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Balmy Alley (formally Balmy Street) is a one-block-long alley that is home to the most concentrated collection of murals in the city of San Francisco. It is located in the south central portion of the Inner Mission District between 24th Street and Garfield Square. Since 1973, most buildings on the street have been decorated with a mural.
The earliest murals in the alley date to 1972, painted by Mia Galivez and children in a local child care center. [1] Artists Patricia Rodriquez and Graciela Carillo had rented an apartment on Balmy Alley and painted their first mural in the Alley, a jungle-underwater scene, in 1973. [1] Their two-woman team soon expanded and became known as Las Mujeres Muralistas . [1] Fellow member Irene Perez painted her own mural on the alley in 1973, depicting two back-to-back figures painting flutes. [2]
In 1984, in a second significant wave of murals in the alley, Ray Patlan spearheaded the PLACA project to install murals throughout the alley featuring the common theme of a celebration of indigenous Central American cultures and a protest of US intervention in Central America. Topics of the murals included the Nicaraguan revolution, Óscar Romero, and the Guatemalan civil war. [3] This culminated in the addition of twenty-seven murals during the summer of 1985, funded in part by a grant of $2,500 from the Zellerbach Foundation. This art project proved influential, inspiring the La Lucha Continua Art Park/La Lucha Mural Park in New York City the following year. [4]
Painting continues regularly in the alley, including new murals about gentrification and police harassment in 2012 [5] and a restoration of one of the PLACA murals in 2014. [6]
Besides those listed above, artists who have produced murals in the alley include Juana Alicia, Susan Kelk Cervantes, Marta Ayala, Brooke Francher, Miranda Bergman, Osha Neuman, Neil Mackinnon, Carlos Loarca, Xochitl Nevel-Guerrero, [2] and Sirron Norris. [7] [8]
The Balmy Alley murals have been described, along with San Diego's Chicano Park and Los Angeles' Estrada Courts, as a leading example of mural environments that reclaim spaces for Chicanos and give expression to a history of Chicano displacement and marginalization. [9]
The mural grouping in the alley is internationally recognized, both as an exemplar of activist art [10] and as a tourist destination. [11]
The Mission District has San Francisco's densest concentration of murals, often along political themes, sometimes described jointly as the "Mission School" of muralism. [12] Balmy Alley is often cited as the leading concentration within the Mission. [13]
Nearby Clarion Alley, another mural grouping by local artists, was inspired by Balmy Alley. [11] [14]
Chicano or Chicana is an ethnic identity for Mexican Americans who have a non-Anglo self-image, embracing their Mexican Native ancestry. Chicano was originally a classist and racist slur used toward low-income Mexicans that was reclaimed in the 1940s among youth who belonged to the Pachuco and Pachuca subculture. In the 1960s, Chicano was widely reclaimed in the building of a movement toward political empowerment, ethnic solidarity, and pride in being of indigenous descent. Chicano developed its own meaning separate from Mexican American identity. Youth in barrios rejected cultural assimilation into whiteness and embraced their own identity and worldview as a form of empowerment and resistance. The community forged an independent political and cultural movement, sometimes working alongside the Black power movement.
The Mission District, commonly known as The Mission, is a neighborhood in San Francisco, California. One of the oldest neighborhoods in San Francisco, the Mission District's name is derived from Mission San Francisco de Asís, built in 1776 by the Spanish. The Mission is historically one of the most notable centers of the city's Chicano/Mexican-American community.
Chicana feminism is a sociopolitical movement, theory, and praxis that scrutinizes the historical, cultural, spiritual, educational, and economic intersections impacting Chicanas and the Chicana/o community in the United States. Chicana feminism empowers women to challenge institutionalized social norms and regards anyone a feminist who fights for the end of women's oppression in the community.
Yolanda Margarita López was an American painter, printmaker, educator, and film producer. She was known for her Chicana feminist works focusing on the experiences of Mexican-American women, often challenging the ethnic stereotypes associated with them. Lopez was recognized for her series of paintings which re-imagined the image of the Virgen de Guadalupe. Her work is held in several public collections including the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, and the Los Angeles County Museum of Art.
Precita Eyes Muralists Association is a community-based non-profit muralist and arts education group located in the Bernal Heights neighborhood of San Francisco, California. It was founded in 1977 by Susan and Luis Cervantes.
The Mission School is an art movement of the 1990s and 2000s, centered in the Mission District, San Francisco, California.
Clarion Alley Mural Project (CAMP) is an artists' collective in San Francisco's Mission District. The mission of CAMP is to support and produce socially engaged and aesthetically innovative public art, locally and globally as a grassroots artist-run organization. CAMP is a community, a public space, and an organizing force that uses public art as a means for supporting social, economic, racial, and environmental justice messaging and storytelling. The project is currently co-directed by Megan Wilson and Christopher Statton with a board of directors that includes Wilson, Statton, Shaghayegh Cyrous, Keyvan Shovir, Ivy McClelland, Kyoko Sato, Fara Akrami, Katayoun Bahrami, and Chris Gazaleh. Clarion Alley runs one block in San Francisco's inner Mission District between 17th and 18th streets and Mission and Valencia streets.
Clarion Alley is a small street between Mission and Valencia Streets and 17th and 18th Streets in the Mission District in San Francisco, California. It is notable for the murals painted by the Clarion Alley Mural Project.
The Chicano Art Movement represents groundbreaking movements by Mexican-American artists to establish a unique artistic identity in the United States. Much of the art and the artists creating Chicano Art were heavily influenced by Chicano Movement which began in the 1960s.
Miranda Bergman is an American contemporary muralist born in 1947 and grew up in grew up in the San Francisco Mission District where she attended Balboa High School. Bergman is known for of the seven women artists who in 1994 created the MaestraPeace mural, the largest mural in San Francisco, which covers The Women's Building. Most of the murals created/co-created by Bergman straddles artistry and social activism, giving her a space to express both social struggles and cultural celebrations. She now lives in Oakland.
Las Mujeres Muralistas were an all-female Latina artist collective based in the Mission District in San Francisco in the 1970s. They created a number of public murals throughout the San Francisco Bay Area, and are said to have sparked the beginning of the female muralist movement in the US and Mexico. Their murals were colorful and large scale and often focused on themes such as womanhood, culture, beauty, and socio-political change. Patricia Rodriguez, Graciela Carrillo, Consuelo Mendez, and Irene Perez are recognized as the founders and most prominent members of the collective, but other female Chicana artists assisted along the way and even joined later on, such as Susan Cervantes, Ester Hernandez, and Miriam Olivo among others.
Patricia Rodriguez is a prominent Chicana artist and educator. Rodriguez grew up in Marfa, Texas and moved to San Francisco to later pursue an art degree at Merritt College and this is where she learned about the Mexican American Liberation Art Front (MALA-F) and the Chicano Movement. In 1970, Patricia received a scholarship to the San Francisco Art Institute and this is where she met Graciela Carrillo. Together, they created and founded the Mujeres Muralistas, the first Chicana women's mural collective in San Francisco.
Edythe (Edy) Boone, is an African-American artist and activist. She has worked as a muralist, counselor, and art teacher throughout her life in an under-served area in California.
Susan Kelk Cervantes is an American artist who has been at the epicenter of the San Francisco mural movement and the co-founder and executive director of the community-based non-profit, Precita Eyes Muralists.
Elba Rivera is a Salvadorian-born artist who concentrates on realism, surrealism, and abstract expressionism. Rivera focuses on uncovering subjects related with human's dismissal for nature with surrealist and abstract expressionist techniques. She is best known for her participation in San Francisco community mural art movements and for the art piece, Family Expectations, which depicts an intricate composition of several women whose appearances indicates family union.
Marta Ayala is a Salvadoran-American painter and a woman muralist in San Francisco. Her work involves experimenting with colors, themes, etc. She is not tied to a single theme, medium or style. The majority of her work revolves around engaging with the community by collaborating together with other artists and teaching classes. She experiments with various colors and uses easily definable lines in her paintings and murals. Ayala's paintings and murals display a mix of colorful images reminiscent of childhood, earthly materials such as rocks and water with a mix of ancient culture. This is the reason for the word "primitive" to describe her work.
Sirron Norris is an American illustrator, muralist, and arts educator. He is known for his work on the FOX animated television show Bob's Burgers and for numerous cartoon-style public murals, including ones at Balmy Alley, Clarion Alley, and Mission Dolores Park, and galleries around San Francisco. His murals often include political messages, local themes, and his signature blue bear. He has worked with several local non-profits, including SPUR and El Tecolote.
Irene Peréz is a muralist known for her membership in the Latina muralist group, Las Mujeres Muralistas and her contributions to the group mural Maestrapeace, at the Woman's Building in San Francisco, California.
Graciela Carrillo is a Chicana artist and muralist in San Francisco and member of the all-female Chicana/Latina artist group Mujeres Muralistas. She is a co-founder of Galería de la Raza, a gallery utilized to showcase the everyday lives of the Chicano community through art during the Chicano Civil Rights movement through the Chicano muralist movement.
A Chicano mural is an artistic expression done, most commonly, on walls or ceilings by Chicanos or Mexican-American artists. Chicano murals rose during the Chicano art movement, that began in the 1960, with the influence of Mexican muralism and the Mexican Revolution. The murals are an illustration of Chicano’s ethnic pride or a form of activism against police brutality, social issues, political issues, and civil rights issues. It started being done by young Chicano artists in commonly marginalized neighborhoods, schools, and churches, demonstrating cultural art and ideas. The murals are characterized by their art style of bright color, religious symbols, and cultural references to Mexican and Mexican American history. Chicano murals have been and are historically found in the Southwest states like Texas, Colorado, and most famously, California, where the national landmark Chicano Park is located. The popularity of the Chicano Murals has allowed a sense of community, culture, activism, and storytelling about elements of being Chicano. Various states are currently looking to preserve and restore some murals as they carry historical meaning for the geographical community and the Mexican-American community.
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