Domes built in the 19th, 20th, and 21st centuries benefited from more efficient techniques for producing iron and steel as well as advances in structural analysis.
Metal-framed domes of the 19th century often imitated earlier masonry dome designs in a variety of styles, especially in church architecture, but were also used to create glass domes over shopping arcades and hothouses, domes over locomotive sheds and exhibition halls, and domes larger than any others in the world. The variety of domed buildings, such as parliaments and capitol buildings, gasometers, observatories, libraries, and churches, were enabled by the use of reinforced concrete ribs, lightweight papier-mâché, and triangulated framing.
New production techniques allowed for cast iron and wrought iron to be produced both in larger quantities and at relatively low prices during the Industrial Revolution.[1] Most iron domes were built with curved iron ribs arranged radially from the top of the dome to a ring at the base. The material of choice for domes changed over the course of the 19th century from cast iron to wrought iron to steel.[2] Excluding domes that simply imitated multi-shell masonry, the century's chief development of the simple domed form may be metal framed domes such as the circular dome of Halle au Blé in Paris and the elliptical dome of Royal Albert Hall in London.[3]
The practice of building rotating domes for housing large telescopes became popular in the 19th century, with early examples using papier-mâché to minimize weight.[4]
Beginning in the late 19th century, the Guastavino family, a father and son team who worked on the eastern seaboard of the United States, further developed the masonry dome. They perfected a traditional Spanish and Italian technique for light, center-less vaulting using layers of tiles in fast-setting cement set flat against the surface of the curve, rather than perpendicular to it. The father, Rafael Guastavino, innovated with the use of Portland cement as the mortar, rather than the traditional lime and gypsum mortars, which allowed mild steel bar to be used to counteract tension forces.[5]
Although domes made entirely from reinforced concrete were not built before 1900, the church of Saint-Jean-de-Montmartre was designed by Anatole de Baudot with a small brick shell dome with reinforced concrete ribs.[6]St. Ursela Parish Church[de] in Munich, Germany, was built between 1894 and 1897 with a dome of two lightweight concrete shells, using reinforcing rings only in the underlying octagonal tambour. The 11.2 meter wide hemispherical inner dome is 15cm thick with eight ribs on its outer surface increasing that thickness to 29cm. The outer octagonal cloister vault is 11.8 meters wide and 16cm thick. An artificial stone called "Schwemm-stein"[de] was used as a porous aggregate. Neither dome included reinforcement, although iron bars have been detected at irregular distances in the outer dome that may have been part of the formwork needed for the building process, and which may act as partial reinforcement.[7] Other concrete domes at this time included a music pavilion in Hoppegarten (1887-1888), the Monier-dome of the mausoleum of Emperor Frederick III in Potsdam (1889), and a dome above the foyer of the Brunner banking house in Brussels (1892-1895).[8]
Structure
Proportional rules for an arch's thickness to span ratio were developed during the 19th century, based on catenary shape changes in response to weight loads, and these were applied to the vertical forces in domes. Edmund Beckett Denison, who had published a proof on the subject in 1871, wrote in a Domes article in the Ninth Edition of the Encyclopædia Britannica that the thickness to span ratio was lower for a dome than it was for an arch due to the more distributed loads of a dome.[9] Ideas on linear elasticity were formalized in the 19th century.[10]
The span of the ancient Pantheon dome, although matched during the Renaissance, remained the largest in the world until the middle of the 19th century.[11] The large domes of the 19th century included exhibition buildings and functional structures such as gasometers and locomotive sheds.[12]
Domes made of radial trusses were analyzed with a "plane frame" approach, rather than considering three dimensions, until an 1863 Berlin gasometer dome design by engineer Johann Wilhelm Schwedler that became known as the "Schwedler dome". He published the theory behind five such domes and a structural calculation technique in 1866. Schwedler's work on these axially symmetric shells was expanded by August Föppl in 1892 to apply to "other shell-type truss frameworks".[13] By the 1860s and 1870s, German and other European engineers began to treat iron domes as collections of short straight beams with hinged ends, resulting in light openwork structures. Other than in glasshouses, these structures were usually hidden behind ceilings.[14] Dome types that used lengths of rolled steel with riveted joints included "Schwedler domes", "Zimmermann domes", "lattice domes", and "Schlink domes".[13]
According to Irene Giustina, dome construction was one of the most challenging architectural problems until at least the end of the 19th century, due to a lack of knowledge about statics.[15] Rafael Guastavino's use of the recent development of graphic statics enabled him to design and build inexpensive funicular domes with minimal thickness and no scaffolding. The vaults were typically 3 inches thick and workers, standing on the completed portions, used simple templates, wires, and strings to align their work.[16]
Style
The historicism of the 19th century led to many domes being re-translations of the great domes of the past, rather than further stylistic developments, especially in sacred architecture.[17] The Neoclassical style popular at this time was challenged in the middle of the 19th century by a Gothic Revival in architecture, in what has been termed the "Battle of the Styles". This lasted from about 1840 to the beginning of the 20th century, with various styles within Classicism, such as Renaissance, Baroque, and Rococo revivals, also vying for popularity. The last three decades of this period included unusual combinations of these styles.[18]
Religious and royal buildings
The rotunda dome of the Church of the Holy Sepulchre in Jerusalem was replaced from 1808-1810 after a fire and replaced again from 1868-1870.[19] The dome completed in 1870 was a Russian design made with wrought iron arches.[20]
Iron domes offered the lightness of timber construction along with incombustibility and higher strength, allowing for larger spans. Because domes themselves were relatively rare, the first examples made from iron date well after iron began to be used as a structural material.[2] Iron was used in place of wood where fire resistance was a priority. In Russia, which had large supplies of iron, some of the earliest examples of the material's architectural use can be found. Andrey Voronikhin built a large wrought iron dome over Kazan Cathedral in Saint Petersburg.[21] Built between 1806 and 1811, the 17.7 meter wide outer dome of the cathedral was one of the earliest iron domes.[22] The iron outer dome covers two masonry inner domes and is made of 15mm thick sheets set end to end.[23]
St. George's Church in Edinburgh was built from 1811-1814 by Robert Reid with a dome modeled after that of St. Paul's Cathedral.[24] An early example of an iron dome in Britain is the fanciful iron-framed dome over the central building of the Royal Pavilion in Brighton, begun in 1815 by John Nash, the personal architect of King George IV.[25] The dome was not one of the prominent onion domes but instead the dome-like structure of twelve cast iron ribs resting on cast iron columns over Henry Holland's earlier saloon. It was completed in 1818–1819.[23]
The neoclassical Baltimore Basilica, designed by Benjamin Henry Latrobe like the Roman Pantheon for Bishop John Carroll, was begun in 1806 and dedicated in 1821, although the porch and towers would not be completed until the 1870s. An influence on the interior design may have been the Church of St. Mary in East Lulworth, England, where Bishop Carroll had been consecrated.[26] The central dome is 72 feet in diameter and 52 feet above the nave floor. The onion domes over the two towers were built according to Latrobe's designs. The church was extended to the east by 33 feet in 1890.[27] Before initial construction of the church was completed, two other neoclassical domed churches would be built in Baltimore. The First Independent (Unitarian) Church by Maximilian Godefroy was begun in 1817 and covered the interior space with a 55 foot wide shallow coffered dome on pendentives with an oculus at the center. To improve acoustics, the interior was modified. The First Baptist Church by Robert Mills, also known as "Old Red Top Church", was a domed cylindrical rotunda with a porch block and portico. The dome had a shallow exterior profile and its oculus was covered by a low lantern, called a monitor. It was completed in 1818 but demolished in 1878.[28]
In 1828, the eastern crossing tower of Mainz Cathedral was rebuilt by Georg Moller with a wrought iron dome.[29] The dome was made of flat iron sections and reinforced with ties that passed through the interior of the dome. Such dome reinforcement was one of the two established techniques, the other being the use of a combination of horizontal rings and vertical ribs.[12] The span may have been about 27 meters.[30] It was later removed in favor of the current structure.[31]
Large neoclassical domes include the Rotunda of Mosta in Malta, was completed in 1840 with a dome 38 meters wide, and San Carlo al Corso in Milan, completed in 1847 with a dome 32 meters wide.[33]
Saint Isaac's Cathedral, in Saint Petersburg, was built by 1842 with one of the largest domes in Europe. A cast iron dome nearly 26 meters wide, it had a technically advanced triple-shell design with iron trusses reminiscent of St. Paul's Cathedral in London.[38] The design for the cathedral was begun after the defeat of Napoleon in 1815 and given to a French architect, but construction was delayed. Although the dome was originally designed to be masonry, cast iron was used instead.[6]
Also reminiscent of St. Paul's dome and that of the Panthéon in Paris, both of which the original designer had visited, the dome of St. Nicholas' Church in Potsdam was added to the building from 1843 to 1849.[39] A dome was included as a possibility in the original late Neoclassical design of 1830, but as a wooden construction. Iron was used instead by the later architects.[40]
The wrought-iron dome of Royal Albert Hall in London was built from 1867 to 1871 over an elliptical plan by architect Henry Young Darracott Scott and structural design by Rowland Mason Ordish. It uses a set of curved trusses, like those of the earlier New Street Station in Birmingham, interrupted in the middle by a drum. The elliptical dome's span is 66.9 meters by 56.5 meters.[42]
The wrought-iron dome of St. Augustin's church in Paris dates from 1870 and spans 25.2 meters. A wrought-iron dome was also built over Jerusalem's Holy Sepulchre in 1870, spanning 23 meters.[43]
The dome over the Basilica of San Gaudenzio (begun in 1577) in Novara, Italy, was built between 1844 and 1880. Revisions by the architect during construction transformed what was initially going to be a drum, hemispherical dome, and lantern 42.22 meters tall into a structure with two superimposed drums, an ogival dome, and a thirty meter tall spire reaching 117.5 meters.[44] The architect, Alessandro Antonelli, who also built the Mole Antonelliana in Turin, Italy, combined Neoclassical forms with the vertical emphasis of the Gothic style.[45]
A large dome was built in 1881–1882 over the circular courtyard of the Devonshire Royal Hospital in England with a diameter of 156 feet.[46] It used radial trussed ribs with no diagonal ties.[41]
The dome of Pavia Cathedral, a building started in 1488, was completed with a large octagonal dome joined to the basilica plan of the church.[47]
Commercial buildings
Although iron production in France lagged behind Britain, the government was eager to foster the development of its domestic iron industry. In 1808, the government of Napoleon approved a plan to replace the burnt down wooden dome of the Halle au Blé granary in Paris with a dome of iron and glass, the "earliest example of metal with glass in a dome". The dome was 37 meters in diameter and used 51 cast iron ribs to converge on a wrought iron compression ring 11 meters wide containing a glass and wrought iron skylight. The outer surface of the dome was covered with copper, with additional windows cut near the dome's base to admit more light during an 1838 modification.[48] Cast-iron domes were particularly popular in France.[49]
In the United States, an 1815 commission to build the Baltimore Exchange and Custom House was awarded to Benjamin Henry Latrobe and Maximilian Godefroy for their design featuring a prominent central dome. The dome design was altered during construction to raise its height to 115 feet by adding a tall drum and work was completed in 1822. Signals from an observatory on Federal Hill were received at an observation post in the dome, providing early notice of arriving merchant vessels. The building was demolished in 1901–2.[50]
The Coal Exchange in London, by James Bunning from 1847 to 1849, included a dome 18 meters wide made from 32 iron ribs cast as single pieces. It was demolished in the early 1960s.[51]
Large temporary domes were built in 1862 for London's International Exhibition Building, spanning 48.8 meters.[43] The Leeds Corn Exchange, built in 1862 by Cuthbert Brodrick, features an elliptical plan dome 38.9 meters by 26.7 meters with wrought iron ribs along the long axis that radiate from the ends and others spanning the short axis that run parallel to each other, forming a grid pattern.[42]
The central market hall in Leipzig was built by 1891 with the first application of the "lattice dome" roof system developed by August Föppl from 1883. The dome covered an irregular pentagonal plan and was about 20 meters wide and 6.8 meters high.[13]
The dome of Sydney's Queen Victoria Building uses radial ribs of steel along with redundant diagonal bracing to span 20 meters. It was claimed to be the largest dome in the Southern Hemisphere when completed in 1898.[41]
Greenhouses and conservatories
Iron and glass glasshouses with curved roofs were popular for a few decades beginning shortly before 1820 to maximize orthogonality to the sun's rays, although only a few have domes. The conservatory at Syon Park was one of the earliest and included a 10.8 meter span iron and glass dome by Charles Fowler built between 1820 and 1827. The glass panes are set in panels joined by copper or brass ribs between the 23 main cast iron ribs. Another example was the conservatory at Bretton Hall in Yorkshire, completed in 1827 but demolished in 1832 upon the death of the owner. It had a 16 meter wide central dome of thin wrought iron ribs and narrow glass panes on a cast iron ring and iron columns. The glass acted as lateral support for the iron ribs.[55]
The Antheum at Brighton would have had the largest span dome in the world in 1833 at 50 meters but the circular cast-iron dome collapsed when the scaffolding was removed.[56] It had been built for horticulturalist Henry Phillips.[57]
Unique glass domes springing straight from ground level were used for hothouses and winter gardens, such as the Palm house at Kew (1844–48) and the Laeken winter garden near Brussels (1875–1876).[58] The Laeken dome spans the central 40 meters of the circular building, resting on a ring of columns. The Kibble Palace of 1865 was re-erected in 1873 in an enlarged form with a 16 meter wide central dome on columns. The Palm House at Sefton Park in Liverpool has an octagonal central dome, also 16 meters wide and on columns, completed in 1896.[59]
The British Museum Library constructed a new reading room in the courtyard of its museum building between 1854 and 1857. The round room, about 42.6 meters in diameter and inspired by the Pantheon, was surmounted by a dome with a ring of windows at the base and an oculus at the top. Hidden iron framing supported a suspended ceiling made of papier-mâché.[60]
For the reading room of Paris' Bibliothèque Impériale, Henri Labrouste proposed in 1858 an iron-supported domed ceiling with a single central source of light similar to the British reading room, but changed the design due to concerns about insufficient light for readers. His completed 1869 design was a grid of nine domes, each with an oculus, supported by 16 thin cast iron columns, four of which were free-standing under the central dome.[61] The domes themselves, supported on iron arches, were covered in white ceramic panels nine millimeters thick.[62]
Inspired by the prestigious British Museum reading room, the first iron dome in Canada was built in the early 1870s over the reading room of the Library of Parliament building in Ottawa. Unlike the British Museum room, the library, which opened in 1876, uses the Gothic style.[63]
The dome of the Thomas Jefferson Building of the Library of Congress, also inspired by the reading room dome at the British Museum, was built between 1889 and 1897 in a classical style. It is 100 feet wide and rises 195 feet above the floor on eight piers. The dome has a relatively low external profile to avoid overshadowing the nearby United States Capitol dome.[64]
The design for the United States' national capitol building approved by George Washington included a dome modeled on the Pantheon, with a low exterior elevation. Subsequent design revisions resulted in a double dome, with a raised external profile on an octagonal drum, and construction did not begin until 1822. The interior dome was built of stone and brick except for the upper third, which was made of wood. The exterior dome was wooden and covered with copper sheeting.[66] The dome and building were completed by Charles Bulfinch in 1829.[67]
The current dome over the United States Capitol building, although painted white and crowning a masonry building, is made of cast iron. The dome was built between 1855 and 1866, replacing a lower wooden dome with copper roofing from 1824.[70] It has a 30-meter diameter.[49] It was completed just two years after the Old St. Louis County Courthouse, which has the first cast iron dome built in the United States.[71] The initial design of the capitol dome was influenced by a number of European church domes, particularly St. Paul's in London, St. Peter's in Rome, the Panthéon in Paris, Les Invalides in Paris, and St. Isaac's Cathedral in St. Petersburg.[72] The architect, Thomas U. Walter, designed a double dome interior based on that of the Panthéon in Paris.[70]
The Reichstag Palace, built between 1883 and 1893 to house the Parliament of the new German Empire, included a dome made of iron and glass as part of its unusual mixture of Renaissance and Baroque components. Controversially, the 74 meter tall dome stood seven meters taller than the dome of the Imperial Palace in the city, drawing criticism from Kaiser Wilhelm II.[77]Hermann Zimmermann assisted the architect Paul Wallot in 1889, inventing the spatial framework for the dome over the plenary chamber. It is known as the "Zimmermann dome".[13]
The Hungarian Parliament Building was built in the Gothic style, although most of the 1882 design competition entries used Neo-Renaissance, and it includes a domed central hall. The large, ribbed, egg-shaped dome topped with a spire was influenced by the dome of the Maria vom Siege church in Vienna.[78] It has a sixteen sided outer shell with an iron skeleton that rises 96 meters high, and an inner shell star vault supported on sixteen stone pillars. The Dome Hall is used to display the coronation crown of Hungary and statuary of monarchs and statesmen. The dome was structurally complete by the end of 1895.[79]
Industrial buildings
The "first fully triangulated framed dome" was built in Berlin in 1863 by Johann Wilhelm Schwedler in a gasometer for the Imperial Continental Gas Association and, by the start of the 20th century, similarly triangulated frame domes had become fairly common.[80][54] Schwedler built three wrought-iron domes over gasholders in Berlin between 1876 and 1882 with spans of 54.9 meters, one of which survives. Six similar Schwedler-type domes were used over gasholders in Leipzig beginning in 1885 and in Vienna using steel, in the 1890s. Rather than using traditional iron ribs, the domes consist of a thinner arrangement of short straight iron bars connected with pin joints in a lattice shell, with cross-bracing provided by light iron rods.[81]
Tombs
The dome of Grant's Tomb in New York City was built by Rafael Guastavino in 1890.[65][82]
Wooden domes in thin-wall shells on ribs were made until the 1930s.[86] After World War II, steel and wooden laminate structural members made with waterproof resorcinol glues were used to create domes with grid-patterned wooden support structures, such as the 100 meter diameter Skydome in Flagstaff, Arizona.[87] Glued laminated wooden structures were also used in 1983 to create the 160 meter Tacoma Dome, in 1990 to create the 160 meter Superior Dome, and in 1997 to create the 178 meter Nipro Hachiko Dome.[88]
Stand-alone dome structures were used to house public utility facilities in the 20th century.[89] The "Fitzpatrick dome", designed by John Fitzpatrick as an inexpensive structure to store winter road service sand and salt, has been used in countries around the world.[90][91] The first was built in 1968.[91] The domes have twenty sides and are normally 100 feet in diameter and a little more than 50 feet tall. The conical shape is meant to conform to the 45 degree slope of a pile of wet sand. They are built on concrete footings and covered with asphalt shingles.[92]
Guastavino tile
The Guastavino family, a father and son team who worked on the eastern seaboard of the United States, built vaults using layers of tiles in hundreds of buildings in the late 19th and early 20th centuries, including the domes of the Basilica of St. Lawrence in Asheville, North Carolina, and St. Francis de Sales Roman Catholic Church in Philadelphia, Pennsylvania.[93] The dome over the crossing of the Cathedral of St. John the Divine in New York City was built by the son in 1909. A part-spherical dome, it measures 30 meters in diameter from the top of its merging pendentives, where steel rods embedded in concrete act as a restraining ring. With an average thickness 1/250th of its span, and steel rods also embedded within the pendentives, the dome "looked forward to modern shell construction in reinforced concrete."[5]
Domes built with steel and concrete were able to achieve very large spans.[49] The 1911 dome of the Melbourne Public Library reading room, presumably inspired by the British Museum, had a diameter of 31.5 meters and was briefly the widest reinforced concrete dome in the world until the completion of the Centennial Hall.[6] The Centennial Hall was built with reinforced concrete in Breslau, Germany (today Poland), from 1911–13 to commemorate the 100-year anniversary of the uprising against Napoleon. With a 213 foot wide central dome surrounded by stepped rings of vertical windows, it was the largest building of its kind in the world.[94] Other examples of ribbed domes made entirely of reinforced concrete include the Methodist Hall in Westminster, London, the Augsburg Synagogue, and the Orpheum Theater in Bochum.[6] The 1928 Leipzig Market Hall by Deschinger and Ritter featured two 82 meter wide domes.[49]
The thin domical shell was further developed with the construction of two domes in Jena, Germany in the early 1920s. To build a rigid planetarium dome, Walther Bauersfeld constructed a triangulated frame of light steel bars and mesh with a domed formwork suspended below it. By spraying a thin layer of concrete onto both the formwork and the frame, he created a 16 meter wide dome that was just 30 millimeters thick. The second dome was still thinner at 40 meters wide and 60 millimeters thick.[95] These are generally taken to be the first modern architectural thin shells.[96] These are also considered the first geodesic domes.[97] Beginning with one for the Deutsches Museum in Munich, 15 domed projection planetariums using concrete shells up to 30 meters wide had been built in Europe by 1930, and that year the Adler Planetarium in Chicago became the first planetarium to open in the Western Hemisphere.[98] Planetarium domes required a hemispherical surface for their projections, but most 20th century shell domes were shallow to reduce the material costs, simplify construction, and reduce the volume of air needing to be heated.[99]
Although an equation for the bending theory of a thick spherical shell had been published in 1912, based on general equations from 1888, it was too complex for practical design work. A simplified and more approximate theory for domes was published in 1926 in Berlin. The theory was tested using sheet metal models with the conclusion that the membrane stresses in domes are small with little reinforcement required, especially at the top, where openings could be cut for light. Only the concentrated stresses at point supports required heavy reinforcement.[99] Early examples used a relatively thick bordering girder to stabilize exposed edges. Alternative stabilization techniques include adding a bend at these edges to stiffen them or increasing the thickness of the shell itself at the edges and near the supports.[101] In 1933–34, Spanish engineer-architect Eduardo Torroja, with Manuel Sanchez, designed the Market Hall in Algeciras, Spain, with a thin shell concrete dome. The shallow dome is 48 meters wide, 9 centimeters thick, and supported at points around its perimeter.[102] The indoor stadium for the 1936 Olympic Games in Berlin used an oval dome of concrete shell 35 meters wide and 45 meters long.[103]
The use of metal structures in Italy was reduced in the first half of the 20th century by autarchy and the demands of the world wars.[104] Steel became broadly used in building construction in the 1930s.[105] A shortage of steel following World War II and the demonstrated vulnerability of exposed steel to damage from intense fires during the war may have contributed to the popularity of concrete architectural shells beginning in the late 1940s. In the 1960s, improvements in welding and bolting techniques and higher labor costs made steel frames more economical.[99]
In 1940, California architect Wallace Neff built a 30 meter (100 foot) dome using an inflated balloon of sailcloth as formwork. The balloon was made airtight by wetting, inflated, then supported steel reinforcement as concrete was sprayed onto it in layers. This technique was used to build "bubble houses" in Florida.[106]
Popularized by a 1955 article on the work of Félix Candela in Mexico, architectural shells had their heyday in the 1950s and 1960s, peaking in popularity shortly before the widespread adoption of computers and the finite element method of structural analysis. Notable examples of domes include the Kresge Auditorium at MIT, which has a spherical shell 49 meters wide and 89 millimeters thick, and the Palazzetto dello Sport, with a 59 meter wide dome designed by Pier Luigi Nervi.[107]
Built from 1955 to 1957, the prestressed concrete dome of the main exhibition hall of the Belgrade Fair has a span of 106 meters. It was designed by Branko Žeželj, using a pre-stressing system developed by him, and was the largest dome in the world until 1965. It remains the largest dome in Europe.[108]
In the 1960s, Italian architect Dante Bini developed an inflatable formwork system using a nylon-reinforced neoprene spherical balloon. First, a concrete floor slab and ring beam was poured. The ring beam included voids for air inlets and outlets and an inflatable tube that held the balloon membrane in place. The balloon was laid out uninflated over the floor slab and secured at the ring beam, reinforcement bars spaced with springs were laid on top, the concrete was applied, an outer membrane of PVC was laid over the concrete, then the balloon was inflated and lifted the material into the dome shape. After inflation, the concrete was vibrated using rolling carts attached to cables. After drying, the balloon could be removed and openings for door or windows could be cut out of the dome.[106][109] This "Binishell" system was used to built over 1,500 elliptical-section domes in countries around the world between 1970 and 1990, with diameters between 12 and 36 meters. Examples include the Edinburgh Sports Dome in Malvern (1977) and a project at Sydney’s Ashbury School.[109]
The dome of the Church of the Holy Sepulchre in Jerusalem experienced an earthquake in 1927, a fire in 1934, and a fire in 1949, which partially destroyed its lead roof.[110] In 1977 it was decided to renovate the dome to better resist earthquakes and fire. A British team of contractors used steel connectors to attach a 115 millimeter thick reinforced concrete dome shell to the outside of the 1870 wrought iron arches. They reduced the dome's total weight by 100 tons, so that either the shell or the arches could each support the total weight of the dome independently of the other. No flammable materials were used. The exterior was covered in traditional hand-finished lead sheeting. The interior was covered with a 25 millimeter thick layer of plaster attached to the wrought iron arches with a metal mesh.[111]
The West Baden Springs Hotel in Indiana was built in 1903 with the largest span dome in the world at 200 feet. Its metal and glass skin was supported by steel trusses resting on metal rollers to allow for expansion and contraction from temperature changes. It was surpassed in span by the Centennial Hall of Max Berg.[112]
Structurally, geodesic domes are considered shells when the loads are borne by the surface polygons, as in the Kaiser Dome, but are considered space grid structures when the loads are borne by point-to-point members.[113] A geodesic dome made of welded steel tubes was made in 1935 for the aviary of the Rome Zoo.[104] Aluminum reticular domes allow for large dimensions and short building times, suitable for sports arenas, exhibition centers, auditoriums, or storage facilities. The Dome of Discovery exhibition hall was built in London in 1951.[114] It was the largest domed building in the world at the time, 365 feet wide.[115][116] Other aluminum domes include the 61 meter wide "Palasport" in Paris (1959) and the 125 meter wide "Spruce Goose Dome" in Long Beach, California.[114]
Although the first examples were built 25 years earlier by Walther Bauersfeld, the term "geodesic domes" was coined by Buckminster Fuller, who received a patent for them in 1954. Geodesic domes have been used for radar enclosures, greenhouses, housing, and weather stations.[117] Early examples in the United States include a 53-foot-wide dome for the Ford Rotunda in 1953 and a 384-foot-diameter dome for the Baton Rouge facility of the Union Tank Car Company in 1958, the largest clear-span structure in the world at that time.[118] The U.S. Pavilion at Expo 67 in Montreal, Quebec, Canada, was enclosed by a 76.5-meter-wide and 60-meter-tall dome made of steel pipes and acrylic panels. It is used today as a water monitoring center.[119] Other examples include the Amundsen-Scott South Pole Station, which was used from 1975 to 2003, and the Eden Project in the UK, built in 2000.[120]
Tensegrity domes, patented by Buckminster Fuller in 1962 from a concept by Kenneth Snelson, are membrane structures consisting of radial trusses made from steel cables under tension with vertical steel pipes spreading the cables into the truss form. They have been made circular, elliptical, and other shapes to cover stadiums from Korea to Florida.[122] While the first permanent air supported membrane domes were the radar domes designed and built by Walter Bird after World War II, the temporary membrane structure designed by David Geiger to cover the United States pavilion at Expo '70 was a landmark construction. Geiger's solution to a 90% reduction in the budget for the pavilion project was a "low profile cable-restrained, air-supported roof employing a superelliptical perimeter compression ring". Its very low cost led to the development of permanent versions using teflon-coated fiberglass and within 15 years the majority of the domed stadiums around the world used this system, including the 1975 Silverdome (168 meters) in Pontiac, Michigan.[123][88] Other examples include the 1982 Hubert H. Humphrey Metrodome (180 meters), the 1983 BC Place (190 meters), and the 1988 Tokyo Dome (201 meters).[88] The restraining cables of such domes are laid diagonally to avoid the sagging perimeter found to occur with a standard grid.[124]
Tension membrane design has depended upon computers, and the increasing availability of powerful computers resulted in many developments being made in the last three decades of the 20th century.[125] Weather-related deflations of some air-supported roofs led David Geiger to develop a modified type, the more rigid "Cabledome", that incorporated Fuller's ideas of tensegrity and aspension rather than being air-supported.[126][124] The example he built in St. Petersburg, Florida spans 230 meters.[127] The pleated effect seen in some of these domes is the result of lower radial cables stretching between those forming trusses in order to keep the membrane in tension. The lightweight membrane system used consists of four layers: waterproof fiberglass on the outside, insulation, a vapor barrier, then an acoustic insulation layer. This is semitransparent enough to fulfill most daytime lighting needs beneath the dome. The first large span examples were two Seoul, South Korea, sports arenas built in 1986 for the Olympics, one 93 meters wide and the other 120 meters wide. The Georgia Dome, built in 1992 on an oval plan, uses instead a triangulated pattern in a system patented as the "Tenstar Dome".[128] In Japan, the Izumo Dome was built in 1992 with a height of 49 meters and a diameter of 143 meters. It uses a PTFE-coated glass fiber fabric.[129] The first cable dome to use rigid steel frame panels as roofing instead of a translucent membrane was begun for an athletic center in North Carolina in 1994.[130] The Millennium Dome was completed as the largest cable dome in the world with a diameter of 320 meters and uses a different system of membrane support, with cables extending down from the 12 masts that penetrate the membrane.[127]
The higher expense of rigid large span domes made them relatively rare, although rigidly moving panels is the most popular system for sports stadiums with retractable roofing.[124][131] With a span of 126 meters, Pittsburgh's Civic Arena featured the largest retractable dome in the world when completed for the city's Civic Light Opera in 1961. Six of its eight sections could rotate behind the other two within three minutes, and in 1967 it became the home of the Pittsburgh Penguins hockey team.[132]
The Assembly Hall arena at the University of Illinois Urbana-Champaign was completed in 1963 with a concrete saucer dome spanning 400 feet. The edge of the dome was post-tensioned with more than 600 miles of steel cable.[133] The first domed baseball stadium, the Astrodome in Houston, Texas, was completed in 1965 with a rigid 641 foot wide steel dome filled with 4,596 skylights. Other early examples of rigid stadium domes include the steel frame Superdome of New Orleans and the cement Kingdome of Seattle.[124] The Louisiana Superdome has a span of 207 meters.[134] Stockholm's 1989 Ericsson Globe, an arena for ice hockey, earned the title of largest hemispherical building in the world with a diameter of 110 meters and height of 85 meters.[135]
Montreal's Olympic Stadium featured a retractable membrane roof in 1988, although repeated tearing led to its replacement with a non-retractable roof. The SkyDome of Toronto opened in 1989 with a rigid system in four parts: one that is fixed, two that slide horizontally, and one that rotates along the edge of the 213 meter wide span. In Japan, the 1993 Fukuoka Dome featured a 222-meter dome in three parts, two of which rotated under the third.[136]
Twenty-first century
The variety of modern domes over sports stadiums, exhibition halls, and auditoriums have been enabled by developments in materials such as steel, reinforced concrete and plastics.[137] Their uses over department stores and "futuristic video-hologram entertainment centres" exploit a variety of non-traditional materials.[138] The use of design processes that integrate numerical control machines, computer design, virtual reconstructions, and industrial prefabrication allow for the creation of dome forms with complex geometry, such as the 2004 ellipsoid bubbles of Nardini Company's production district designed by Massimiliano Fuksas.[139]
Ōita Stadium was built in 2001 as a mostly fixed semi-spherical roof 274 meters wide with two large membrane-covered panels that can slide down from the center to opposite sides.[136] The Sapporo Dome was completed in 2001 with a span of 218 meters.[88] Singapore's National Stadium was completed in 2014 with the largest dome in the world at 310 meters in span. It uses a post-tensioned concrete ring beam to support steel trusses that enable two halves of a section of the dome to retract.[140]
Related Research Articles
An arch is a curved vertical structure spanning an open space underneath it. Arch can either support the load above it or perform a purely decorative role. The arch dates back to fourth millennium BC, but became popular only after its adoption by the Romans in the 4th century BC.
A dome is an architectural element similar to the hollow upper half of a sphere. There is significant overlap with the term cupola, which may also refer to a dome or a structure on top of a dome. The precise definition of a dome has been a matter of controversy and there are a wide variety of forms and specialized terms to describe them.
Florence Cathedral, formally the Cathedral of Saint Mary of the Flower, is the cathedral of Florence, Italy. It was begun in 1296 in the Gothic style to a design of Arnolfo di Cambio and was structurally completed by 1436, with the dome engineered by Filippo Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink, bordered by white, and has an elaborate 19th-century Gothic Revival façade by Emilio De Fabris.
A rib vault or ribbed vault is an architectural feature for covering a wide space, such as a church nave, composed of a framework of crossed or diagonal arched ribs. Variations were used in Roman architecture, Byzantine architecture, Islamic architecture, Romanesque architecture, and especially Gothic architecture. Thin stone panels fill the space between the ribs. This greatly reduced the weight and thus the outward thrust of the vault. The ribs transmit the load downward and outward to specific points, usually rows of columns or piers. This feature allowed architects of Gothic cathedrals to make higher and thinner walls and much larger windows.
A concrete shell, also commonly called thin shell concrete structure, is a structure composed of a relatively thin shell of concrete, usually with no interior columns or exterior buttresses. The shells are most commonly monolithic domes, but may also take the form of hyperbolic paraboloids, ellipsoids, cylindrical sections, or some combination thereof. The first concrete shell dates back to the 2nd century.
Steel frame is a building technique with a "skeleton frame" of vertical steel columns and horizontal I-beams, constructed in a rectangular grid to support the floors, roof and walls of a building which are all attached to the frame. The development of this technique made the construction of the skyscraper possible. Steel frame has displaced its predecessor, the iron frame, in the early 20th century.
Hyperboloid structures are architectural structures designed using a hyperboloid in one sheet. Often these are tall structures, such as towers, where the hyperboloid geometry's structural strength is used to support an object high above the ground. Hyperboloid geometry is often used for decorative effect as well as structural economy. The first hyperboloid structures were built by Russian engineer Vladimir Shukhov (1853–1939), including the Shukhov Tower in Polibino, Dankovsky District, Lipetsk Oblast, Russia.
In architecture, a vault is a self-supporting arched form, usually of stone or brick, serving to cover a space with a ceiling or roof. As in building an arch, a temporary support is needed while rings of voussoirs are constructed and the rings placed in position. Until the topmost voussoir, the keystone, is positioned, the vault is not self-supporting. Where timber is easily obtained, this temporary support is provided by centering consisting of a framed truss with a semicircular or segmental head, which supports the voussoirs until the ring of the whole arch is completed.
Cast-iron architecture is the use of cast iron in buildings and objects, ranging from bridges and markets to warehouses, balconies and fences. Refinements developed during the Industrial Revolution in the late 18th century made cast iron relatively cheap and suitable for a range of uses, and by the mid-19th century it was common as a structural material, and particularly for elaborately patterned architectural elements such as fences and balconies, until it fell out of fashion after 1900 as a decorative material, and was replaced by modern steel and concrete for structural purposes.
Metals used for architectural purposes include lead, for water pipes, roofing, and windows; tin, formed into tinplate; zinc, copper and aluminium, in a range of applications including roofing and decoration; and iron, which has structural and other uses in the form of cast iron or wrought iron, or made into steel. Metal alloys used in building include bronze ; brass ; monel metal and nickel silver, mainly consisting of nickel and copper; and stainless steel, with important components of nickel and chromium.
Domes were a characteristic element of the architecture of Ancient Rome and of its medieval continuation, the Byzantine Empire. They had widespread influence on contemporary and later styles, from Russian and Ottoman architecture to the Italian Renaissance and modern revivals. The domes were customarily hemispherical, although octagonal and segmented shapes are also known, and they developed in form, use, and structure over the centuries. Early examples rested directly on the rotunda walls of round rooms and featured a central oculus for ventilation and light. Pendentives became common in the Byzantine period, provided support for domes over square spaces.
The early domes of the Middle Ages, particularly in those areas recently under Byzantine control, were an extension of earlier Roman architecture. The domed church architecture of Italy from the sixth to the eighth centuries followed that of the Byzantine provinces and, although this influence diminishes under Charlemagne, it continued on in Venice, Southern Italy, and Sicily. Charlemagne's Palatine Chapel is a notable exception, being influenced by Byzantine models from Ravenna and Constantinople. The Dome of the Rock, an Umayyad Muslim religious shrine built in Jerusalem, was designed similarly to nearby Byzantine martyria and Christian churches. Domes were also built as part of Muslim palaces, throne halls, pavilions, and baths, and blended elements of both Byzantine and Persian architecture, using both pendentives and squinches. The origin of the crossed-arch dome type is debated, but the earliest known example is from the tenth century at the Great Mosque of Córdoba. In Egypt, a "keel" shaped dome profile was characteristic of Fatimid architecture. The use of squinches became widespread in the Islamic world by the tenth and eleventh centuries. Bulbous domes were used to cover large buildings in Syria after the eleventh century, following an architectural revival there, and the present shape of the Dome of the Rock's dome likely dates from this time.
Italian Renaissance domes were designed during the Renaissance period of the fifteenth and sixteenth centuries in Italy. Beginning in Florence, the style spread to Rome and Venice and made the combination of dome, drum, and barrel vaults standard structural forms.
Domes first appeared in South Asia during medieval period when it was constructed with stone, brick and mortar, and iron dowels and cramps. Centering was made from timber and bamboo. The use of iron cramps to join together adjacent stones was known in Ancient India, and was used at the base of domes for hoop reinforcement. The synthesis of styles created by this introduction of new forms to the Hindu tradition of trabeate construction created a distinctive architecture.
Domes built in the 16th, 17th, and 18th centuries relied primarily on empirical techniques and oral traditions rather than the architectural treatises of the time, but the study of dome structures changed radically due to developments in mathematics and the study of statics. Analytical approaches were developed and the ideal shape for a dome was debated, but these approaches were often considered too theoretical to be used in construction.
Persian domes or Iranian domes have an ancient origin and a history extending to the modern era. The use of domes in ancient Mesopotamia was carried forward through a succession of empires in the Greater Iran region.
The symbolic meaning of the dome has developed over millennia. Although the precise origins are unknown, a mortuary tradition of domes existed across the ancient world, as well as a symbolic association with the sky. Both of these traditions may have a common root in the use of the domed hut, a shape which was associated with the heavens and translated into tombs.
The architecture of Paris created during the Belle Époque, between 1871 and the beginning of the First World War in 1914, was notable for its variety of different styles, from neo-Byzantine and neo-Gothic to classicism, Art Nouveau and Art Deco. It was also known for its lavish decoration and its imaginative use of both new and traditional materials, including iron, plate glass, colored tile and reinforced concrete. Notable buildings and structures of the period include the Eiffel Tower, the Grand Palais, the Théâtre des Champs-Élysées, the Gare de Lyon, the Bon Marché department store, and the entries of the stations of the Paris Metro designed by Hector Guimard.
Dante Natale Bini or Dante Bini (1932) is an Italian industrial designer and architect. He is noted for inventing the Binishell, which is a reinforced thin concrete shell structure that can be lifted and shaped by air pressure. He is also considered a pioneer of automated building construction sequences or automated building construction systems.
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