Stereoautograph

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Stereoautograph Wild A5 Royal Air Force- Central Interpretation Unit - Allied Central Interpretation Unit, 1941-1945. CH16105.jpg
Stereoautograph Wild A5

The stereoautograph is a complex opto-mechanical measurement instrument for the evaluation of analog or digital photograms. It is based on the stereoscopy effect by using two aero photos or two photograms of the topography or of buildings from different standpoints.

It was invented by Eduard von Orel in 1907. [1]

The photograms or photographic plates are oriented by measured passpoints in the field or on the building. This procedure can be carried out digitally (by methods of triangulation and projective geometry or iteratively (repeated angle corrections by congruent rays). The accuracy of modern autographs is about 0.001 mm.

Well known are the instruments of the companies Wild Heerbrugg (Leica), e.g. analog A7, B8 of the 1980s and the digital autographs beginning in the 1990s, or special instruments of Zeiss and Contraves.

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Performances of Johann Sebastian Bach's Magnificat come in three formats:

  1. D major version, BWV 243 with the twelve movements of that version;
  2. D major version, with the Christmas interpolations from the earlier version BWV 243a transposed and inserted after movements 2, 5, 7 and 9.
  3. E flat major version, BWV 243a. The difference with the previous format is not only the key signature, there are also differences in orchestration, e.g. in the earlier version flutes are not part of the tutti, so do not play in the choral movements 1, 7 and 12, and a trumpet solo in movement 10 instead of the later unison oboes. Other differences are minor, but there is for instance a slightly harsher harmony near the end of movement 4 in the earlier version.

References

  1. " Orel Eduard von ". In: Österreichisches Biographisches Lexikon 1815–1950 (ÖBL). Vol. 7, Austrian Academy of Sciences , Vienna 1978, ISBN   3-7001-0187-2 , p. 243 f.(Direct links to " p. 243 ", " p. 244 ")