Marco Polo di Suvero, better known as Mark di Suvero, is an abstract expressionist sculptor and 2010 National Medal of Arts recipient.
Snowplow is an abstract outdoor sculpture by American artist Mark di Suvero located on the grounds of the Indianapolis Museum of Art. The sculpture was purchased in 1975 by the Indianapolis Sesquicentennial Commission and first installed in Indianapolis, Indiana in 1977.
Boeing Galleries are a pair of outdoor exhibition spaces within Millennium Park in the Loop community area of Chicago in Cook County, Illinois, United States. The spaces are located along the south and north mid-level terraces, above and east of Wrigley Square and the Crown Fountain. In a conference at the Chicago Cultural Center, Boeing President and Chief Executive Officer James Bell to Chicago Mayor Richard M. Daley announced Boeing would make a $5 million grant to fund both the construction of and an endowment for the space.
Agnes Denes is a Hungarian-born American conceptual artist based in New York. She is known for works in a wide range of media—from poetry and philosophical writings to extremely detailed drawings, sculptures, and iconic land art works, such as Wheatfield — A Confrontation (1982), a two-acre field of wheat in downtown Manhattan, commissioned by the Public Art Fund, and Tree Mountain—A Living Time Capsule (1992–96) in Ylöjärvi, Finland. Her work Rice/Tree/Burial with Time Capsule (1968–79) is recognized as one of the earliest examples of ecological art. She lives and works in New York City.
Alyson Shotz is an American sculptor based in Brooklyn, New York. She is known for experiential, large-scale abstract sculptures and installations inspired by nature and scientific concepts, which manipulate light, shadow, space and gravity in order to investigate and complicate perception. Writers suggest her work challenges tenets of monumental, minimalist sculpture—traditionally welded, solid, heavy and static—through its accumulation of common materials in constructions that are often flexible, translucent, reflective, seemingly weightless, and responsive to changing conditions and basic forces. Sculpture critic Lilly Wei wrote, "In Shotz’s realizations, the definition of sculpture becomes increasingly expansive—each project, often in series, testing another proposition, another possibility, another permutation, while ignoring conventional boundaries."
The Calling is a public artwork by American artist Mark di Suvero located in O'Donnell Park, which is on the lakefront in Milwaukee, Wisconsin, United States. The artwork was made in 1981-82 from steel I-beams painted an orange-red color. It measures 40 feet in height, and it sits at the end of Wisconsin Avenue in front of the footbridge that leads to the Milwaukee Art Museum.
Are Years What? is a sculpture by American artist Mark di Suvero. It is in the collection of the Hirshhorn Museum and Sculpture Garden, in Washington, D.C., United States. The sculpture is named after poet Marianne Moore's "What Are Years". From May 22, 2013 through May 26, 2014, the sculpture resided temporarily in San Francisco, as part of the San Francisco Museum of Modern Art's Mark di Suvero exhibition at Crissy Field.
Ilan Averbuch is a sculptor living and working in Long Island City, New York. Averbuch creates large-scale monumental artworks and installations for gallery and museum exhibitions in addition to outdoor public spaces.
Lynden Sculpture Garden is a 40-acre outdoor sculpture park located at 2145 West Brown Deer Road in Milwaukee, Wisconsin in Milwaukee County. Formerly the estate of Harry Lynde Bradley and Margaret Blakney Bradley, Lynden is home to the collection of more than 50 monumental sculptures collected by Margaret Bradley between 1962 and 1978. The collection features works by Alexander Archipenko, Henry Moore, Barbara Hepworth, Clement Meadmore, Marta Pan, Tony Smith, Mark di Suvero and others sited across 40 acres of park, lake and woodland.
The Modern Art Foundry is an historic foundry in Astoria, Queens, New York, founded in 1932 by John Spring. His descendants continue to operate the business in what used to be the carriage house of the Steinway Mansion.
Senga Nengudi is an African-American visual artist and curator. She is best known for her abstract sculptures that combine found objects and choreographed performance. She is part of a group of African-American avant-garde artists working in New York City and Los Angeles, from the 1960s and onward.
Maren Hassinger is an African-American artist and educator whose career spans four decades. Hassinger uses sculpture, film, dance, performance art, and public art to explore the relationship between the natural world and industrial materials. She incorporates everyday materials in her art, like wire rope, plastic bags, branches, dirt, newspaper, garbage, leaves, and cardboard boxes. Hassinger has stated that her work “focuses on elements, or even problems—social and environmental—that we all share, and in which we all have a stake…. I want it to be a humane and humanistic statement about our future together.”
Chang-Jin Lee (Korean: 이창진) is a Korean-American visual artist who lives in New York City.
North Star: Mark di Suvero is a 1977 documentary film about Mark di Suvero that was produced by François de Menil and Barbara Rose. Born in 1933, di Suvero has become one of the most recognized sculptors of the late 20th and early 21st centuries. From about 1975 to 1977, fairly early in di Suvero's long career, filmmaker de Menil and art historian Rose produced this film, which was characterized at the time as "a tribute to the extraordinary work and life of the innovative American sculptor of monumental but delicate constructions." The film shows di Suvero making and installing several of his very large sculptures, and incorporates informal interviews of di Suvero, his mother, and others involved in his career and life at that time. From 1971 to 1975 di Suvero, an American, lived in a self-imposed exile in France in protest of US involvement in war in Vietnam and Southeast Asia, and the filming spans the end of his exile and his return to New York.
Meg Webster is an American artist from San Francisco working primarily in sculpture and installation art. While her works span multiple media, she is most well known for her artworks that feature natural elements. She is closely affiliated with Post-Minimalism and the Land Art movement and has been exhibiting her work since 1980.
Doreen Garner is an American sculptor and performance artist. Her art practice explores where history, power, and violence meet on the body via beauty or medicine. Garner has exhibited at a number of venues, including New Museum, Abrons Arts Center, Pioneer Works, Socrates Sculpture Park, The National Museum of African American History in Washington, D.C., Museum of Contemporary African Diasporan Art in Brooklyn, and Chrysler Museum of Art in Norfolk, Virginia. Garner holds a monthly podcast called #trashDAY with artist Kenya (Robinson). Garner lives and works in Brooklyn, New York.
Rachel Owens is an American artist. She is best known for her multi-media sculptures and installations, which often incorporate a social component. Many of her works are made from crushed glass. She lives and works in New York, NY, and is an assistant professor of art and design at Purchase College, SUNY.
Virginia Overton is an American artist. She is known for her site-specific and sculpture works that often incorporate found or readymade objects. In 2018 she was the first female artist to have a solo exhibition at the Socrates Sculpture Park in Long Island City, Queens, New York.
Jennifer Cecere is an American artist primarily known for her role as an early member of the Pattern and Decoration art movement in New York City during the mid-1970s and early 1980s.
Sunswick Creek is a buried stream located in Astoria and Long Island City, in the northwestern portion of Queens in New York City. It originated to the north of Queensboro Bridge and Queens Plaza in Long Island City, flowing north to the present-day site of the Socrates Sculpture Park in Astoria, and emptying into the East River. The creek was named for a term in the Algonquin language that likely means "Woman Chief" or "Sachem’s Wife."
