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Material Exchange Format (MXF) is a container format for professional digital video and audio media defined by a set of SMPTE standards. A typical example of its use is for delivering advertisements to TV stations and tapeless archiving of broadcast TV programs. It is also used as part of the Digital Cinema Package for delivering movies to commercial theaters.
The Society of Motion Picture and Television Engineers (SMPTE), founded in 1916 as the Society of Motion Picture Engineers or SMPE, is a global professional association of engineers, technologists, and executives working in the media and entertainment industry.
AES3 is a standard for the exchange of digital audio signals between professional audio devices. An AES3 signal can carry two channels of pulse-code-modulated digital audio over several transmission media including balanced lines, unbalanced lines, and optical fiber.
D-1 or 4:2:2 Component Digital is an SMPTE digital recording video standard, introduced in 1986 through efforts by SMPTE engineering committees. It started as a Sony and Bosch - BTS product and was the first major professional digital video format. SMPTE standardized the format within ITU-R 601, also known as Rec. 601, which was derived from SMPTE 125M and EBU 3246-E standards.
The Advanced Authoring Format (AAF) is a file format for professional cross-platform data interchange, designed for the video post-production and authoring environment. It was created by the Advanced Media Workflow Association (AMWA), and is now being standardized through the Society of Motion Picture and Television Engineers (SMPTE).
Serial digital interface (SDI) is a family of digital video interfaces first standardized by SMPTE in 1989. For example, ITU-R BT.656 and SMPTE 259M define digital video interfaces used for broadcast-grade video. A related standard, known as high-definition serial digital interface (HD-SDI), is standardized in SMPTE 292M; this provides a nominal data rate of 1.485 Gbit/s.
720p is a progressive HDTV signal format with 720 horizontal lines/1280 columns and an aspect ratio (AR) of 16:9, normally known as widescreen HDTV (1.78:1). All major HDTV broadcasting standards include a 720p format, which has a resolution of 1280×720; however, there are other formats, including HDV Playback and AVCHD for camcorders, that use 720p images with the standard HDTV resolution. The frame rate is standards-dependent, and for conventional broadcasting appears in 50 progressive frames per second in former PAL/SECAM countries, and 59.94 frames per second in former NTSC countries.
576p is the shorthand name for a video display resolution. The p stands for progressive scan, i.e. non-interlaced, the 576 for a vertical resolution of 576 pixels.
The Program and System Information Protocol (PSIP) is the MPEG and privately defined program-specific information originally defined by General Instrument for the DigiCipher 2 system and later extended for the ATSC digital television system for carrying metadata about each channel in the broadcast MPEG transport stream of a television station and for publishing information about television programs so that viewers can select what to watch by title and description. Its FM radio equivalent is Radio Data System (RDS).
Broadcast Wave Format (BWF) is an extension of the popular Microsoft WAV audio format and is the recording format of most file-based non-linear digital recorders used for motion picture, radio and television production. It was first specified by the European Broadcasting Union in 1997, and updated in 2001 and 2003. It has been accepted as the ITU recommendation ITU-R BS.1352-3, Annex 1.
In broadcasting, channel playout is the generation of the source signal of a radio or television channel produced by a broadcaster, coupled with the transmission of this signal for primary distribution or direct-to-audience distribution via any network. Such radio or television distribution networks include terrestrial broadcasting, cable networks, satellites, IPTV, OTT Video, point-to-point transport over managed networks or the public Internet, etc.
SMPTE 424M is a standard published by SMPTE which expands upon SMPTE 259M, SMPTE 344M, and SMPTE 292M allowing for bit-rates of 2.970 Gbit/s and 2.970/1.001 Gbit/s over a single-link coaxial cable. These bit-rates are sufficient for 1080p video at 50 or 60 frames per second. The initial 424M standard was published in 2006, with a revision published in 2012. This standard is part of a family of standards that define a serial digital interface (SDI); it is commonly known as 3G-SDI.
Audio-to-video synchronization refers to the relative timing of audio (sound) and video (image) parts during creation, post-production (mixing), transmission, reception and play-back processing. AV synchronization can be an issue in television, videoconferencing, or film.
High-definition television describes a television system providing a substantially higher image resolution than the previous generation of technologies. The term has been used since 1936, in more recent times it refers to the generation following standard-definition television (SDTV), often abbreviated to HDTV or HD-TV. It is the current de facto standard video format used in most broadcasts: terrestrial broadcast television, cable television, satellite television and Blu-ray Discs.
General eXchange Format (GXF), is a file exchange format for the transfer of simple and compound clips between television program storage systems. It is a container format that can contain Motion JPEG (M-JPEG), MPEG, or DV-based video compression standards, with associated audio, time code, and user data that may include user-defined metadata.
Ravenna is a technology for real-time transport of audio and other media data over IP networks. Ravenna was introduced on September 10, 2010 at the International Broadcasting Convention in Amsterdam. Ravenna can operate on most existing network infrastructures using standard networking technology. Performance and capacity scale with network performance. Ravenna is designed to match broadcasters' requirements for low latency, full signal transparency and high reliability. Fields of application include in-house signal distribution for broadcasting houses and other fixed installations, flexible setups at venues and live events, outside broadcasting support, and inter-studio links across wide area network links and production facilities.
Timed Text Markup Language (TTML), previously referred to as Distribution Format Exchange Profile (DFXP), is an XML-based W3C standard for timed text in online media and was designed to be used for the purpose of authoring, transcoding or exchanging timed text information presently in use primarily for subtitling and captioning functions. TTML2, the second major revision of the language, was finalized on November 8, 2018. It has been adopted widely in the television industry, including by Society of Motion Picture and Television Engineers (SMPTE), European Broadcasting Union (EBU), ATSC, DVB, HbbTV and MPEG CMAF and several profiles and extensions for the language exist nowadays.
SMPTE 2022 is a standard from the Society of Motion Picture and Television Engineers (SMPTE) that describes how to send digital video over an IP network. Video formats supported include MPEG-2 and serial digital interface The standard was introduced in 2007 and has been expanded in the years since.
SMPTE 2110 is a suite of standards from the Society of Motion Picture and Television Engineers (SMPTE) that describes how to send digital media over an IP network.
The Advanced Media Workflow Association (AMWA) is an industry association focused on the content creation industry's move to IP-based architectures. AMWA promotes industry standards that allow diverse devices to discover and interoperate with each other reliably and securely.
