Ancestry as guide to character in Tolkien's legendarium

Last updated

In Tolkien's legendarium, ancestry provides a guide to character. The apparently genteel Hobbits of the Baggins family turn out to be worthy protagonists of The Hobbit and The Lord of the Rings . Bilbo Baggins is seen from his family tree to be both a Baggins and an adventurous Took. Similarly, Frodo Baggins has some relatively outlandish Brandybuck blood. Among the Elves of Middle-earth, as described in The Silmarillion , the highest are the peaceful Vanyar, whose ancestors conformed most closely to the divine will, migrating to Aman and seeing the light of the Two Trees of Valinor; the lowest are the mutable Teleri; and in between are the conflicted Noldor. Scholars have analysed the impact of ancestry on Elves such as the creative but headstrong Fëanor, who makes the Silmarils. Among Men, Aragorn, hero of The Lord of the Rings , is shown by his descent from Kings, Elves, and an immortal Maia to be of royal blood, destined to be the true King who will restore his people. Scholars have commented that in this way, Tolkien was presenting a view of character from Norse mythology, and an Anglo-Saxon view of kingship, though others have called his implied views racist.

Contents

Context

J. R. R. Tolkien was an English author and philologist of ancient Germanic languages, specialising in Old English, the language of the Anglo-Saxons; he spent much of his career as a professor at the University of Oxford. [1] He is best known for his novels about his invented Middle-earth, The Hobbit and The Lord of the Rings , and for the posthumously published The Silmarillion which provides a more mythical narrative about earlier ages. These have been so influential that has been called the "father" of modern fantasy. [2] [3] He invented several peoples for Middle-earth, including Elves, Dwarves, Hobbits, Orcs, Trolls, and Eagles. [T 1]

Ancestry by race

Hobbit family trees

A Small Part [lower-alpha 1] of the Genealogy of the Baggins Family of Hobbits,
from Appendix C of The Lord of the Rings , [T 2]
annotated to show the inheritance of character [4]
Balbo BagginsBerylla Boffin
Laura GrubbMungoLargoTanta Hornblower
Bungo Baggins(bourgeois)Belladonna Took (adventurous)FoscoRuby Bolger
Bilbo DoraDrogo Baggins (bourgeois)Primula Brandybuck (outlandish)
Frodo

Tolkien's Middle-earth family trees have multiple functions, including establishing the characters' lineages and the relationships between them, and helping to create an impression of depth. [4] Apart from these, a key function is to show how different ancestries, and hence in Tolkien's view different aspects of character, come together in his protagonists. [4] [5] [6] The Tolkien scholar Jason Fisher explains that the apparently home-loving but in fact also adventurous and resourceful Bilbo Baggins, for instance, was born to a genteel Baggins and an adventurous Took, while his similarly conflicted cousin (often familiarly described as his nephew) and heir Frodo was the child of a Baggins and a relatively outlandish Brandybuck. [4] Thus, character is explained and predicted by ancestry. [4] Tolkien has his Hobbits share this belief; families were important to them, and they were extremely fond of studying their own genealogy, as illustrated, too, by the multiple Hobbit family trees in the appendices of The Lord of the Rings. [4] Tolkien stated directly in the prologue: [T 3]

All hobbits were, in any case, clannish and reckoned up their relationships with great care. They drew long and elaborate family-trees with innumerable branches. In dealing with hobbits it is important to remember who is related to whom, and in what degree. [T 3]

Bilbo's and Frodo's ancestry analysed by geography of the Shire and Hobbit family character. Bilbo inherits bourgeois Baggins and adventurous Took, suiting him both for life in the Shire and for the adventure described in The Hobbit. Frodo inherits bourgeois Baggins and outlandish Buckland, suiting him for the quest of The Lord of the Rings, but leaving him ultimately unsettled. Bilbo and Frodo Ancestry Analysed.svg
Bilbo's and Frodo's ancestry analysed by geography of the Shire and Hobbit family character. Bilbo inherits bourgeois Baggins and adventurous Took, suiting him both for life in the Shire and for the adventure described in The Hobbit . Frodo inherits bourgeois Baggins and outlandish Buckland, suiting him for the quest of The Lord of the Rings , but leaving him ultimately unsettled.

The ancestry of Bilbo and Frodo involved the Boffin and Bolger families alongside the better-known Tooks and Brandybucks. Tolkien had drawn up family trees for the Boffins and Bolgers, providing additional background on the character of the central Hobbit figures, but these were left out of the appendices to save space. [lower-alpha 2] [7]

Elvish splinterings

In the First Age, the Elves awoke at Cuivienen in Middle-earth, and many of them (green titles for kindreds) migrated (arrows) westwards to Valinor in Aman, splintering into different groups according to the quality of their ancestry. Elvish Migrations and Kindreds.svg
In the First Age, the Elves awoke at Cuiviénen in Middle-earth, and many of them (green titles for kindreds) migrated (arrows) westwards to Valinor in Aman, splintering into different groups according to the quality of their ancestry.

In the long and complex process of the Sundering of the Elves, Tolkien consistently shows that the highest Elves are those who deviated least from their initial uncorrupted state: they complied with the will of the Valar, travelled to the blessed realm of Valinor where they saw the light of the Two Trees, and continued to speak the highest language, Quenya. Conversely, the lowest Elves, the Avari, refused to make the journey, never saw the light, and fragmented into many kindreds with different languages as they eventually spread out across Middle-earth. The Tolkien scholars Tom Shippey and Verlyn Flieger both note that Tolkien thus intended ancestry to be a guide to character. The differences between the various Elvish languages mirror both the Sundering and the events of The Silmarillion . [9] [5] [6]

Flieger states that the three major groups of Elves who set out on the journey to Valinor, the Eldar, each had their own character, which the reader needs to grasp to understand what drives the protagonists of The Silmarillion, by way of their personal membership of one or more of these groups. [10]

Verlyn Flieger's analysis of the effect of history on the character of the Eldar [10]
GroupHistoryCharacter from history
Vanyar First to set out, stay in Valinor for ever after arriving; close to the godlike Valar Highest of the Elves; settled in the light and in themselves
Noldor Set out next, go to Valinor and leave againTorn both ways, creative, artistic, seeking knowledge, skilful, loving words, with potential for both good and ill
Teleri Last to set out, least eager for the light, most numerous"Vacillate, hesitate, are changeful in mind and spirit"; they are "the Singers", love water, always live by it, are mutable

Shippey writes that The Silmarillion echoes Norse mythology in its belief that character is determined by ancestry, and that one perhaps needs to study the family trees to see clearly how it all works. He gives the example of Fëanor, the impetuous creator of the Silmarils , and his relatives: [5]

Tom Shippey's analysis of the effect of Eldar ancestry on character [5]
PersonAncestryCharacter from ancestry
Fëanor pure Noldor from both father and motherCreative, headstrong, selfish
Fëanor's half-brothers Finarfin and Fingolfin mother is of "'senior' race", Vanyar "Superior" to Fëanor "in restraint and generosity"
Finarfin's children Finrod and Galadriel mother is of "junior" race, Teleri Relatively sympathetic
Fingolfin's children, e.g. Aredhel"mixed Noldor/Vanyar""Reckless"
Fëanor's sonspure NoldorAggressive, unsympathetic

Shippey comments that one way to read The Silmarillion is to assume that "'character' is in a sense fixed, static, even diagrammatic." [5] He states that this was a common belief in medieval times, giving the example of the Old English proverb which asserts that "a man shows what he's like when he can do what he wants", i.e. their character was assumed to be built-in. Similarly in Norse mythology, the nature of each person in a saga is, Shippey writes, stated when they are introduced; the rest of the story just demonstrates how that plays out in practice. [5]

Mannish lineages

Half-elven family tree [T 5] [T 6]
Melian the Maia Thingol
of the  Teleri
House of BëorHouse of HalethHouse of Hador Finwë
of the  Noldor
Indis
of the  Vanyar
Olwë
of the  Teleri
BarahirBelegundHarethGaldor Fingolfin FinarfinEärwen
Lúthien Beren RíanHuor Húrin TurgonElenwë
DiorNimloth Tuor Idril
ElurédElurín Elwing Eärendil Celeborn Galadriel
Elros Elrond Celebrían
22 Kings
of Númenor and
Lords of Andúnië
Elendil
Isildur Anárion
22 Kings
of Arnor
and Arthedain
27 Kings
of Gondor
ArveduiFíriel
15 Dúnedain
Chieftains
Aragorn Arwen ElladanElrohir
EldarionUnnamed daughters
Colour key:
ColourDescription
  Elves
  Men
  Maiar
  Half-elven
 Half-elven who chose the fate of Elves
 Half-elven who chose the fate of mortal Men
Robert Stuart has likened Tolkien's views on ancestry to those of the racist Arthur de Gobineau. 1876 portrait by the Comtesse de la Tour Arthur de Gobineau.jpg
Robert Stuart has likened Tolkien's views on ancestry to those of the racist Arthur de Gobineau. 1876 portrait by the Comtesse de la Tour

Aragorn, hero of The Lord of the Rings , appears as a Man, and is described as such with the epithet Dúnadan, "Man of the West". His blood is however richer than that, as he can trace his ancestry back to the marriage of Eärendil and Elwing, both half-Elven and thus higher than mortal Men. Further, Elwing's ancestry goes back to the marriage of Thingol, the Elven King of Doriath, and Melian, a Maia or immortal spirit, one of the angelic Ainur. As far as his Elven pedigree is concerned, he was not only of the Teleri ("Those who come last") via Thingol; Eärendil was descended via Idril Celebrindal from Finwë of the Noldor ("Deep Elves") and Indis of the Vanyar ("The Fair"). [T 5] These two groups were the highest of the Elves, and unlike the Teleri kept the faith by migrating all the way to Aman and thus saw the light of the Two Trees of Valinor. [8] [T 7] Aragorn was thus not only of a long royal lineage, and not only with an admixture of Elvish blood: it was the best possible, being both from high Elves and Elvish kings. [12] [13]

The Tolkien scholar Angela Nicholas argues that Aragorn's combined Man, Elf, and Maia ancestry "infuses divinity into his character." [12] [14] Judy Ann Ford and Robin Anne Reid write in Tolkien Studies that while the destruction of the One Ring prevents Sauron from taking over the whole of Middle-earth, the "true king", Aragorn, is required "to restore the world of men to its former glory." [13] Aragorn has this destiny in his epithets, "for in the high tongue of old [Quenya] I am Elessar, the Elfstone, and Envinyatar, the Renewer'". [13] [T 8] Ford and Reid comment that Tolkien has made Aragorn conform to the Anglo-Saxon ideal of kingship, noting that their kings "claimed descent from [the god] Woden", and further that "This divine ancestry was believed to endow royal blood with a portion of divine wisdom and supernatural power." [13]

In his 2022 book Tolkien, Race, and Racism in Middle-earth, Robert Stuart on the other hand describes Tolkien's emphasis on Aragorn's ancestry as "aristocratic racism", likening Tolkien's implied views on race to those of the French 19th century diplomat Arthur de Gobineau, which he characterises as "anti-democratic, anti-national and, above all, anti-modern". [11]

Notes

  1. The full tree is shown in the article on Frodo Baggins.
  2. The two family trees can be seen at Boffins and Bolgers.

Related Research Articles

<span class="mw-page-title-main">Rivendell</span> Fictional valley of Elves in J. R. R. Tolkiens Middle-earth

Rivendell is a valley in J. R. R. Tolkien's fictional world of Middle-earth, representing both a homely place of sanctuary and a magical Elvish otherworld. It is an important location in The Hobbit and The Lord of the Rings, being the place where the quest to destroy the One Ring began.

Eärendil the Mariner and his wife Elwing are characters in J. R. R. Tolkien's Middle-earth legendarium. They are depicted in The Silmarillion as Half-elven, the children of Men and Elves. He is a great seafarer who, on his brow, carried the Morning Star, a jewel called a Silmaril, across the sky. The jewel had been saved by Elwing from the destruction of the Havens of Sirion. The Morning Star and the Silmarils are elements of the symbolism of light, for divine creativity, continually splintered as history progresses. Tolkien took Eärendil's name from the Old English name Earendel, found in the poem Crist A, which hailed him as "brightest of angels"; this was the beginning of Tolkien's Middle-earth mythology. Elwing is the granddaughter of Lúthien and Beren, and is descended from Melian the Maia. Through their progeny, Eärendil and Elwing became the ancestors of the Númenorean, and later Dúnedain, royal bloodline.

Glorfindel is a fictional character in J. R. R. Tolkien's Middle-earth legendarium. He is a member of the Noldor, one of the three groups of the Calaquendi or High Elves. The character and his name, which means "blond" or "golden-haired", were among the first created for what would become part of his Middle-earth legendarium in 1916–17, beginning with the initial draft of The Fall of Gondolin. His name indicates his hair as a mark of his distinction, as the Noldor were generally dark-haired. A character of the same name appears in the first book of The Lord of the Rings, The Fellowship of the Ring, which takes place in Middle-earth's Third Age. Within the story, he is depicted as a powerful Elf-lord who could withstand the Nazgûl, wraith-like servants of Sauron, and holds his own against some of them single-handedly. Glorfindel and a version of the story of the Fall of Gondolin appear in The Silmarillion, posthumously published in 1977.

Valinor or the Blessed Realm is a fictional location in J. R. R. Tolkien's legendarium, the home of the immortal Valar on the continent of Aman, far to the west of Middle-earth; he used the name Aman mainly to mean Valinor. It includes Eldamar, the land of the Elves, who as immortals are permitted to live in Valinor.

<span class="mw-page-title-main">Thingol</span> Fictional character

Elu Thingol or Elwë Singollo is a fictional character in J.R.R. Tolkien's Middle-earth legendarium. He appears in The Silmarillion, The Lays of Beleriand and The Children of Húrin and in numerous stories in The History of Middle-earth. The King of Doriath, King of the Sindar Elves, High-king and Lord of Beleriand, he is a major character in the First Age of Middle-earth and an essential part of the ancestral backgrounding of the romance between Aragorn and Arwen in The Lord of the Rings. Alone among the Elves, he married an angelic Maia, Melian.

In J. R. R. Tolkien's legendarium, the Elves or Quendi are a sundered (divided) people. They awoke at Cuiviénen on the continent of Middle-earth, where they were divided into three tribes: Minyar, Tatyar and Nelyar. After some time, they were summoned by Oromë to live with the Valar in Valinor, on Aman. That summoning and the Great Journey that followed split the Elves into two main groups, which were never fully reunited.

The following outline is provided as an overview of and topical guide to the real-world history and notable fictional elements of J. R. R. Tolkien's fantasy universe. It covers materials created by Tolkien; the works on his unpublished manuscripts, by his son Christopher Tolkien; and films, games and other media created by other people.

<span class="mw-page-title-main">History of Arda</span> History of J. R. R. Tolkiens Middle-earth

In J. R. R. Tolkien's legendarium, the history of Arda, also called the history of Middle-earth, began when the Ainur entered Arda, following the creation events in the Ainulindalë and long ages of labour throughout Eä, the fictional universe. Time from that point was measured using Valian Years, though the subsequent history of Arda was divided into three time periods using different years, known as the Years of the Lamps, the Years of the Trees, and the Years of the Sun. A separate, overlapping chronology divides the history into 'Ages of the Children of Ilúvatar'. The first such Age began with the Awakening of the Elves during the Years of the Trees and continued for the first six centuries of the Years of the Sun. All the subsequent Ages took place during the Years of the Sun. Most Middle-earth stories take place in the first three Ages of the Children of Ilúvatar.

Meriadoc Brandybuck, usually called Merry, is a Hobbit, a fictional character from J. R. R. Tolkien's Middle-earth legendarium, featured throughout his most famous work, The Lord of the Rings. Merry is described as one of the closest friends of Frodo Baggins, the main protagonist. Merry and his friend and cousin, Pippin, are members of the Fellowship of the Ring. They become separated from the rest of the group and spend much of The Two Towers making their own decisions. By the time of The Return of the King, Merry has enlisted in the army of Rohan as an esquire to King Théoden, in whose service he fights during the War of the Ring. After the war, he returns home, where he and Pippin lead the Scouring of the Shire, ridding it of Saruman's influence.

Aragorn is a fictional character and a protagonist in J. R. R. Tolkien's The Lord of the Rings. Aragorn was a Ranger of the North, first introduced with the name Strider and later revealed to be the heir of Isildur, an ancient King of Arnor and Gondor. Aragorn was a confidant of the wizard Gandalf, and played a part in the quest to destroy the One Ring and defeat the Dark Lord Sauron. As a young man, Aragorn fell in love with the immortal elf Arwen, as told in "The Tale of Aragorn and Arwen". Arwen's father, Elrond Half-elven, forbade them to marry unless Aragorn became King of both Arnor and Gondor.

Elrond Half-elven is a fictional character in J. R. R. Tolkien's Middle-earth legendarium. Both of his parents, Eärendil and Elwing, were half-elven, having both Men and Elves as ancestors. He is the bearer of the elven-ring Vilya, the Ring of Air, and master of Rivendell, where he has lived for thousands of years through the Second and Third Ages of Middle-earth. He was the Elf-king Gil-galad's herald at the end of the Second Age, saw Gil-galad and king Elendil fight the dark lord Sauron for the One Ring, and Elendil's son Isildur take it rather than destroy it.

In J. R. R. Tolkien's writings, Elves are the first fictional race to appear in Middle-earth. Unlike Men and Dwarves, Elves are immortal, though they can be killed in battle. If so, their souls go to the Halls of Mandos in Aman. After a long life in Middle-earth, Elves yearn for the Earthly Paradise of Valinor, and can sail there from the Grey Havens. They feature in The Hobbit and The Lord of the Rings. Their history is described in detail in The Silmarillion.

Frodo Baggins is a fictional character in J. R. R. Tolkien's writings, and one of the protagonists in The Lord of the Rings. Frodo is a hobbit of the Shire who inherits the One Ring from his cousin Bilbo Baggins, described familiarly as "uncle", and undertakes the quest to destroy it in the fires of Mount Doom in Mordor. He is mentioned in Tolkien's posthumously published works, The Silmarillion and Unfinished Tales.

<i>The Fellowship of the Ring</i> 1954 part of novel by J. R. R. Tolkien

The Fellowship of the Ring is the first of three volumes of the epic novel The Lord of the Rings by the English author J. R. R. Tolkien. It is followed by The Two Towers and The Return of the King. The action takes place in the fictional universe of Middle-earth. The book was first published on 29 July 1954 in the United Kingdom. The volume consists of a foreword, in which the author discusses his writing of The Lord of the Rings, a prologue titled "Concerning Hobbits, and other matters", and the main narrative in Book I and Book II.

Tolkien's Middle-earth family trees contribute to the impression of depth and realism in the stories set in his fantasy world by showing that each character is rooted in history with a rich network of relationships. J. R. R. Tolkien included multiple family trees in both The Lord of the Rings and The Silmarillion; they are variously for Elves, Dwarves, Hobbits, and Men.

Christianity is a central theme in J. R. R. Tolkien's fictional works about Middle-earth, but the specifics are always kept hidden. This allows for the books' meaning to be personally interpreted by the reader, instead of the author detailing a strict, set meaning.

Character pairing in The Lord of the Rings is a literary device used by J. R. R. Tolkien, a Roman Catholic, to express some of the moral complexity of his major characters in his heroic romance, The Lord of the Rings. Commentators have noted that the format of a fantasy does not lend itself to subtlety of characterisation, but that pairing allows inner tensions to be expressed as linked opposites, including, in a psychoanalytic interpretation, those of Jungian archetypes.

J. R. R. Tolkien built a process of decline and fall in Middle-earth into both The Silmarillion and The Lord of the Rings.

J. R. R. Tolkien used frame stories throughout his Middle-earth writings, especially his legendarium, to make the works resemble a genuine mythology written and edited by many hands over a long period of time. He described in detail how his fictional characters wrote their books and transmitted them to others, and showed how later in-universe editors annotated the material.

<span class="mw-page-title-main">Tolkien and the medieval</span> J. R. R. Tolkiens use of medieval literature

J. R. R. Tolkien was attracted to medieval literature, and made use of it in his writings, both in his poetry, which contained numerous pastiches of medieval verse, and in his Middle-earth novels where he embodied a wide range of medieval concepts.

References

Primary

  1. Carpenter 2023 , Letter 142 to Robert Murray, 2 December 1953
  2. Tolkien 1955, Appendix C Family Trees
  3. 1 2 Tolkien 1954a, prologue
  4. Tolkien 1994 , "Quendi and Eldar"
  5. 1 2 Tolkien 1977, "Of the Rings of Power and the Third Age": Family Trees I and II: "The house of Finwë and the Noldorin descent of Elrond and Elros", and "The descendants of Olwë and Elwë"
  6. Tolkien 1955, Appendix A: Annals of the Kings and Rulers, I The Númenórean Kings
  7. Tolkien 1977 , ch. 24 "Of the Voyage of Eärendil and the War of Wrath"
  8. Tolkien 1955 book 5, ch. 8 "The Houses of Healing"

Secondary

  1. Carpenter 1977, pp. 111, 200, 266.
  2. Schlagwein, Felix (1 March 2022). "How Tolkien became the father of fantasy". Deutsche Welle.
  3. Drabble, Margaret, ed. (1985). "Tolkien". The Oxford Companion to English Literature (5 ed.). Oxford University Press. pp. 986–987.
  4. 1 2 3 4 5 6 7 Fisher 2013, pp. 188–189.
  5. 1 2 3 4 5 6 Shippey 2005, pp. 282–284.
  6. 1 2 Flieger 1983, pp. 88–131.
  7. Hammond, Wayne G.; Scull, Christina. "Addenda and Corrigenda to The Lord of the Rings: A Reader's Companion Revised Edition (2008)". wayne & christina. Retrieved 20 August 2023. p. 723 ... A letter by Tolkien to Rayner Unwin dated 12 May 1955, not preserved in the Allen & Unwin archive but which has surfaced at auction, confirms that the Boffin and Bolger family trees were omitted for lack of space;
  8. 1 2 Dickerson 2013, pp. 152–154.
  9. Shippey 2001, pp. 228–231.
  10. 1 2 Flieger 1983, pp. 90–93.
  11. 1 2 Stuart, Robert (2022). "Aristocratic Racism: Gobineau in Gondor". Tolkien, Race, and Racism in Middle-earth. Cham, Switzerland: Palgrave Macmillan. pp. 267–338. doi:10.1007/978-3-030-97475-6. ISBN   978-3-030-97475-6. OCLC   1312274691. S2CID   248207455.
  12. 1 2 Rone, Vincent E. (2020). "[Review] Julian Eilmann and Friedhelm Schneidewind (eds), Music in Tolkien's Work and Beyond". Journal of Inklings Studies. 10 (2). Edinburgh University Press: 215–218. doi:10.3366/ink.2020.0083. S2CID   226373009.
  13. 1 2 3 4 Ford, Judy Ann; Reid, Robin Anne (2009). "Councils and Kings: Aragorn's Journey Towards Kingship in J.R.R. Tolkien's The Lord of the Rings and Peter Jackson's The Lord of the Rings". Tolkien Studies . 6 (1): 71–90. doi:10.1353/tks.0.0036. S2CID   170407534.
  14. Nicholas, Angela P. (2019). "Aragorn, Music and the 'Divine Plan'". In Eilmann, Julian; Schneidewind, Friedhelm (eds.). Music in Tolkien's Work and Beyond. Walking Tree Publishers. ISBN   978-3-905703-39-9.

Sources