In Mass Mind | ||||
---|---|---|---|---|
Studio album by | ||||
Released | April 7, 1998 | |||
Recorded | February 1997, Stillness Studio, Washington, D.C. | |||
Genre | Gospel, post-punk, funk | |||
Length | 40:13 | |||
Label | Dischord [1] Black Gemini | |||
Producer | Royal Trux (credited as "Adam & Eve") | |||
The Make-Up chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
Robert Christgau | [3] |
The Encyclopedia of Popular Music | [4] |
In Mass Mind is an album by The Make-Up, released in 1998. [5]
All tracks were written and composed by The Make-Up, except for tracks #1, #13, and #14. "Black Wire Pt. 1" and "Black Wire Pt. 2" are attributed as inspired by the MC5. "Caught up in the Rapture" is attributed to Neil Hagerty (of Royal Trux, who produced and engineered the album) and Dianne Quander, credited with the arrangement and lyrics, respectively. "Caught up in the Rapture" is a cover of an Anita Baker song from her 1986 album Rapture , of which Dianne Quander is attributed as co-writer/composer with Garry Glenn.
The A.V. Club wrote that "Ian Svenonius makes like a garage-funk Pied Piper on In Mass Mind, the deepest and most satisfying of The Make-Up’s albums." [6] CMJ New Music Monthly wrote that James Canty "coaxes an impressive range of sounds from his guitar, from fuzzed-out psychedelia to ringing single notes recalling surf and Booker T.-style funk." [7]
Funk metal is a subgenre of funk rock and alternative metal that infuses heavy metal music with elements of funk and punk rock. Funk metal was part of the alternative metal movement, and has been described as a "brief but extremely media-hyped stylistic fad".
Lemonade and Brownies is the debut studio album by the American rock band Sugar Ray, released on April 4, 1995, by Atlantic Records. It was far less successful than the band's later releases on Atlantic. It and the band's next album Floored also featured less of a pop-influenced sound than their later work.
The Make-Up is an American post-punk band from Washington, D.C. formed in 1995, consisting of ex-Nation of Ulysses frontman Ian Svenonius on vocals, James Canty on guitar and organ, Steve Gamboa on drums, and Michelle Mae on bass guitar. The Make-Up were joined in late 1999 by a fifth member, Alex Minoff, who played guitar with the group until the band's dissolution in early 2000.
Lamont Dorrell, known as Ayatollah, is a hip hop record producer. He has mainly produced music for New York–based rappers, including Mos Def, Talib Kweli, R.A. the Rugged Man, Tragedy Khadafi, Wordsworth, Vast Aire, Afu-Ra, Guru, M.O.P., Inspectah Deck, Cormega, and Ghostface Killah.
DJ-Kicks: Rockers Hi-Fi is a DJ mix album, mixed by Rockers Hi-Fi. It was released on 19 May, 1997 on the Studio !K7 independent record label as part of the DJ-Kicks series.
Songs For The Terrestrially Challenged is an album by Pittsburgh's The(e) Speaking Canaries, released in 1995. It is the first Speaking Canaries album to be released on compact disc, and the first to see worldwide distribution; therefore, it has often been erroneously attributed as The(e) Speaking Canaries' debut album. Songs For The Terrestrially Challenged is notable for its long songs, its long total running time, and its multiple album versions.
Joggers and Smoggers is a double album by punk artists The Ex, released in 1989 as a double vinyl record album, and issued as a double CD in 1992. It is the first of the Ex's albums to feature extensive use of improvisation and instruments outside of the standard guitar/bass/drums arrangement of punk rock, as well as great numbers of international guest musicians, most notably New York's Sonic Youth, Glasgow's Dog Faced Hermans, Amsterdam's Instant Composers Pool, as well as numerous folk musicians from a variety of European and Middle Eastern traditions. The album marked a turning point in The Ex's artistry, foreshadowing many collaborations and delvings into avant-garde, experimental, improvisational, folk and world music that the band would mix with their abrasive trademark post-punk sound in the 20 years to come.
Michelle Mae is an American musician from the state of Washington, who is known for playing in rock 'n' roll groups such as The Make-Up and Weird War.
No Memory is the debut studio album by American indie rock band No. 2, released in 1999 by record label Chainsaw.
Oddjobs was an alternative hip hop group from Minnesota formed in 1995. The band released three studio albums and several EPs, including 2003's critically praised Drums, and broke up in 2004, with the members re-forming as Kill the Vultures and Power Struggle.
Nice is a studio album by the American rock band Rollins Band, released in 2001. It was the Rollins Band's final studio album.
Post-disco is a term to describe an aftermath in popular music history circa 1979–1986, imprecisely beginning with the backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of new wave in 1980. During its dying stage, disco displayed an increasingly electronic character that soon served as a stepping stone to new wave, old-school hip hop, Euro disco, and was succeeded by an underground club music called hi-NRG, which was its direct continuation.
Inzombia is the second and final album by American punk rock band Slant 6. It was released in 1995 by Dischord.
Holy Terror is an album by rap/spoken word pioneers The Last Poets, released in 1995. The album was financed and released by P-Vine Records in Japan and then released by Rykodisc Records in the United States and the United Kingdom later that same year, with a rerelease in 2004 by Innerhythmic. The U.S. and UK releases contain a bonus track titled "Black and Strong (Homesick)."
More of the Night is the fifteenth studio album by American R&B/Soul group The Whispers. It was released on February 6, 1990 as the follow-up to their massively successful 1987 album, Just Gets Better with Time. While it did not sell quite as well as its predecessor, More of the Night did include several hits, including three R&B top 10 tunes: "My Heart Your Heart," "Innocent," and "Is it Good to You." The album went Gold.
Garry Glenn was an American singer, songwriter and musician best known for his association with his songwriting partner Dianne Quander and wrote the hit song "Caught Up in the Rapture", recorded by Anita Baker in 1986. He also wrote "Intimate Friends" that was recorded by Eddie Kendricks and later sampled by Alicia Keys for the Grammy Award-nominated recording "Unbreakable."
Dianne Quander is an American songwriter, best known for writing the song "Caught Up In The Rapture," with her writing partner Garry Glenn which was recorded by Anita Baker. She also collaborated on songs of various artists including "Take You To Heaven" by Earth, Wind and Fire, "Why Not Me" by Phyllis Hyman, "Flame of Love" by Jean Carne and "Sweet Control" by Jon Lucien.
#LoveJo is the debut extended play (EP) by American recording artist JoJo. It was released for digital download on February 14, 2014, as a free Valentine's Day gift for JoJo's fans for all their support over the years. It is JoJo's first official release since she was released from her contract with Blackground Records and signed to Atlantic Records. The four-track EP includes three covers of various classic songs including songs of Atlantic-affiliated artists Anita Baker and Phil Collins.
Law of the Jungle is a compilation album of various early jungle music tracks by various artists, released in 1994 in the United States on Moonshine Music. Jungle had started to emerge in the United Kingdom a couple of years earlier but despite its growth, albeit slow, in the United States, no jungle albums were available on the American market. Moonshine conceived the album as a primer for jungle music for American shores, using music from British jungle label SOUR Records, and as a spin-off to their fast tempo techno compilation series Speed Limit 140 BPM+. Law of the Jungle was the first jungle album released in the United States.
Movin' On is a studio album by organist Reuben Wilson which was recorded in 2006 and released on the Savant label.
{{cite web}}
: CS1 maint: numeric names: authors list (link)