Ian Thomas Garner MacKaye is an American musician. Active since 1979, he is best known as the co-founder and owner of Dischord Records, a Washington, D.C.–based independent record label, and the frontman of hardcore punk band Minor Threat and post-hardcore band Fugazi. MacKaye was also the bassist for the short-lived band the Teen Idles, and frontman for Embrace, and Pailhead, a collaboration with the band Ministry. MacKaye is a member of The Evens, a two-piece indie rock group he formed with his wife Amy Farina in 2001 and in 2018 formed the band Coriky with Farina and his Fugazi band mate Joe Lally.
Fugazi was an American post-hardcore band formed in Washington, D.C., in 1986. The band consisted of guitarists and vocalists Ian MacKaye and Guy Picciotto, bassist Joe Lally, and drummer Brendan Canty. They were noted for their style-transcending music, DIY ethical stance, manner of business practice, and contempt for the music industry.
Rites of Spring was an American punk rock band from Washington, D.C., formed in late 1983. Along with Embrace, and Beefeater, they were one of the mainstay acts of the 1985 Revolution Summer movement which took place within the Washington, D.C. hardcore punk scene.
Embrace is the debut studio album by American post-hardcore band Embrace.
Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. Like the term "post-punk", the term "post-hardcore" has been applied to a broad constellation of groups. Initially taking inspiration from post-punk and noise rock, post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black, Jawbox, Quicksand, and Shellac that stuck closer to post-hardcore's noise rock roots. Dischord Records became a major nexus of post-hardcore during this period.
Washington, D.C., hardcore, commonly referred to as D.C. hardcore, sometimes styled in writing as harDCore, is the hardcore punk scene of Washington, D.C. Emerging in late 1979, it is considered one of the first and most influential punk scenes in the United States.
Novelty is the second studio album by the American post-hardcore band Jawbox, released by Dischord Records in May 1992. The songs "Tongues" and "Ones and Zeros" were previously released as a single, and "Static" was featured on a split 7-inch with Tar. A video was produced for the track "Cutoff."
The Nation of Ulysses was an American punk rock band from Washington, D.C., formed in spring 1988 with four members. Originally known as simply Ulysses, the first mark of the group consisted of Ian Svenonius on vocals and trumpet, Steve Kroner on guitar, Steve Gamboa on bass guitar, and James Canty on drums. Tim Green joined the band late in 1989 as a guitarist and the band became "Nation of Ulysses." Nation of Ulysses disbanded in the autumn of 1992, having failed to complete their third album. After the breakup, Svenonius, Canty, and Gamboa went on to form the short-lived Cupid Car Club and The Make-Up. Tim Green went on to help create The Fucking Champs, a mostly-instrumental trio out of San Francisco, and later Concentrick, a solo project with a focus on ambient music.
Ian Folke Svenonius is an American author, filmmaker, and musician with various Washington, D.C.–based punk bands including Nation of Ulysses, the Make-Up, Weird War, XYZ, Too Much, Escape-ism, and Chain & the Gang. Between his numerous projects, Svenonius has released more than 22 full-length albums and over 20 singles, EPs, and splits. A published author and online talk show host, Svenonius' projects share a tongue-in-cheek, radical left political ideology.
The Make-Up is an American post-punk band from Washington, D.C. formed in 1995, consisting of ex-Nation of Ulysses frontman Ian Svenonius on vocals, James Canty on guitar and organ, Steve Gamboa on drums, and Michelle Mae on bass guitar. The Make-Up were joined in late 1999 by a fifth member, Alex Minoff, who played guitar with the group until the band's dissolution in early 2000.
Fugazi, also known as the EP 7 Songs, is the debut release by the American post-hardcore band Fugazi. As with subsequent release Margin Walker, Guy Picciotto did not contribute guitar to this record; all guitar was performed by Ian MacKaye. It was originally recorded in June 1988 and released in November 1988 on vinyl and again in 1989 on the compilation release 13 Songs along with the following EP Margin Walker. The photo used for the album cover was taken on June 30, 1988 at Maxwell's in Hoboken, New Jersey.
Sound Verite is an album by the Make-Up, released in 1997.
Cupid Car Club, also known as Cupid Car Club M.P., was a short-lived American post-hardcore band consisting of Ian Svenonius on vocals, James Canty on drums, Steve Gamboa on guitar, and Kim Thompson on bass and vocals.
David Candy is a pseudonym of Ian Svenonius. Only one album was released under the name David Candy, Play Power. The character of David Candy was part of a series of "Magazine-Style Records" conceived by Mike Alway, which included other imaginary acts such as Death by Chocolate, Maria Napoleon, Mild Euphoria and Lollipop Train.
Nation of Ulysses was a Washington, D.C.–based band formed in 1988, consisting of Ian Svenonius, James Canty, Steve Gamboa, Steve Kroner, and Tim Green. During the Nation of Ulysses' four years of activity, they released only two full-length albums: 13-Point Program to Destroy America in 1991 and Plays Pretty for Baby in 1992, both released on Dischord Records. After releasing Plays Pretty for Baby, the band began recording a third full-length album, but Steve Kroner separated from the band before recording was completed. The remaining quartet continued to record, but the group eventually dissolved before the record's completion. In 2000, six songs from those sessions, in addition to four new tracks recorded live, were compiled and released posthumously as The Embassy Tapes.
The Make-Up was a Washington, D.C.–based band formed in 1995, consisting of Ian Svenonius, James Canty, Steve Gamboa, Michelle Mae, and for a brief period Alex Minoff. During the Make-Up's five years of activity, they released four studio albums, two live albums, a compilation of singles and B-sides, and a number of singles and splits. A posthumous live album was also released in 2006. The band was also the subject of the short film Blue is Beautiful by James Schneider, later repackaged as part of In Film/On Video in 2006.
Inzombia is the second and final album by American punk rock band Slant 6. It was released in 1995 by Dischord.
Red Line is the fifth album by Trans Am, released in 2000.
The High Back Chairs was a band from Washington, DC. Initially consisting of guitarist/vocalist Peter Hayes, guitarist Jim Spellman, bassist/vocalist Charles Steck, and drummer/vocalist Jeff Nelson, the group released its music on the Washington, D.C. punk record label, Dischord Records. The band eschewed the post-hardcore and hardcore punk sounds that Dischord was known for. Instead, the High-Back Chairs' music was highly melodic indie rock, owing more to power pop and jangle pop than to the band's punk rock roots. This was all the more notable since Nelson was a co-founder of Dischord and had played in the influential hardcore punk band, Minor Threat from 1980 to 1983. "Coming out at a time when grunge held a lot of sway in Amerindie land," Trouser Press later said of the band, "this breezy, supremely melodic, gutsy rock seemed almost noble."
Holy Rollers was an American punk band that formed in 1988 in Washington, D.C. The band initially was composed of guitarist/vocalist Marc Lambiotte, bassist/vocalist Joe Aronstamn, and drummer/vocalist Max Micozzi. Band members alternated lead vocals and Holy Rollers were the first D.C. punk band to incorporate three-part harmonies. Music historians and authors Mark Andersen and Mark Jenkins described the band's sound as "kinetic punk-funk" with "passionate, message-driven songs." Holy Rollers were a part of new trend in post-hardcore artistic diversity that developed within the D.C. punk scene of the late 1980s and early 1990s. They released three albums on Dischord Records, an American punk label that Noisey described as "one of the most respected and revered [record labels], punk or otherwise, in the world." As AllMusic declared, "[w]ithout being an arena act or coming off with the aggrandizing air of one, the Holy Rollers still make big music that can inspire and go beyond simple post-hardcore approaches."
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