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Hávamál is presented as a single poem in the Codex Regius, a collection of Old Norse poems from the Viking age. The poem, itself a combination of numerous shorter poems, is largely gnomic, presenting advice for living, proper conduct and wisdom. It is considered an important source of Old Norse philosophy.
Orlando furioso is an Italian epic poem by Ludovico Ariosto which has exerted a wide influence on later culture. The earliest version appeared in 1516, although the poem was not published in its complete form until 1532. Orlando furioso is a continuation of Matteo Maria Boiardo's unfinished romance Orlando innamorato. In its historical setting and characters, it shares some features with the Old French Chanson de Roland of the eleventh century, which tells of the death of Roland. The story is also a chivalric romance which stemmed from a tradition beginning in the late Middle Ages and continuing in popularity in the 16th century and well into the 17th.
The Song of Roland is an 11th-century chanson de geste based on the Frankish military leader Roland at the Battle of Roncevaux Pass in 778 AD, during the reign of the Carolingian king Charlemagne. It is the oldest surviving major work of French literature. It exists in various manuscript versions, which testify to its enormous and enduring popularity in Medieval and Renaissance literature from the 12th to 16th centuries.
The chanson de geste is a medieval narrative, a type of epic poem that appears at the dawn of French literature. The earliest known poems of this genre date from the late 11th and early 12th centuries, shortly before the emergence of the lyric poetry of the troubadours and trouvères, and the earliest verse romances. They reached their highest point of acceptance in the period 1150–1250.
The Matter of France, also known as the Carolingian cycle, is a body of literature and legendary material associated with the history of France, in particular involving Charlemagne and his associates. The cycle springs from the Old French chansons de geste, and was later adapted into a variety of art forms, including Renaissance epics and operas. Together with the Matter of Britain, which concerned King Arthur, and the Matter of Rome, comprising material derived from and inspired by classical mythology, it was one of the great European literary cycles that figured repeatedly in medieval literature.
Orlando Innamorato is an epic poem written by the Italian Renaissance author Matteo Maria Boiardo. The poem is a romance concerning the heroic knight Orlando (Roland). It was published between 1483 and 1495.
The Battle of Roncevaux Pass in 778 saw a large force of Basques ambush a part of Charlemagne's army in Roncevaux Pass, a high mountain pass in the Pyrenees on the present border between France and Spain, after his invasion of the Iberian Peninsula.
In The Song of Roland, Baligant is the Emir of Babylon, who tries to aid the defense of Zaragoza from Charlemagne. He is sometimes described as a man from ancient times. He is killed in the ensuing battle. He comes to the aid of his vassal King Marsile and brings an immense army to fight Charlemagne. He is often seen as the parallel of Charlemagne, both being old, handsome and skillful with a sword. One might say they were equals, except that Charlemagne had the help of Saint Gabriel. The name Baligant is likely a folk-etymological rendering of Arabic or Turkish antroponymy.
Durendal, also spelled Durandal, is the sword of Roland, a legendary paladin and partially historical officer of Charlemagne in French epic literature. It is also said to have belonged to young Charlemagne at one point, and, passing through Saracen hands, came to be owned by Roland.
In the Matter of France, Ganelon is the knight who betrayed Charlemagne's army to the Saracens, leading to the Battle of Roncevaux Pass. His name is said to derive from the Italian word inganno, meaning fraud or deception. He is based upon the historical Wenilo, the archbishop of Sens who betrayed King Charles the Bald in 858.
Naimon, Duke of Bavaria, also called Naimes, Naime, Naymon, Namo, and Namus, is a character of the Matter of France stories concerning Charlemagne and his paladins, and appears in Old French chansons de geste and Italian romance epics. He is traditionally Charlemagne's wisest and most trusted advisor.
Bramimonde is a character in The Song of Roland. Bramimonde is the Queen of Zaragoza, wife of King Marsile and mother of Jurfaleu the Blond.
Ferragut was a character—a Saracen paladin, sometimes depicted as a giant—in texts dealing with the Matter of France, including the Historia Caroli Magni, and Italian epics, such as Orlando Innamorato by Matteo Maria Boiardo and Orlando Furioso by Ludovico Ariosto. In the tales, he was portrayed as physically invulnerable except at his navel/stomach, and was eventually killed by the paladin Roland.
The Historia Caroli Magni, also known as the Historia Karoli Magni et Rotholandi or the (Pseudo-)Turpin Chronicle, is a 12th-century Latin chronicle consisting of legendary material about Charlemagne's campaigns in Spain. The chronicle states it was written by Charlemagne's contemporary Turpin, Archbishop of Reims, but it was found out as a medieval forgery. The work was extremely popular, and served as a major source of material on Charlemagne in chronicles, fiction and iconography throughout Medieval Europe. The miracles of the flowering lances and the death of Ferracutus appear on the windows of Chartres cathedral.
Aymeri de Narbonne is a legendary hero of Old French chansons de geste and the Matter of France. In the legendary material, as elaborated and expanded in various medieval texts, Aymeri is a knight in the time of Charlemagne's wars with the Saracens after the Battle of Roncevaux Pass. He is son of Hernaut and the grandson of Garin de Monglane. He conquers the city of Narbonne, marries a princess named Hermengarde or Hermenjart, and fathers seven sons, the most famous being Guillaume d'Orange, the hero of several popular chansons de geste.
The Song of Roland is a 1978 French drama film directed by Frank Cassenti and starring Klaus Kinski.
Marsile is a character in the French heroic poem The Song of Roland. He is the Muslim king of the Saracens and of Saragossa. He first appears in Stanza 1, asking his barons for counsel because he is losing the war against Charlemagne. He readily accepts Blancandrin's proposal of surrender, and agrees to Ganelon's scheme after testing his worth and persuasion from his wife Bramimonde and his nobility (32–52). He takes part in the Battle of Roncevaux Pass, kills Bevon, Lord of Beaune and Dijon, Yvoire, Yvon and Gerald of Roussillon, before Roland cuts off Marsile's right hand and the head of his son, Jurfaleu the Blond, and Marsile is forced to flee (142) to Saragossa (187). Bound to his bed with his injuries, he summons help from Baligant (189), places Spain in Baligant's care (202), and later dies of his wounds, his army having been destroyed.
La Spagna, also called La Spagna in rima is a 14th-century Italian epic attributed to the Florentine Sostegno di Zanobi and likely composed between 1350 and 1360 The poem is in ottava rima, composed of 40 cantos each of about 40 octaves. The work is an adaptation of the story of Charlemagne's battles in Spain and the adventures of his nephew, the paladin Orlando (Roland), including the tale of his mortal duel with Ferraguto and his ultimate death at Roncesvalles.
Roland og Magnus kongen literally "Roland and King Magnus," also known under the English title "Roland at the Battle of Roncevaux" is a Norwegian ballad about the legendary hero Roland of Charlemagne's court. The ballad is cataloged NMB 171, and categorized TSB type E 29. In the ballad, Roland's sword is compared to a sickle, its name corrupted to Dvælje=Dvolg, explained as meaning "dwarf-fiend" or "enemy of the dwarfs" Storm was of the opinion that the ballad could not be younger than the end of the 15th century, and Halvorsen also said it "must have been handed down orally since the late Middle Ages".
Roger Freeing Angelica is an oil painting by Swiss symbolist painter Arnold Böcklin, from 1873. The painting illustrates a scene from Ariosto's epic Orlando Furioso, in which the Muslim knight Roger saves the pagan princess Angelica from a sea monster. The motif is closely related to the mythological theme of Perseus saving Andromeda.
References
- La Chanson de Roland
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