A cultural critic is a critic of a given culture, usually as a whole. Cultural criticism has significant overlap with social and cultural theory. While such criticism is simply part of the self-consciousness of the culture, the social positions of the critics and the medium they use vary widely. The conceptual and political grounding of criticism also changes over time.
Contemporary usage has tended to include all types of criticism directed at culture.
The term "cultural criticism" itself has been claimed by Jacques Barzun: No such thing was recognized or in favour when we [i.e. Barzun and Trilling] began—more by intuition than design—in the autumn of 1934. [1] [2] It has been argued that in the inter-war period, the language of literary criticism was adequate for the needs of cultural critics; but that later it mainly served academe. [3] Alan Trachtenberg's Critics of Culture (1976) concentrated on American intellectuals of the 1920s who were "nonacademic" (including H. L. Mencken and Lewis Mumford), where the 1995 collection American Cultural Critics covered mainly later figures, such as F. O. Matthiessen and Susan Sontag, involved in debates on American culture as national. [4]
In contrast, a work such as Richard Wolin's 1995 The Terms of Cultural Criticism: The Frankfurt School, Existentialism, Poststructuralism (1995) uses it as a broad-brush description.
Cultural critics came to the scene in the nineteenth century. Matthew Arnold [5] and Thomas Carlyle are leading examples of a cultural critic of the Victorian age; in Arnold there is also a concern for religion. John Ruskin was another. Because of an equation made between ugliness of material surroundings and an impoverished life, aesthetes and others might be considered implicitly to be engaging in cultural criticism, but the actual articulation is what makes a critic. In France, Charles Baudelaire was a cultural critic, as was Søren Kierkegaard in Denmark and Friedrich Nietzsche in Germany.
In the twentieth century Irving Babbitt on the right, and Walter Benjamin [6] on the left, might be considered major cultural critics. The field of play has changed considerably, in that the humanities have broadened to include cultural studies of all kinds, which are grounded in critical theory. This trend is not without its dissidents, however; James Seaton has written extensively in defense of the continued importance of the Humanistic Tradition Irving Babbitt and his heirs championed, while criticizing the dominance of critical theory in the teaching of literature. Theory's Empire: An Anthology of Dissent features a collection of essays from prominent English professors, writers and critics stating their disagreement with the prominent role given to critical theory in English departments.
Literary theory is the systematic study of the nature of literature and of the methods for literary analysis. Since the 19th century, literary scholarship includes literary theory and considerations of intellectual history, moral philosophy, social philosophy, and interdisciplinary themes relevant to how people interpret meaning. In the humanities in modern academia, the latter style of literary scholarship is an offshoot of post-structuralism. Consequently, the word theory became an umbrella term for scholarly approaches to reading texts, some of which are informed by strands of semiotics, cultural studies, philosophy of language, and continental philosophy.
A genre of arts criticism, literary criticism or literary studies is the study, evaluation, and interpretation of literature. Modern literary criticism is often influenced by literary theory, which is the philosophical analysis of literature's goals and methods. Although the two activities are closely related, literary critics are not always, and have not always been, theorists.
In the arts and in literature, the term avant-garde identifies a genre of art, an experimental work of art, and the experimental artist who created the work of art, which usually is aesthetically innovative, whilst initially being ideologically unacceptable to the artistic establishment of the time. The military metaphor of an advance guard identifies the artists and writers whose innovations in style, form, and subject-matter challenge the artistic and aesthetic validity of the established forms of art and the literary traditions of their time; thus how the artists who created the anti-novel and Surrealism were ahead of their times.
Matthew Arnold was an English poet and cultural critic. He was the son of Thomas Arnold, the headmaster of Rugby School, and brother to both Tom Arnold, literary professor, and William Delafield Arnold, novelist and colonial administrator. He has been characterised as a sage writer, a type of writer who chastises and instructs the reader on contemporary social issues. He was also an inspector of schools for thirty-five years, and supported the concept of state-regulated secondary education.
Jacques Martin Barzun was a French-born American historian known for his studies of the history of ideas and cultural history. He wrote about a wide range of subjects, including baseball, mystery novels, and classical music, and was also known as a philosopher of education. In the book Teacher in America (1945), Barzun influenced the training of schoolteachers in the United States.
Lewis Mumford was an American historian, sociologist, philosopher of technology, and literary critic. Particularly noted for his study of cities and urban architecture, he had a broad career as a writer. He made signal contributions to social philosophy, American literary and cultural history, and the history of technology.
Fredric Jameson is an American literary critic, philosopher and Marxist political theorist. He is best known for his analysis of contemporary cultural trends, particularly his analysis of postmodernity and capitalism. Jameson's best-known books include Postmodernism, or, The Cultural Logic of Late Capitalism (1991) and The Political Unconscious (1981).
Lionel Mordecai Trilling was an American literary critic, short story writer, essayist, and teacher. He was one of the leading U.S. critics of the 20th century who analyzed the contemporary cultural, social, and political implications of literature. With his wife Diana Trilling, whom he married in 1929, he was a member of the New York Intellectuals and contributor to the Partisan Review.
The Counter-Enlightenment refers to a loose collection of intellectual stances that arose during the European Enlightenment in opposition to its mainstream attitudes and ideals. The Counter-Enlightenment is generally seen to have continued from the 18th century into the early 19th century, especially with the rise of Romanticism. Its thinkers did not necessarily agree to a set of counter-doctrines but instead each challenged specific elements of Enlightenment thinking, such as the belief in progress, the rationality of all humans, liberal democracy, and the increasing secularisation of society.
Cultural pessimism arises with the conviction that the culture of a nation, a civilization, or humanity itself is in a process of irreversible decline. It is a variety of pessimism formulated by a cultural critic.
Irving Babbitt was an American academic and literary critic, noted for his founding role in a movement that became known as the New Humanism, a significant influence on literary discussion and conservative thought in the period between 1910 and 1930. He was a cultural critic in the tradition of Matthew Arnold and a consistent opponent of romanticism, as represented by the writings of Jean-Jacques Rousseau. Politically he can, without serious distortion, be called a follower of Aristotle and Edmund Burke. He was an advocate of classical humanism but also offered an ecumenical defense of religion. His humanism implied a broad knowledge of various moral and religious traditions. His book Democracy and Leadership (1924) is regarded as a classic text of political conservatism. Babbitt is regarded as a major influence over American cultural and political conservatism.
John Brinckerhoff "Brinck" Jackson was a writer, publisher, instructor, and sketch artist in landscape design. Herbert Muschamp, architecture critic of the New York Times, stated that J. B. Jackson was "America's greatest living writer on the forces that have shaped the land this nation occupies." He was influential in broadening the perspective on the "vernacular" landscape.
Criticism of technology is an analysis of adverse impacts of industrial and digital technologies. It is argued that, in all advanced industrial societies, technology becomes a means of domination, control, and exploitation, or more generally something which threatens the survival of humanity. Some of the technology opposed by the most radical critics may include everyday household products, such as refrigerators, computers, and medication. However, criticism of technology comes in many shades.
James Everett Seaton was an American writer, professor and literary critic. He argued for the continued relevance and importance of the tradition of literary humanism championed by Matthew Arnold and later, Irving Babbitt and Paul Elmer Moore. At the same time he opposed many of the dominant trends in Academia regarding literary criticism and the teaching of literature, such as the Cultural Studies model instituted by Stuart Hall and the general emphasis away from the study of literary works themselves in favor of a focus on critical theory.
Selected Essays, 1917–1932 is a collection of prose and literary criticism by T. S. Eliot. Eliot's work fundamentally changed literary thinking and Selected Essays provides both an overview and an in-depth examination of his theory. It was published in 1932 by his employers, Faber & Faber, costing 12/6.
Arthur Krystal is an American essayist, editor, and screenwriter living in New York City.
New Historicism, a form of literary theory which aims to understand intellectual history through literature and literature through its cultural context, follows the 1950s field of history of ideas and refers to itself as a form of cultural poetics. It first developed in the 1980s, primarily through the work of the critic Stephen Greenblatt, and gained widespread influence in the 1990s. Greenblatt coined the term new historicism when he "collected a bunch of essays and then, out of a kind of desperation to get the introduction done, he wrote that the essays represented something called a 'new historicism'".
Morris Dickstein was an American literary scholar, cultural historian, professor, essayist, book critic, and public intellectual. He was Distinguished Professor Emeritus of English at CUNY Graduate Center in New York City.
The Liberal Imagination: Essays on Literature and Society (1950) is a collection of sixteen essays by American literary critic Lionel Trilling, published by Viking in 1950. The book was edited by Pascal Covici, who had worked with Trilling when he edited and introduced Viking's Portable Matthew Arnold in 1949. With the exception of the preface, which was written specifically for the publication of the book, all the essays included in The Liberal Imagination were individually published in the decade before the book's publication in literary and critical journals, such as The Partisan Review, The Kenyon Review, The Nation, and The American Quarterly. The essays represent Trilling's written work and critical thoughts of the 1940s.
