Brice Marden is an American artist generally described as Minimalist, although his work may be hard to categorize. He lives and works in New York City; Tivoli, New York; Hydra, Greece; and Eagles Mere, Pennsylvania.
Aníbal Villacís was a master painter from Ecuador who used raw earthen materials such as clay and natural pigments to paint on walls and doors throughout his city when he could not afford expensive artist materials. As a teenager, Villacís taught himself drawing and composition by studying and recreating the illustrated ad posters for bullfights in Quito. In 1952, Jose Maria Velasco Ibarra, former President of Ecuador, discovered Villacís and offered him a scholarship to study in Paris.
Emilio Pettoruti (1892–1971) was an Argentine painter, who caused a scandal with his avant-garde cubist exhibition in 1924 in Buenos Aires. At the beginning of the twentieth century, Buenos Aires was a city full of artistic development. Pettoruti's career was thriving during the 1920s when "Argentina witnessed a decade of dynamic artistic activity; it was an era of euphoria, a time when the definition of modernity was developed." While Pettoruti was influenced by Cubism, Futurism, Constructivism, and Abstraction, he did not claim to paint in any of those styles in particular. Exhibiting all over Europe and Argentina, Emilio Pettoruti is remembered as one of the most influential artists in Argentina in the 20th century for his unique style and vision.
César Augusto Martínez is an artist, prominent in the field of Chicano art. While studying at what was then called Texas A&I College, he became involved in the Chicano movement for civil rights. He subsequently befriended several of its leaders.
Knox Martin was an American painter, sculptor, and muralist.
Arturo Herrera is a Venezuelan-born (1959), Berlin-based visual artist known for wide-ranging work that is rooted in the practice of collage. His colorful, often rhythmic art intertwines bits of pop iconography, gestural marks and nonrepresentational shapes using pictorial strategies of fragmentation, repetition, effacement and dislocation. The resulting imagery often balances between abstraction and figuration, detached from inherent narratives yet vaguely familiar. Critics suggest that this ambiguity engages memory, fantasy and a viewer's unconscious private interpretive schemes, evoking a multiplicity of references and readings. In 2020, Art in America writer Ara H. Merjian described Herrera's practice—which includes works on paper, paintings, reliefs, sculpture, public art and books—as "chameleonic as [it] is consistent," one that "breathes life into modernist collage, exploring the tensions between exactitude and spontaneity, placement and displacement."
Jason Villegas is currently a San Francisco based contemporary artist. He has exhibited across the United States and internationally. Villegas' work utilizes a wide spectrum of mediums including sculpture, installation, painting, drawing, textile, video and performance. He has created his own artistic realm and visual language in which to explore concepts such as globalism, evolution, sexuality, cosmology, and consumerism. Motifs in Villegas' artworks include fashion logos, animal hybrids, weaponry, sales banners, clothing piles, anuses, cosmic debris, taxidermy, bear men, amorphous beasts, religious iconography, and party scenarios.
Wilhelmina Weber Furlong (1878–1962) was a German American artist and teacher.
Sharon Kopriva is an American painter and sculptor who lives and works in Houston, Texas and Hope, Idaho. Kopriva's art is influenced by her Catholic primary school education, as well as exposure to Peruvian and Australian cultures.
The Museo Ideale Leonardo da Vinci is located in Vinci, Leonardo da Vinci's birthplace, in the province of Florence, Italy. It is part of the Museo Leonardiano di Vinci.
Ryder Richards is an American artist, writer, and curator. He works in the field of conceptual art, critical theory, and installation. His art practice consists of several bodies of work, often researching cultural violence, conspiracy voids and architectural influence. He has participated in several collaborative art groups.
Margarita Cabrera is a Mexican-American artist and activist. As an artist, the objects and activities she produces address issues related to border relations, labor practices and immigration. Her practice spans smaller textile-based soft sculptures to large community-involved public artworks. In 2012 she was a recipient of the Knight Artist in Residence at the McColl Center for Visual Art in Charlotte, NC. Cabrera was also a recipient of the Joan Mitchell Foundation Grant.
Lovie Olivia is an American multidisciplinary visual artist. She uses the media of printmaking, painting, and installations to explore themes of gender, sexuality, race, class and power.
Vincent Valdez is an American artist born in San Antonio, Texas, who focuses on painting, drawing, and printmaking. His artwork often emphasizes themes of social justice, memory, and ignored or under-examined historical narratives. Valdez completed his B.F.A. at the Rhode Island School of Design in 2000. He lives and works in Houston, Texas, and is represented by the David Shelton Gallery (Houston) and Matthew Brown Gallery. Valdez's work has been exhibited at Museum of Fine Arts, Houston, Ford Foundation, Los Angeles County Museum of Art, National Portrait Gallery, Blanton Museum of Art, Parsons School of Design, and the Fundacion Osde Buenos Aires.
Betelhem Makonnen is an Ethiopian American artist based in Austin, Texas. She is a former curator for the Fusebox Festival and the 2019 Tito's Prize winner.
Virginia L. Montgomery, also known as VLM, is an American multimedia artist working in video art, sound art, sculpture, performance, and illustration. She has exhibited extensively throughout the U.S. and Europe at museums, galleries, and film festivals. Her artwork is known for its surrealist qualities, material experimentation, and thematic blending of science, mysticism, metaphysics, and 21st century feminist autobiography.
Marcelina Gonzales is an American visual artist from Brownsville, Texas.
Roberto Gonzalez is a Chicano artist, curator, and musician. He was a member of the San Antonio-based Con Safo art group in the mid-1970s. As an artist, he has exhibited locally, nationally, and internationally. Gonzalez worked primarily as an abstract artist from the 1970s until the early 2000s, after which time he emphasized pre-Columbian imagery in an effort to engage with his ancestors. He has also worked as a performance artist since 1974. Gonzalez has curated numerous exhibitions, notably at the Carver Cultural Center in San Antonio, where he served as the Fine Arts Administrator (1984-1995). Gonzalez is also a percussion musician who specializes in Pre-Hispanic and African Diaspora music. He has trained with several African Diaspora music masters and has been active in several musical groups.
For the Canadian animator, see Wayne Gilbert.
