Newgrounds

Newgrounds

Type of business	Private
Type of site	Entertainment
Available in	English
Founded	1995
Headquarters	323 W Glenside Ave, Glenside, Pennsylvania, U.S.
Founder(s)	Tom Fulp
Key people	Tom Fulp (founder, CEO) Josh Tuttle (site programmer) James Holloway (site programmer) Jeff Bandelin (artist, animator)
Services	Video games Animation Art Music User-generated content Hosting service
URL	newgrounds.com
Registration	Optional [lower-alpha 1]

Newgrounds is a company and entertainment website founded by Tom Fulp in 1995. It hosts user-generated content such as games, films, audio, and artwork. ^[1] Fulp produces in-house content at the headquarters and offices in Glenside, Pennsylvania. ^{[2] [3]}

In the 2000s, Newgrounds played an important role in Internet culture, and in Internet animation and independent video gaming in particular. It has been called a "distinct time in gaming history", a place "where many animators and developers cut their teeth and gained a following long before social media was even a thing", and "a haven for fostering the greats of internet animation". ^[4]

Content

The Newgrounds logo used from 2006 to 2018 with Tankman, the Newgrounds mascot. This logo and similar ones can be seen at the start of Flash games and videos on the website.

User-generated content can be uploaded and categorized into either one of the site's four web portals: Games, Movies, Audio, and Art. A Movie or Games submission entered undergoes the process termed "judgment", where it can be rated by all users (from 0 to 5 stars) and reviewed by other users. The average score calculated at various points during judgment determines if whether the content will be "saved" (added onto the database) or "blammed" (deleted with only its reviews saved in the "Obituaries" section). ^{[5] [6]}

Since Adobe Flash Player was shut down on most browsers by late 2020, Newgrounds uses the Ruffle emulator, an Adobe Flash emulator written in Rust and sponsored by Newgrounds along with other popular sites like Cool Math Games and Armor Games. ^[7] In 2022, Ruffle supported most Flash content written in ActionScript "1.0" and 2.0, and only a select few Flashes written in 3.0, ^[8] which meant to play then unsupported content, users had to use the "Newgrounds Player", the site's previous downloadable Flash end-of-life solution which it used prior to Ruffle for playing content.

Art and Audio are processed using a different method called "scouting", which the site describes as "a way to vet users and weed out spam, stolen works, low quality submissions, etc." All users can put art and audio onto their own page, but only those that are "scouted" will appear in the public area. Like the judgment system, it stops stolen content, spam, or prohibited material reaching the public area, relying on users and site moderators. Once an individual is scouted, they are given the privilege to scout others, though users caught scouting other users who regularly break the site's terms of service and/or guidelines ("abusing the system") get unscouted themselves. ^[9]

Content and context are liable to be reported for review to the moderators and staff members by flagging it for violations to the site's guidelines. ^[10] A weighted system recognizes experienced users and gives their flag more voice. ^[11] Newgrounds' homepage includes featured submissions from each category, as well as awards and honors to users whose submission that fall under the site's requirements to earn them. ^[12] Members of Newgrounds also organize animations called "collabs" through the discussion forum on the site. ^{[13] [14]} Some scholars noted that while hundreds of these "collabs" are produced every year, only 20% are completed due to stress on those making the animations, while other scholars said that animators maintain a "strong sense" of authorship and ownership of what they produce, especially solo animators. ^{[15] [16] [17]}

Although the site hosted animations about Osama bin Laden, Saddam Hussein, and the Taliban, some scholars argued that the site has had a "relatively balanced" conversation on politics, even though those with right-wing views reflected a "sizable part" of the site's user base at the time. ^{[18] [19]}

History

Banner for the yearly event "Pico Day", depicting two of the site's mascots and various other characters associated with Newgrounds.

In 1991, at the age of 13, Tom Fulp launched a Neo Geo fanzine called New Ground and sent issues to approximately 100 members of a club originating on the online service Prodigy. ^[20] Using a hosting service, he launched a website called New Ground Remix in 1995, which increased in popularity during the summer of 1996 after Fulp created the BBS games Club a Seal and Assassin while a student at Drexel University. ^[21] He then created Club a Seal II and Assassin II, along with a separate hosting site titled New Ground Atomix. ^[22] The 1999 release of Pico's School , a Flash browser game that "exhibited a complexity of design and polish in presentation that was virtually unseen in amateur Flash game development" of the time helped establish Newgrounds as a "public force."^{[ citation needed ]}

1999 also saw the consolidation of both sites into one domain name (newgrounds.com), and the creation of "The Portal", a place on the site for Fulp to put his Flash projects that were smaller and more unfinished. Site visitors began to reach out through e-mail with their own Flash content that they had nowhere online to put, which were manually given a webpage on the site in The Portal to showcase it. ^[23] By 2000, there were so many Portal submissions that submitting Flash content to the Portal would become an automated process with the help of Fulp's friend Ross. ^[24] Tom has stated that the automated Portal "ultimately defined [Newgrounds]'s purpose". ^[25]

While Macromedia Flash Player was required for Newgrounds in order to play games, the site also brought together members who were interested in producing Flash games and gained "considerable online influence" as a result. ^[19] It subsequently became one of the most "active Flash creator communities in the English-speaking Internet" and served as a place that video game developers could begin their careers. ^[19] Flash was once described by Newgrounds as the "driving force" behind the site. ^[26] Even so, those on the site had a "low tolerance for poor quality work", referring mainly to humor and storytelling instead of animation quality. Some animators on the site moved to YouTube by the mid-2000s. ^[27]

By November 2008, Newgrounds had over 1.5 million users and over 130,000 animations. ^{[16] [28]} This had increased by August 2010, when it was reported that the site had over 2.2 million users and over 180,000 games and animated films, most of which were animations made by only one person, with others collaboratively made by various individuals. ^[29] It was also said in 2013 that users had created "hundreds of thousands of animated movies and online games". ^[30]

Time ranked the website at No. 39 on its list of "50 Best Websites" in 2010. ^[31]

Newgrounds creator Tom Fulp in March 2007

In 2018, Newgrounds began to encourage contributors to submit their games in an HTML5 format rather than Flash. ^[19] In November and December, it experienced surges of new members originally from Tumblr when that site began restricting adult content after illegal child pornography was found on it, resulting in the Tumblr iOS app being removed from the App Store. ^{[32] [33]}

In the summer of 2019, with the discontinuation of Flash upcoming, the administration of Newgrounds unveiled the Newgrounds Player for Windows, which was described as a "solution for playing Flash games and movies" hosted on the site. ^[19] The application would launch via the website upon a request to view Flash content and play it. ^[34] The player would later be followed up with the Ruffle Flash emulator in August 2019, with the two options being offered in tandem as development on Ruffle progressed. ^[35]

In April 2021, an update for the browser game Friday Night Funkin' was exclusively released on Newgrounds at the time, causing the site's server to become overloaded after an influx of site traffic. ^[36]

In July 2021, Fulp received the Game Developers Choice Awards Pioneer Award for his contributions to establishing Newgrounds and subsequent work in The Behemoth. ^[37]

In September 2023, an update to the site's Art Portal was rolled out, implementing it in the existing Project system for animation, games and audio, as well as adding the ability to use multi-author credits on Art submissions and adding multi-art support in either Inline, Strip or Gallery formats. ^[38]

In March 2024, the site's reporting system was updated to enable users to report content predominantly generated by artificial intelligence (AI). ^[39]

See also

• Philadelphia portal
• Internet portal
• Gaming portal
• Animation portal

• Internet art
• History of the Internet
• List of video game websites

Notes

1. Required to vote on, review, comment on, earn achievements for points on games, and submit content.

References

Citations

1. Buckelew, Sean (December 27, 2014). "Newgrounds: Everything by Everyone". Sean Buckelew. Archived from the original on January 10, 2021. Retrieved April 21, 2018.
2. "Cheltenham Township Business Directory". January 2007. Archived from the original on March 4, 2016. Retrieved November 20, 2008.
3. Rector, Seth (March 1, 2022). "Smiling Friends: 10 Things You May Have Forgotten About Season One". ScreenRant. Retrieved June 20, 2022.
4. Watts, Rachel (July 15, 2021). "Friday Night Funkin' is the DDR beatboxing game driving players back to Newgrounds". PC Gamer.
5. Paolillo, John C.; Warren, Jonathan; Kunz, Breanne (2010). "Genre Emergence in Amateur Flash". Genres on the Web. Text, Speech and Language Technology. Vol. 42. pp. 277–302. doi:10.1007/978-90-481-9178-9_13. ISBN   978-90-481-9177-2.
6. Warren, Jonathan; Stoerger, Sharon; Kelley, Ken (February 2012). "Longitudinal gender and age bias in a prominent amateur new media community". New Media & Society. 14 (1): 7–27. doi:10.1177/1461444811410390. S2CID   28962153.
7. "Diamond Sponsors". ruffle.rs. Retrieved March 27, 2022.
8. Fulp, Tom (August 28, 2022). "Ruffle AS3 Update". Newgrounds. Retrieved September 15, 2022.
9. "Newgrounds Wiki - Frequently Asked Questions". Newgrounds. Retrieved September 15, 2022.
10. Van Buren 2010, p. 548.
11. Luther et al. 2010, pp. 3–5.
12. "The History Of Newgrounds". Retro Junk. Archived from the original on January 16, 2021. Retrieved April 21, 2018.
13. Kurt, Luther; Zielger, Kevin; Caine, Kelly E.; Bruckman, Amy (October 2009). "Predicting successful completion of online collaborative animation projects". In Nick Bryan-Kinns (ed.). C&C '09: Proceedings of the seventh ACM conference on Creativity and cognition. C&C '09: Creativity and Cognition 2009. Mark D. Gross, Hilary Johnson, Jack Ox, Ron Wakkary. New York: Association for Computing Machinery. p. 391. doi:10.1145/1640233.1640316. ISBN   978-1-60558-865-0. Archived from the original on June 28, 2020. Retrieved April 30, 2021.
14. Bruckman, Amy; Luther, Kurt; Fiesler, Casey (2015). "When Should We Use Real Names in Published Accounts of Internet Research?". In Hargittai, Eszter; Sandvig, Christian (eds.). Digital Research Confidential: The Secrets of Studying Behavior Online. Cambridge, Massachusetts: MIT Press. pp. 243, 250. ISBN   9780262029889. Archived from the original on April 30, 2021. Retrieved April 30, 2021.
15. Kurt, Luther; Zielger, Kevin; Bruckman, Amy (February 2013). "Redistributing leadership in online creative collaboration". In Amy Bruckman and Scott Counts (ed.). CSCW '13: Proceedings of the 2013 conference on Computer supported cooperative work. CSCW '13: Computer Supported Cooperative Work. Cliff Lampe and Loren Terveen (Less). New York: Association for Computing Machinery. pp. 1007, 1010–1011, 1013–1018, 1020–1021. doi:10.1145/2441776.2441891. ISBN   978-1-4503-1331-5. Archived from the original on June 28, 2020. Retrieved April 30, 2021.
16. Yardi, Sarita; Luther, Kurt; Diakopoulos, Nick; Bruckman, Amy (November 2008). Opening The Black Box: Four Views of Transparency in Remix Culture (PDF). CSCW Workshop on Tinkering, Tailoring, & Mashing: The Social and Collaborative Practices of the Read-Write Web. San Diego: Association for Computing Machinery. p. 3. Archived from the original (PDF) on December 21, 2018. Retrieved April 30, 2021.
17. Luther & Bruckman 2008, pp. 345, 347, 349.
18. Van Buren 2010, pp. 537–538, 545.
19. Fiadotau, Mikhail (August 2020). "View of Growing old on Newgrounds: The hopes and quandaries of Flash game preservation". First Monday . 5 (8). doi: 10.5210/fm.v25i8.10306 . S2CID   225498838 . Retrieved April 30, 2021.
20. "1991: The Zine". Newgrounds. Archived from the original on March 31, 2021. Retrieved April 20, 2018.
21. "#105 At World's End". Gimlet Media. Archived from the original on September 29, 2017. Retrieved September 25, 2017.
22. "1997: The Tale of Two Newgrounds". Newgrounds. Archived from the original on April 29, 2021. Retrieved April 20, 2018.
23. "1999: Hot New Games". Newgrounds. Retrieved December 8, 2023.
24. "2000: Full-Time Job". Newgrounds. Retrieved December 8, 2023.
25. "Newgrounds Wiki - Staff". Newgrounds. Retrieved December 9, 2023.
26. Van Buren 2010, p. 547.
27. Darlington, Joseph (May 22, 2018). "Techno-Wizardry and movie magic: the trace of labour (or lack thereof) in 3D digital animation". Information, Communication & Society. 21 (9): 1258. doi:10.1080/1369118X.2018.1476571. S2CID   149557860.
28. Luther & Bruckman 2008, p. 344.
29. Luther et al. 2010, pp. 2, 7, 8, 10.
30. Settles, Burr; Dow, Steven (April 2013). "Let's Get Together: The Formation and Success of Online Creative Collaborations". In Wendy E. Mackay (ed.). CHI '13: Proceedings of the SIGCHI Conference on Human Factors in Computing Systems. CHI '13: CHI Conference on Human Factors in Computing Systems. Stephen Brewster, Susanne Bødker. New York: Association for Computing Machinery. p. 2009. doi:10.1145/2470654.2466266 . Retrieved April 30, 2021.
31. "50 Best Websites 2010". Time. August 25, 2010. ISSN   0040-781X . Retrieved August 18, 2019.
32. Aparajita_1989 (November 22, 2018). "Tumblr shutting down? No. But there's exodus and Newgrounds is gaining from it". Piunika Web. Archived from the original on January 18, 2021. Retrieved December 5, 2018.
33. Asarch, Steven (December 4, 2018). "Why Is Tumblr Banning Adult Content? Censorship Causes Alternative Platforms to Rise". Newsweek . Archived from the original on March 25, 2021. Retrieved December 5, 2018.
34. "Newgrounds.com — Everything, By Everyone" . Retrieved December 5, 2023.
35. "Flash Emulation & Brave BAT". Newgrounds. Retrieved December 5, 2023.
36. Cohen, Skylar (April 19, 2021). "Friday Night Funkin' Week 7 Reveal Crashes Newgrounds". Game Rant. Archived from the original on April 25, 2021. Retrieved April 19, 2021.
37. Koch, Cameron (July 1, 2021). "GDC To Honor Newgrounds Founder Tom Fulp And Industry Veteran Laralyn McWilliams At 21st Annual Awards". GameSpot . Retrieved July 1, 2021.
38. "Art Portal: Multi-Art and Multi-Author!". Newgrounds. Retrieved December 7, 2023.
39. Fulp, Tom (March 2, 2024). "This Week's Site Updates". Newgrounds. Retrieved April 22, 2024.

Sources

• Luther, Kurt; Caine, Kelly; Zigler, Kevin; Bruckman, Amy (November 2010). "Why It Works (When It Works): Success Factors in Online Creative Collaboration". In Bo Begole and David W. McDonald (ed.). GROUP '10: Proceedings of the 16th ACM international conference on Supporting group work. GROUP '10: ACM 2010 International Conference on Supporting Group Work. New York: Association for Computing Machinery. doi:10.1145/1880071.1880073. ISBN   978-1-4503-0387-3.
• Luther, Kurt; Bruckman, Amy (November 2008). "Leadership in Online Creative Collaboration". In Bo Begole; David W. McDonald (eds.). CSCW '08: Proceedings of the 2008 ACM conference on Computer supported cooperative work. CSCW08: Computer Supported Cooperative Work. New York: Association for Computing Machinery. doi:10.1145/1460563.1460619. ISBN   978-1-60558-007-4.
• Van Buren, Cassandra (July 2010). "Critical Analysis of Racist Post-9/11 Web Animations". Journal of Broadcasting & Electronic Media . 50 (3): 537–554. doi:10.1207/s15506878jobem5003_11. S2CID   216138343.