Ian Svenonius | |
---|---|
Background information | |
Birth name | Ian Folke Svenonius |
Born | Chicago, Illinois, U.S. [1] | June 1, 1968
Genres | Punk rock, post-punk, indie rock |
Occupation(s) | Musician |
Instrument(s) | Vocals Trumpet |
Years active | 1980–present |
Labels | Dischord Records Drag City K Records Southern Records |
Ian Folke Svenonius [2] [3] is an American author, filmmaker, and musician with various Washington, D.C.-based punk bands including Nation of Ulysses, the Make-Up, Weird War, XYZ, Too Much, Escape-ism, and Chain & the Gang. Between his numerous projects, Svenonius has released more than 22 full-length albums and over 20 singles, EPs, and splits. A published author and online talk show host, Svenonius' projects share a tongue-in-cheek, radical left political ideology.
His first band, Nation of Ulysses, which released its first record in 1990, was highly influential in the punk scene but dissolved in 1992. After a short-lived side-project called Cupid Car Club, Svenonius formed the Make-Up in 1995, who combined garage rock, soul, and liberation theology to make a new genre they dubbed "Gospel Yeh-Yeh". [4] The Make-Up disbanded early in 2001, and a year later, Svenonius formed the band Weird War, who were also known briefly as the Scene Creamers. Later Svenonius led the band Chain and the Gang. Currently, Svenonius is the leader of the group Escape-ism.
In 2021, Svenonius co-released a feature film called "The Lost Record," named for the Escape-ism LP of the same name.
Svenonius' solo work includes the 2001 album Play Power under the fictional pseudonym of David Candy, [5] the books The Psychic Soviet, [6] Supernatural Strategies for Making a Rock 'n' Roll Group,Censorship Now!!, & Against the Written Word, and as host of Soft Focus on VBS.tv. [7]
Svenonius' first musical group was Nation of Ulysses. The band formed in spring 1988, initially composed of four members, Svenonius on vocals and trumpet, Steve Kroner on guitar, Steve Gamboa on bass guitar, and James Canty on drums, and known simply as "Ulysses". In late 1989, Tim Green joined the band as a second guitarist and the band was renamed to "Nation of Ulysses". [8] The Nation of Ulysses described themselves not as a rock and roll group in the traditional sense, but "as a political party" [4] and as "a shout of secession". [9] Explaining their intent, Svenonius said "it's basically a new nation underground for the dispossessed youth colony. It's all about smashing the old edifice, the monolith of rock and roll". [10]
In 1990, before the band released any official albums, Svenonius was featured as teen-oriented Sassy Magazine 's first "Sassiest Boy in America." [11] He was interviewed in the magazine's October issue, detailing the band's sound and political motivations. [12] Svenonius stated that the Nation of Ulysses' intent was "to create a space of liberation where anything’s possible". He criticized "traditional rock-and-roll" groups as a "corrupt medium." The contest was reportedly a "nationwide search for the most perfect boyfriend material a girl could ask for", and Svenonius was among 150 entries.
Nation of Ulysses was known for their extremely physical performances,[ citation needed ] during which Svenonius recalls many injuries,[ citation needed ] including breaking his arm, his leg, and his skull on numerous occasions. Audience members were also hurt during some performances.[ citation needed ]
The group disbanded in the fall of 1992 having failed to complete their third album (the finished tracks were later released as The Embassy Tapes in 2000). In a later interview, Svenonius explained the reason for the split: "Nation of Ulysses broke up because the epoch changed with the advent of digital music and the Nirvana explosion. We were faced with what's now known as indie rock, a sort of vacuous form. We had to determine our next move and this [the forming of The Make-Up] is it". [13]
The Make-Up formed in 1995, consisting of Svenonius, Canty, and Gamboa from Nation of Ulysses, and with the addition of Michelle Mae on bass guitar. [14] The Make-Up were joined in late 1999 by a fifth member, Alex Minoff, who played guitar with the group until their dissolution in 2001. [15] In the band's five years of activity, they released four studio albums, two live albums, a posthumous compilation of singles and B-sides, and a number of 12-inch singles and splits. [16] The Make-Up combined garage rock, soul, and self-styled "liberation theology" to make a new genre they called "Gospel Yeh-Yeh". The Make-Up were highly influenced by bubblegum music, particularly the French variety called Yé-yé music. [17]
As the Make-Up's frontman and mouthpiece, Ian Svenonius often contextualized the band's music in terms of larger socio-political themes, typically describing the band and its gospel attitude in Marxist and socialist terms, in opposition of what he saw as the capitalist, bourgeois, machismo paradigm of rock and roll. [18] [19] [20] The band's aversion to American culture was expressed through their self-styled musical genre "Gospel Yeh-Yeh," a belief system through which they advocated to their audience to "get theirs" and to "off the pigs in all their forms". [21] The Make-Up intended to create ad-lib performances to re-energize what they saw as the stale, bland and formal ritual of rock and roll. [15] Appropriating gospel music's use of the congregate as a "fifth member," the Make-Up incorporated audience participation through call and response vocals, lyrical "discussion" techniques, and destruction of the fourth wall by physical transgression. [15]
The Make-Up dissolved in 2000, reportedly "due to the large number of counter-gang copy groups which had appropriated their look and sound and applied it to a vacuous and counter-revolutionary forms". [15] Between projects, Svenonius released a solo album under the pseudonym David Candy. [5]
After the Make-Up disbanded, Svenonius formed the group Weird War in 2001, joined by Make-Up members Michelle Mae and Alex Minoff. While the current lineup appears on the group's first release I'll Never Forget What's His Name, the group's first full-length, eponymous release featured Neil Hagerty and Jessica Espeleta on guitars, and Steve McCarty on drums. [22]
These collaborators soon left to pursue other projects, and the band briefly changed its name to The Scene Creamers, with Svenonius on vocals, Michelle Mae on bass, Alex Minoff on guitar, and Blake Brunner on drums. In this incarnation, the band released I Suck on that Emotion, through Drag City. After being threatened with a legal suit for the name Scene Creamers by a French graffiti artist collective of the same name, the band reverted to the name Weird War. [23] Since then, as its membership has become static, with the addition of Argentine Sebastian Thomson on drums, its intent has become more cosmic. Weird War claims that they are "the sole answer to the hype-based careerism, empty formalism and vacuity which has infected what was once a genuinely creative underground rock 'n' roll scene". [23]
Svenonius' musical project, Chain and The Gang, has released the albums Down With Liberty... Up With Chains! , "Music's Not For Everyone", "In Cool Blood" on K Records, as well as the albums "Experimental Music" and "Minimum Rock 'n' Roll" on Radical Elite Records. Some of the musicians featured on these records are Calvin Johnson, Brett Lyman (Bad Thoughts/M'Ladys's Records), Fiona Campbell (Vivian Girls/Coasting), Sarah Pedal, Katie Alice Greer (Priests), Faustine Hudson (The Curious Mystery), Brian Weber (Dub Narcotic Sound System), Veronica Ortuño (Finally Punk/Carrots), Nicolaas Zwart (Desolation Wilderness), Karl Blau, Chris Sutton (Hornet Leg, The Gossip), Sixx (The Vibrarians), Arrington de Dionyso, Aaron Hartman, Benjamin Hartman (Old Time Relijun), Anna Nasty (Olivia Neutron-John), and Francy Graham.
Formed as a solo project, Escape-ism encompasses a more lofi-electronic sound compared to Svenonius' band oriented projects. The band has featured Alexandria Cabral and Sandi Denton as live members and contributors. Live shows consist of programmed drum machines, sparse jagged guitars, and stream of conscious lyrics. [24]
Throughout his career, Svenonius has disc jockeyed at clubs such as Cold Rice in Washington, D.C. [1] [15] In 1993 Svenonius and Nation of Ulysses/Make-Up members James Canty and Steve Gamboa were involved in the short-lived project Cupid Car Club, which released only one EP on Kill Rock Stars Records entitled Join our Club . [25] In 2001 Svenonius collaborated with the English conceptualist/producer Mike Alway of If.. Records to create the record Play Power under the pseudonym David Candy. The album was released through Jet Set Records, Siesta Records, and If.. Records. Play Power was part of a series of "Magazine-Style Records" which included other imaginary acts such as Death by Chocolate, Maria Napoleon, and Lollipop Train. [5]
Svenonius wrote an afterword for Glen E. Friedman's 2005 photography book Recognize ( ISBN 0-9641916-6-0), [26] as well as the introduction to Friedman's 2007 book Keep Your Eyes Open ( ISBN 0-9641916-8-7). [27] As host of the VBS.TV online show Soft Focus, Svenonius interviews guests such as Ian MacKaye, Genesis P-Orridge, Adam Horovitz, Cat Power and Will Oldham in front of a live audience at the Guggenheim Museum in New York City. [7] [28] [29] Soft Focus later moved to London, England, where Svenonius interviewed British artists such as Mark E. Smith of The Fall and Billy Childish. In 1994, Svenonius had a supporting role in the independent film Half-Cocked . In 2001, Svenonius appeared in the documentary Plaster Caster about the plaster casts of Cynthia Plaster Caster. [30]
In 2021, Svenonius co-released the feature length film The Lost Record, named for the Escape-ism record of the same title.
In July 2006, Svenonius released a book of 19 essays entitled the Psychic Soviet ( ISBN 0-9656183-9-0), published by Drag City Press. [31] Pocket-sized and bound in bright-pink plastic with beveled edges, its form is similar to "The Little Red Book," a Bible, or a foreign-language dictionary. [6] [32] The book serves as an anthology of past articles and essays by Svenonius previously published in periodicals, edited for readability and flow, with a number of new essays included. [32]
The "Instructions" that preface the book state that it "should clear up much of the confusion regarding events of the last millennium – artistic, geo-political, philosophical, et al." and encourages the reader to "refer to the book in case of ethical quandaries, arguments, and social feuds". [32] [33] The writing addresses topics such as the ascent of the DJ as a "star," the "cosmic depression" that followed the defeat of the Union of Soviet Socialist Republics in the Cold War, and the status of rock and roll as a religion. [32]
After The Psychic Soviet, Svenonius released the books "Supernatural Strategies for Making a Rock 'n' Roll Group"(2012), "Censorship Now!!" (2015), & "Against the Written Word" (2023). He also publishes a newsprint periodical of essays, art, and poetry called "The Cellophane Flag" through Radical Elite Press.
Minor Threat was an American hardcore punk band, formed in 1980 in Washington, D.C., by vocalist Ian MacKaye and drummer Jeff Nelson. MacKaye and Nelson had played in several other bands together, and recruited bassist Brian Baker and guitarist Lyle Preslar to form Minor Threat. They added a fifth member, Steve Hansgen, in 1982, playing bass, while Baker switched to second guitar.
Ian Thomas Garner MacKaye is an American musician. Active since 1979, he is best known as the co-founder and owner of Dischord Records, a Washington, D.C.-based independent record label, and the frontman of hardcore punk band Minor Threat and post-hardcore band Fugazi. MacKaye was also the bassist for the short-lived band the Teen Idles, and frontman for Embrace, and Pailhead, a collaboration with the band Ministry. MacKaye is a member of The Evens, a two-piece indie rock group he formed with his wife Amy Farina in 2001 and in 2018 formed the band Coriky with Farina and his Fugazi band mate Joe Lally.
Dischord Records is a Washington, D.C.-based independent record label specializing in punk rock. The label is co-owned by Ian MacKaye and Jeff Nelson, who founded Dischord in 1980 to release Minor Disturbance by their band the Teen Idles. With other independent American labels such as Twin/Tone, Touch and Go Records, and SST Records, Dischord helped to spearhead the nationwide network of underground bands that formed the 1980s indie rock scene. These labels presided over the shift from the hardcore punk that then dominated the American underground scene to the more diverse styles of alternative rock that were emerging.
Rites of Spring was an American punk rock band from Washington, D.C., formed in late 1983. Along with Embrace, and Beefeater, they were one of the mainstay acts of the 1985 Revolution Summer movement which took place within the Washington, D.C. hardcore punk scene.
Embrace was a short-lived American hardcore band from Washington, D.C., active from the summer of 1985 to the spring of 1986. Along with Rites of Spring, and Beefeater, it was one of the mainstay acts of the 1985 Revolution Summer movement, and was one of the first bands to be dubbed in the press as emotional hardcore, though the members had rejected the term since its creation. The band included lead vocalist Ian MacKaye of the defunct hardcore punk act Minor Threat and three former members of his brother Alec's band, the Faith: guitarist Michael Hampton, drummer Ivor Hanson, and bassist Chris Bald. Hampton and Hanson had also previously played together in S.O.A. The band played their first show on July 28, 1985, at Food for Thought, a former restaurant and music venue located on Washington, D.C.'s Dupont Circle; their ninth and final show was held at the 9:30 Club in March 1986. The only recording released by the quartet was their posthumous 1987 self-titled album, Embrace, being influenced by the Faith EP Subject to Change.
Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. Like the term "post-punk", the term "post-hardcore" has been applied to a broad constellation of groups. Initially taking inspiration from post-punk and noise rock, post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black, Jawbox, Quicksand, and Shellac that stuck closer to post-hardcore's noise rock roots. Dischord Records became a major nexus of post-hardcore during this period.
Washington, D.C., hardcore, commonly referred to as D.C. hardcore, sometimes styled in writing as harDCore, is the hardcore punk scene of Washington, D.C. Emerging in late 1979, it is considered one of the first and most influential punk scenes in the United States.
Soulside, also spelled Soul Side, is an American post-hardcore band from the greater Washington, D.C. area. The original name of the band was Lunchmeat which was formed by high school students Bobby Sullivan, Chris Thomson, Scott McCloud and Alexis Fleisig in 1985. Lunchmeat played their last show under that name on August 29 of the same year as the group went on hiatus while the members went to college.
Glen Ellis Friedman is an American photographer and artist. He became known for his activities within rebellious skateboarding and music cultures. Photographing artists Fugazi, Black Flag, Dead Kennedys, Circle Jerks, Minor Threat, Misfits, Bad Brains, Beastie Boys, Suicidal Tendencies, Slayer, Run-DMC, KRS-One, and Public Enemy, as well as classic skateboarding originators Tony Alva, Jay Adams, Alan Gelfand, Duane Peters, and Stacy Peralta, among others.
The Nation of Ulysses was an American punk rock band from Washington, D.C., formed in spring 1988 with four members. Originally known as simply Ulysses, the first mark of the group consisted of Ian Svenonius on vocals and trumpet, Steve Kroner on guitar, Steve Gamboa on bass guitar, and James Canty on drums. Tim Green joined the band late in 1989 as a guitarist and the band became "Nation of Ulysses." Nation of Ulysses disbanded in the autumn of 1992, having failed to complete their third album. After the breakup, Svenonius, Canty, and Gamboa went on to form the short-lived Cupid Car Club and The Make-Up. Tim Green went on to help create The Fucking Champs, a mostly-instrumental trio out of San Francisco, and later Concentrick, a solo project with a focus on ambient music.
The Make-Up is an American post-punk band from Washington, D.C. formed in 1995, consisting of ex-Nation of Ulysses frontman Ian Svenonius on vocals, James Canty on guitar and organ, Steve Gamboa on drums, and Michelle Mae on bass guitar. The Make-Up were joined in late 1999 by a fifth member, Alex Minoff, who played guitar with the group until the band's dissolution in early 2000.
Weird War, briefly known as Scene Creamers, is an indie rock band based out of Washington, D.C. The current lineup consists of Ian Svenonius on vocals, Michelle Mae on bass guitar, Alex Minoff on guitar, and Sebastian Thomson on drums.
Positive Force DC is an activist organization founded in 1985 by members of the punk community in Washington, D.C. It has organized hundreds of benefit concerts for community and activist groups, and worked alongside Fugazi, Bikini Kill, Nation of Ulysses, Girls Against Boys, Q and Not U and other bands arising from the capital’s punk scene. Positive Force has also engaged in many other forms of progressive activism in the D.C. area, and from about 1985 to the mid-1990s there was a Positive Force house in Arlington, Virginia, where various members of the group lived and which the organization operated from.
Michelle Mae is an American musician from the state of Washington, who is known for playing in rock 'n' roll groups such as The Make-Up and Weird War.
13-Point Program to Destroy America is the debut album by the American post-hardcore band Nation of Ulysses. The album's title is in reference to the Black Panther Party's Ten Point Program and J. Edgar Hoover's propaganda pamphlet "Red China's Secret Plan to Destroy America." The title of track #13 was inspired by Frank Sinatra's album Love is a Kick.
Dischord Records is an independent record label specializing in the punk rock music of the Washington, D.C., hardcore scene. The company is co-owned by Ian MacKaye and Jeff Nelson, who founded the label in December 1980. Before founding Dischord, both MacKaye and Nelson were members of the Teen Idles, and the label was initially meant to only foster a single release from the defunct band, the Minor Disturbance EP. By the time Dischord #1 was finished, many new bands had emerged from the same music scene, and like the Teen Idles, also began releasing their records through Dischord.
Cupid Car Club, also known as Cupid Car Club M.P., was a short-lived American post-hardcore band consisting of Ian Svenonius on vocals, James Canty on drums, Steve Gamboa on guitar, and Kim Thompson on bass and vocals.
David Candy is a pseudonym of Ian Svenonius. Only one album was released under the name David Candy, Play Power. The character of David Candy was part of a series of "Magazine-Style Records" conceived by Mike Alway, which included other imaginary acts such as Death by Chocolate, Maria Napoleon, Mild Euphoria and Lollipop Train.
Nation of Ulysses was a Washington, D.C.-based band formed in 1988, consisting of Ian Svenonius, James Canty, Steve Gamboa, Steve Kroner, and Tim Green. During the Nation of Ulysses' four years of activity, they released only two full-length albums: 13-Point Program to Destroy America in 1991 and Plays Pretty for Baby in 1992, both released on Dischord Records. After releasing Plays Pretty for Baby, the band began recording a third full-length album, but Steve Kroner separated from the band before recording was completed. The remaining quartet continued to record, but the group eventually dissolved before the record's completion. In 2000, six songs from those sessions, in addition to four new tracks recorded live, were compiled and released posthumously as The Embassy Tapes.
The Make-Up was a Washington, D.C. based band formed in 1995, consisting of Ian Svenonius, James Canty, Steve Gamboa, Michelle Mae, and for a brief period Alex Minoff. During the Make-Up's five years of activity, they released four studio albums, two live albums, a compilation of singles and B-sides, and a number of singles and splits. A posthumous live album was also released in 2006. The band was also the subject of the short film Blue is Beautiful by James Schneider, later repackaged as part of In Film/On Video in 2006.
{{cite web}}
: CS1 maint: bot: original URL status unknown (link){{cite web}}
: CS1 maint: bot: original URL status unknown (link)