King Lear is a tragedy written by William Shakespeare. It is based on the mythological Leir of Britain. King Lear, in preparation for his old age, divides his power and land between two of his daughters. He becomes destitute and insane and a proscribed crux of political machinations. The first known performance of any version of Shakespeare's play was on Saint Stephen's Day in 1606. The three extant publications from which modern editors derive their texts are the 1608 quarto (Q1) and the 1619 quarto and the 1623 First Folio. The quarto versions differ significantly from the folio version.
Titus Andronicus is a tragedy by William Shakespeare believed to have been written between 1588 and 1593, probably in collaboration with George Peele. It is thought to be Shakespeare's first tragedy and is often seen as his attempt to emulate the violent and bloody revenge plays of his contemporaries, which were extremely popular with audiences throughout the 16th century.
In the First Folio, the plays of William Shakespeare were grouped into three categories: comedies, histories, and tragedies. The histories—along with those of contemporary Renaissance playwrights—help define the genre of history plays. The Shakespearean histories are biographies of English kings of the previous four centuries and include the standalones King John, Edward III and Henry VIII as well as a continuous sequence of eight plays. These last are considered to have been composed in two cycles. The so-called first tetralogy, apparently written in the early 1590s, covers the Wars of the Roses saga and includes Henry VI, Parts I, II & III and Richard III. The second tetralogy, finished in 1599 and including Richard II, Henry IV, Parts I & II and Henry V, is frequently called the Henriad after its protagonist Prince Hal, the future Henry V.
Brutus Greenshield was a legendary king of the Britons as accounted by Geoffrey of Monmouth. He was the son of King Ebraucus.
Leir was a legendary king of the Britons whose story was recounted by Geoffrey of Monmouth in his pseudohistorical 12th-century History of the Kings of Britain. According to Geoffrey's genealogy of the British dynasty, Leir's reign would have occurred around the 8th century BC, around the time of the founding of Rome. The story was modified and retold by William Shakespeare in his Jacobean tragedy King Lear.
Queen Cordelia was a legendary Queen of the Britons, as recounted by Geoffrey of Monmouth. She was the youngest daughter of Leir and the second ruling queen of pre-Roman Britain. There is no independent historical evidence for her existence. She is traditionally identified with the minor character Creiddylad from Welsh tradition, but this identification has been doubted by scholars.
Ferrex was the son of the legendary king Gorboduc of the Britons, and fought with his brother Porrex for the throne, according to Geoffrey of Monmouth.
Porrex I was a legendary king of the Britons as accounted by Geoffrey of Monmouth. He was the son of Gorboduc and his death began a dynastic civil war.
Dyfnwal Moelmud was accounted as an early king and lawmaker among the Welsh, credited with the codification of their standard units of measure. He also figures as a legendary king of the Britons in Geoffrey of Monmouth's pseudohistorical History of the Kings of the Britons.
Historia regum Britanniae, originally called De gestis Britonum, is a pseudohistorical account of British history, written around 1136 by Geoffrey of Monmouth. It chronicles the lives of the kings of the Britons over the course of two thousand years, beginning with the Trojans founding the British nation and continuing until the Anglo-Saxons assumed control of much of Britain around the 7th century. It is one of the central pieces of the Matter of Britain.
The Tragedie of Gorboduc, also titled Ferrex and Porrex, is an English play from 1561. It was first performed at the Christmas celebration given by the Inner Temple in 1561, and performed at Whitehall before Queen Elizabeth I on 18 January 1561, by the Gentlemen of the Inner Temple. The authors were Thomas Norton and Thomas Sackville, said to be responsible for the first three Acts, and the final two, respectively.
Revenge tragedy is a theoretical genre in which the principal theme is revenge and revenge's fatal consequences. Formally established by American educator Ashley H. Thorndike in his 1902 article "The Relations of Hamlet to Contemporary Revenge Plays," a revenge tragedy documents the progress of the protagonist's revenge plot and often leads to the demise of both the murderers and the avenger himself.
Shakespeare's plays are a canon of approximately 39 dramatic works written by English poet, playwright, and actor William Shakespeare. The exact number of plays—as well as their classifications as tragedy, history, comedy, or otherwise—is a matter of scholarly debate. Shakespeare's plays are widely regarded as being among the greatest in the English language and are continually performed around the world. The plays have been translated into every major living language.
Senecan tragedy refers to a set of ten ancient Roman tragedies, probably eight of which were written by the Stoic philosopher and politician Lucius Annaeus Seneca.
Holinshed's Chronicles, also known as Holinshed's Chronicles of England, Scotland, and Ireland, is a collaborative work published in several volumes and two editions, the first edition in 1577, and the second in 1587. It was a large, comprehensive description of British history published in three volumes.
Goneril is a character in William Shakespeare's tragic play King Lear (1605). She is the eldest of King Lear's three daughters. Along with her sister Regan, Goneril is considered a villain, obsessed with power and overthrowing her elderly father as ruler of the kingdom of Britain.
Although traditionally Titus Andronicus has been seen as one of Shakespeare's least respected plays, its fortunes have changed somewhat in the latter half of the twentieth century, with numerous scholars arguing that the play is more accomplished than has hitherto been allowed for. In particular, scholars have argued that the play is far more thematically complex than has traditionally been thought, and features profound insights into ancient Rome, Elizabethan society, and the human condition. Such scholars tend to argue that these previously unacknowledged insights have only become apparent during the twentieth and twenty-first centuries as only now has the ultraviolent content of the play achieved a sense of relevance. For example, in his 1987 edition of the play for the Contemporary Shakespeare series, A.L. Rowse writes; "in the civilised Victorian age the play could not be performed because it could not be believed. Such is the horror of our own age, with the appalling barbarities of prison camps and resistance movements paralleling the torture and mutilation and feeding on human flesh of the play, that it has ceased to be improbable." Similarly, director Julie Taymor, who staged a production Off-Broadway in 1994 and directed a film version in 1999, says she was drawn to the play because she found it to be the most "relevant of Shakespeare's plays for the modern era". She feels that the play has more relevance for contemporary audiences than it had for the Victorians; "it seems like a play written for today, it reeks of now." Because of this newfound relevance, previously unrecognised thematic strands have thus come to the forefront.
Titus Andronicus is the main character and tragic hero in William Shakespeare's play of the same name, Titus Andronicus, a Senecan tragedy. Titus is a Roman nobleman and a general in the war who distinguished himself in ten years of service against the Goths. Despite his exemplary service the war's toll on him is sufficient that he declined the emperorship. Nonetheless, he begins the play as an exemplary citizen. However, faith in the traditions of the Roman system of government eventually leads to his death, as others seek revenge.
