Related Research Articles
The Portland Institute for Contemporary Art (PICA) is a contemporary performance and visual arts organization in Portland in the U.S. state of Oregon. PICA was founded in 1995 by Kristy Edmunds. Since 2003, it has presented the annual Time-Based Art Festival (TBA) every September in Portland, featuring contemporary and experimental visual art, dance, theatre, film/video, music, and educational and public programs from local, national, and international artists. As of November 2017, it is led by Executive Director Victoria Frey and Artistic Directors Roya Amirsoleymani, Erin Boberg Doughton, and Kristan Kennedy.
AIDS Coalition to Unleash Power is an international, grassroots political group working to end the AIDS pandemic. The group works to improve the lives of people with AIDS through direct action, medical research, treatment and advocacy, and working to change legislation and public policies.
The red ribbon, as an awareness ribbon, is used as the symbol for the solidarity of people living with HIV/AIDS, and for the awareness and prevention of drug abuse and drunk driving.
Nkosi's Haven is an NGO in the Johannesburg, South Africa area that offers residential, holistic care and support for mothers and their children whose lives have been impacted by HIV/AIDS. Nkosi's Haven also provides support for orphans, HIV/AIDS affected or not. It aims to improve the productivity of their residents through providing access to medical care, therapy, education and skill building workshops. The goal is to empower residents while providing a safe, dignified home in hopes that all mothers and children are able to become responsible and contributing members of society.
The global epidemic of HIV/AIDS began in 1981, and is an ongoing worldwide public health issue. According to the World Health Organization (WHO), by 2023, HIV/AIDS had killed approximately 40.4 million people, and approximately 39 million people were infected with HIV globally. Of these, 29.8 million people (75%) are receiving antiretroviral treatment. There were about 630,000 deaths from HIV/AIDS in 2022. The 2015 Global Burden of Disease Study estimated that the global incidence of HIV infection peaked in 1997 at 3.3 million per year. Global incidence fell rapidly from 1997 to 2005, to about 2.6 million per year. Incidence of HIV has continued to fall, decreasing by 23% from 2010 to 2020, with progress dominated by decreases in Eastern Africa and Southern Africa. As of 2020, there are approximately 1.5 million new infections of HIV per year globally.
The World AIDS Museum and Educational Center, located at 1350 E Sunrise Blvd. in Fort Lauderdale, Florida, opened on May 15, 2014.
Emerging from ACT UP in 1988, Gran Fury was an AIDS activist artist collective from New York City consisting of 11 members including: Richard Elovich, Avram Finkelstein, Amy Heard, Tom Kalin, John Lindell, Loring McAlpin, Marlene McCarty, Donald Moffett, Michael Nesline, Mark Simpson and Robert Vazquez-Pacheco.
Art Basel is a for-profit, privately owned and managed, international art fair staged annually in Basel, Switzerland; Miami Beach; Hong Kong and from 2022, Paris. Art Basel works in collaboration with the host city's local institutions to help grow and develop art programs. While Art Basel provides a platform for galleries to show and sell their work to buyers, it has gained a large international audience of art spectators and students as well.
Day Without Art (DWA) is an annual event where art institutions and other organizations organize programs to raise awareness of AIDS, remember people who have died, and inspire positive action. Initiated in 1988 by VisualAIDS from New York City (NYC), nowadays a global event.
HIV/AIDS was first detected in Canada in 1982. In 2018, there were approximately 62,050 people living with HIV/AIDS in Canada. It was estimated that 8,300 people were living with undiagnosed HIV in 2018. Mortality has decreased due to medical advances against HIV/AIDS, especially highly active antiretroviral therapy (HAART).
The first HIV/AIDS case in Malaysia made its debut in 1986. Since then, HIV/AIDS has become one of the country's most serious health and development challenges. As of 2020, the Ministry of Health estimated that 87 per cent of an estimated 92,063 people living with HIV (PLHIV) in Malaysia were aware of their status, 58 per cent of reported PLHIV received antiretroviral therapy, and 85 per cent of those on antiretroviral treatment became virally suppressed. Despite making positive progress, Malaysia still fell short of meeting the global 2020 HIV goals of 90-90-90, with a scorecard of 87-58-85.
The Institute of Cultural Inquiry (ICI) is a non-profit organization located in Los Angeles, California. Its mission is "to educate the public about the visual methods used in society to describe and discuss cultural phenomena." The ICI has sponsored art research, art creation in multiple media, projects, symposia, and publications related to its major areas of interest, which include the AIDS pandemic, obsolete technologies, and marginal cultural figures.
TeachAids is a nonprofit social enterprise that develops global health education technology products for HIV/AIDS, concussions, and COVID-19, based on an approach invented through research at Stanford University.
Marvin Heiferman is an American curator and writer, who originates projects about the impact of photographic images on art, visual culture, and science for museums, art galleries, publishers and corporations.
POBA is a non-profit, online arts community, launched in July, 2014 by The James Kirk Bernard Foundation.
Julieta Aranda is a conceptual artist that lives and works in Berlin and New York City. She received a BFA in filmmaking from the School of Visual Arts (2001) and an MFA from Columbia University (2006), both in New York. Her explorations span installation, video, and print media, with a special interest in the creation and manipulation of artistic exchange and the subversion of traditional notions of commerce through art making.
Rachel Gadsden is a UK-based visual artist and performance artist who is exhibited internationally and who works across the mainstream and disability art sectors. Gadsden has led a range of national and international participative programmes exploring themes of fragility and resilience. She has had a lung condition all her life and is injected by a syringe driver at one-minute intervals with the medication she needs to keep her alive.
Jess MacCormack, formerly known as Jessica MacCormack and more commonly known as Jess Mac, is a genderqueer interdisciplinary artist whose work deals with the intersection of institutional violence with personal traumas. They work with oppressed communities to create collaborative art that engenders agency, both personal and political. Their recent work covers topics such as criminalization, HIV/AIDS, sexual assault, mental health, racism, and transphobia, and utilize animation, video, painting, and collage. Their art integrates various elements of interactivity, performance, intervention, installation, and video, in order to engage viewers in a meaningful way; at the same time, they aim to destabilize high art and culture in favor of socially and politically engaged content. In exploring and critiquing institutional structures that create systematic oppression, MacCormack’s work is frequently both collective and collaborative.
William "Bill" R. Olander was an American senior curator at the New Museum of Contemporary Art in New York City. He previously worked as curator and director of the Allen Memorial Art Museum. He was a co-founder of the arts organization Visual AIDS.
Frederick Weston (1946–2020) was an American interdisciplinary artist. Self-taught, he worked in collage, drawing, sculpture, photography, performance, and creative writing. He was raised in Detroit, Michigan and moved to New York City in the mid-1970s. Over the course of his time in New York, he developed a vast, encyclopedic archive of images and ephemera related to fashion, the body, advertising, AIDS, and queer subjects through his various jobs and social presence in hustler bars and gay nightlife. His early collages and photography, which often utilized likenesses of patrons, highlighted the social and communal nature of such institutions. Continuing this theme, in the mid-1990s, he became co-founder of guerrilla artist group Underground Railroad, which produced street art and outdoor installations. In his lifetime, he exhibited to small audiences in non-traditional art spaces and only in the last two years of his life did his work become widely known and appreciated in urban art circles.
References
- ↑ Cascone, Sarah (October 7, 2015). "'Postcards from the Edge' Returns in January". Artnet News. Retrieved November 19, 2021.
- ↑ Olson, Marisa S. (June 29, 2013). "Tune In, Black Out". Wired. Archived from the original on June 29, 2013. Retrieved December 2, 2020.
- ↑ "Day With(out) Art: The Banner Project 2000 and CineVirus: Make a Scene | Creative Time". March 9, 2013. Archived from the original on March 9, 2013. Retrieved December 2, 2020.
- 1 2 "Visual AIDS | About Us". Visual AIDS. Retrieved December 1, 2020.
- 1 2 "VAVA Voom Preview: Honoring the Founders". Visual AIDS. April 15, 2013. Retrieved May 5, 2021.
- ↑ "Visual AIDS". The Well Project. December 31, 2019. Retrieved December 1, 2020.
- ↑ "Artist-in-Residence". ResidencyUnlimited. January 2009. Retrieved December 1, 2020.
- ↑ Liscia, Valentina Di (May 11, 2020). "Visual AIDS Launches New Online Platform, "Not Over"". Hyperallergic. Retrieved December 1, 2020.
- ↑ "TRANSMISSIONS / Day With(out) Art 2020". www.artforum.com. Retrieved December 1, 2020.
