Mario Bava was an Italian filmmaker who worked variously as a director, cinematographer, special effects artist and screenwriter, frequently referred to as the "Master of Italian Horror" and the "Master of the Macabre". His low-budget genre films, known for their distinctive visual flair and stylish technical ingenuity, feature recurring themes and imagery concerning the conflict between illusion and reality, as well as the destructive capacity of human nature. He was a pioneer of Italian genre cinema, and is regarded as one of the most influential auteurs of the horror film genre.
Ernesto Gastaldi is an Italian screenwriter. Film historian and critic Tim Lucas described Gastaldi as the first Italian screenwriter to specialize in horror and thriller films. Gastaldi worked within several popular genres including pepla, Western and spy films.
Luigi Batzella also known as Paolo Solvay was an Italian film director, editor, screenwriter and actor. He made numerous low-budget genre films.
Carlo Rambaldi was an Italian special effects artist, winner of three Oscars: one Special Achievement Academy Award for Best Visual Effects in 1977 for the 1976 version of King Kong and two Academy Awards for Best Visual Effects in 1980 and 1983 for, respectively, Alien (1979) and E.T. the Extra-Terrestrial (1982). He is most famous for his work in those two last mentioned films, that is for the mechanical head-effects for the creature in Alien and the design of the title character of E.T. the Extra-Terrestrial.
Alfonso Brescia was an Italian film director. Brescia began working in film against his father's wishes, and eventually directed his first film Revolt of the Praetorians in 1964. Brescia worked in several genres in the Italian film industry, including five science fiction films he directed following the release of Star Wars. Brescia's work slowed down towards the late 1980s, and his last film Club Vacanze could not get distribution.
Mario Caiano was an Italian film director, screenwriter, producer, art director and second unit director.
Alberto De Martino was an Italian film director and screenwriter. Born in Rome, De Martino started as a child actor and later returned to the cinema where worked as a screenwriter, director and dubbing supervisor. De Martino's films as a director specialised in well-crafted knock-offs of Hollywood hit films. These films were specifically created films in Western, horror and mythology genres which were developed for the international market. The Telegraph stated that his best known of these film was probably The Antichrist. The Antichrist capitalized on the box-office appeal of The Exorcist (1973) and in its first week in the United States earned a greater box office than Jaws.
Piero Regnoli (1921–2001) was an Italian screenwriter and film director.
Mario Bianchi was an Italian film director and screenwriter. Bianchi directed several features including sexploitation and pornographic films. He spent the majority of the 1990s directing pornography in Italy under the names Nicholas Moore, Tony Yanker and Martin White.
Duccio Tessari was an Italian film director, screenwriter and actor, considered one of the fathers of Spaghetti Westerns.
Massimo Dallamano, sometimes credited as Max Dillman, Max Dillmann or Jack Dalmas, was an Italian director and director of photography.
Giorgio Ferroni was an Italian film director.
Ermanno Donati was an Italian film producer. Along with Luigi Carpentieri, Donati won the Nastro d'Argento award for Best Producer for the film The Day of the Owl.
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