychedelic music may also aim to enhance the experience of using these drugs and has been found to have a significant influence on psychedelic therapy.

<span class="mw-page-title-main">Merzbow</span> Japanese noise project

Merzbow is a Japanese noise project started in 1979 by Masami Akita, best known for a style of harsh, confrontational noise. Since 1980, Akita has released over 500 recordings and has collaborated with numerous artists.

Unsound Festival, also known as Unsound, is an annual music festival that takes place in Kraków, Poland, dealing with evolving and mutating forms of music, as well as related visual arts. Apart from the main festival, Unsound regularly takes place in cities around the world such as New York, London, Adelaide, Toronto, Minsk, and Tbilisi.

Post-punk is a broad genre of rock music that emerged in the late 1970s in the wake of punk rock. Post-punk musicians departed from punk's traditional elements and raw simplicity, instead adopting a broader, more experimental approach that encompassed a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and do it yourself ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines.

Experimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with some of the genre's distinguishing characteristics being improvisational performances, avant-garde influences, odd instrumentation, opaque lyrics, unorthodox structures and rhythms, and an underlying rejection of commercial aspirations.

Alternative R&B is a term used by music journalists to describe a stylistic alternative to contemporary R&B that began in the mid 2000s and came to prominence with musical artists such as Frank Ocean, The Weeknd, SZA, Khalid, and others. It is considered to be "more progressive and diverse" than its mainstream counterpart.

Avant-pop is popular music that is experimental, new, and distinct from previous styles while retaining an immediate accessibility for the listener. The term implies a combination of avant-garde sensibilities with existing elements from popular music in the service of novel or idiosyncratic artistic visions.

<span class="mw-page-title-main">Vomir</span> Musical artist

Romain Perrot, better known by his stage name Vomir, is a French noise music artist based in Paris. Since beginning his career in 1996, Vomir has appeared in over 300 releases, including singles, albums and collaborations with other noise artists. The majority of his albums were produced by his own independent label, Decimation Sociale. Vomir positions his approach to music as an "anti-" approach, with a radical and nihilist stance. He spearheads the harsh noise wall movement, an extreme subgenre of noise music which he describes as "no ideas, no change, no development, no entertainment, no remorse".

References

  1. Biles and Brintnal (2015), p. 103
  2. 1 2 Williams, Russel (22 May 2014). "Live Report: Harsh Noise Wall Festival III". The Quietus . Retrieved 19 July 2017.
  3. "A Beginner's Guide to Noise Music". Hard Noise. 2019-07-03. Retrieved 2022-12-01.
  4. "The Quietus | Features | In Extremis | Anti-Musicality: An Interview With Romain Perrot Of VOMIR". The Quietus. Retrieved 2022-12-01.
  5. Novak (2013), p. 57

Further reading