A comedy film is a film genre that emphasizes humor. These films are designed to amuse audiences and make them laugh. Films in this genre typically have a happy ending, with dark comedy being an exception to this rule. Comedy is one of the oldest genres in film, and it is derived from classical comedy in theatre. Some of the earliest silent films were slapstick comedies, which often relied on visual depictions, such as sight gags and pratfalls, so they could be enjoyed without requiring sound. To provide drama and excitement to silent movies, live music was played in sync with the action on the screen, on pianos, organs, and other instruments. When sound films became more prevalent during the 1920s, comedy films grew in popularity, as laughter could result from both burlesque situations but also from humorous dialogue.
Martial arts films are a subgenre of action films that feature martial arts combat between characters. These combats are usually the films' primary appeal and entertainment value, and often are a method of storytelling and character expression and development. Martial arts are frequently featured in training scenes and other sequences in addition to fights. Martial arts films commonly include hand-to-hand combat along with other types of action, such as stuntwork, chases, and gunfights. Sub-genres of martial arts films include kung fu films, wuxia, karate films, and martial arts action comedy films, while related genres include gun fu, jidaigeki and samurai films.
The Western is a genre of fiction typically set in the American frontier between the California Gold Rush of 1849 and the closing of the frontier in 1890, and commonly associated with folk tales of the Western United States, particularly the Southwestern United States, as well as Northern Mexico and Western Canada.
Crime films, in the broadest sense, is a film genre inspired by and analogous to the crime fiction literary genre. Films of this genre generally involve various aspects of crime and its detection. Stylistically, the genre may overlap and combine with many other genres, such as drama or gangster film, but also include comedy, and, in turn, is divided into many sub-genres, such as mystery, suspense or noir.
An exploitation film is a film that tries to succeed financially by exploiting current trends, niche genres, or lurid content. Exploitation films are generally low-quality "B movies", though some set trends, attract critical attention, become historically important, and even gain a cult following.
The revisionist Western is a sub-genre of the Western film. Called a post-classical variation of the traditional Western, the revisionist subverts the myth and romance of the traditional by means of character development and realism to present a less simplistic view of life in the "Old West". While the traditional Western always embodies a clear boundary between good and evil, the revisionist Western does not.
Since the advent of the cyberpunk genre, a number of cyberpunk derivatives have become recognized in their own right as distinct subgenres in speculative fiction, especially in science fiction. Rather than necessarily sharing the digitally and mechanically focused setting of cyberpunk, these derivatives can display other futuristic, or even retrofuturistic, qualities that are drawn from or analogous to cyberpunk: a world built on one particular technology that is extrapolated to a highly sophisticated level, a gritty transreal urban style, or a particular approach to social themes.
A science fiction Western is a subgenre or cross-genre that uses traditional Western plots and settings, while incorporating science fiction elements such as futuristic technology or aliens. The post-apocalyptic Western and steampunk Western fall within this subgenre.
Weird West is a term used for the hybrid genres of fantasy Western, horror Western and science fiction Western. The term originated with DC's Weird Western Tales in 1972, but the idea is older as the genres have been blended since the 1930s, possibly earlier, in B-movie Westerns, comic books, movie serials and pulp magazines. Individually, the hybrid genres combine elements of the Western genre with those of fantasy, horror and science fiction respectively.
The Phantom Empire is a 1935 American Western serial film directed by Otto Brower and B. Reeves Eason and starring Gene Autry, Frankie Darro, and Betsy King Ross. This 12-chapter Mascot Pictures serial combined the Western, musical and science-fiction genres. The duration of the first episode is 30 minutes, while that of the rest is about 20 minutes. The serial film is about a singing cowboy who stumbles upon an ancient subterranean civilization living beneath his own ranch that becomes corrupted by unscrupulous greedy speculators from the surface. In 1940, a 70-minute feature film edited from the serial was released under the titles Radio Ranch or Men with Steel Faces. This was Gene Autry's first starring role, playing himself as a singing cowboy. It is considered to be the first science-fiction Western.
Space Western is a subgenre of science fiction that uses the themes and tropes of Westerns within science-fiction stories in an outer space setting. Subtle influences may include exploration of new, lawless frontiers, while more overt influences may feature literal cowboys in outer space who use rayguns and ride robotic horses. Although initially popular, a strong backlash against perceived hack writing caused the genre to become a subtler influence until the 1980s, when it regained popularity. A further critical reappraisal occurred during the 2000s due to critical acclaim for Firefly.
Television Westerns are programs with settings in the later half of the 19th century in the American Old West, Western Canada and Mexico during the period from about 1860 to the end of the so-called "Indian Wars". More recent entries in the Western genre have used the neo-Western subgenre, placing events in the modern day, or the space Western subgenre but still draw inspiration from the outlaw attitudes prevalent in traditional Western productions.
Western comics is a comics genre usually depicting the American Old West frontier and typically set during the late nineteenth century. The term is generally associated with an American comic books genre published from the late 1940s through the 1950s. Western comics of the period typically featured dramatic scripts about cowboys, gunfighters, lawmen, bounty hunters, outlaws, and Native Americans. Accompanying artwork depicted a rural America populated with such iconic images as guns, cowboy hats, vests, horses, saloons, ranches, and deserts, contemporaneous with the setting.
Space opera is a subgenre of science fiction that emphasizes space warfare, with use of melodramatic, risk-taking space adventures, relationships, and chivalric romance. Set mainly or entirely in outer space, it features technological and social advancements in faster-than-light travel, futuristic weapons, and sophisticated technology, on a backdrop of galactic empires and interstellar wars with fictional aliens, often in fictional galaxies. The term does not refer to opera music, but instead originally referred to the melodrama, scope, and formulaicness of operas, much as used in "horse opera", a 1930s phrase for a clichéd and formulaic Western film, and "soap opera", a melodramatic television series. Space operas emerged in the 1930s and continue to be produced in literature, film, comics, television, video games and board games.
Techno-horror is a subgenre of horror fiction that focuses on concerns with and fears of technology. The stories are often cautionary tales created during periods of rapid technological advancement that express concerns about privacy, freedom, individuality and wealth disparity. They often take place in dystopian settings.
Pop culture fiction is a genre of fiction where stories are written intentionally to be filled with references from other works and media. Stories in this genre are focused solely on using popular culture references.
