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1440s .1450s in art. 1460s |
. Art timeline |
The decade of the 1450s in art involved many significant events, especially in sculpture.
Andrea Mantegna was an Italian Renaissance painter, a student of Roman archeology, and son-in-law of Jacopo Bellini.
Ludovico III Gonzaga of Mantua, known as the Turk, also spelled Lodovico was the ruler of the Italian city of Mantua from 1444 to his death in 1478.
Piero della Francesca was an Italian painter, mathematician and geometer of the Early Renaissance, nowadays chiefly appreciated for his art. His painting is characterized by its serene humanism, its use of geometric forms and perspective. His most famous work is the cycle of frescoes The History of the True Cross in the Basilica of San Francesco in the Tuscan town of Arezzo.
Andrea del Castagno or Andrea di Bartolo di Bargilla was an Italian Renaissance painter in Florence, influenced chiefly by Masaccio and Giotto di Bondone. His works include frescoes in Sant'Apollonia in Florence and the painted equestrian monument of Niccolò da Tolentino (1456) in Florence Cathedral. He in turn influenced the Ferrarese school of Cosmè Tura, Francesco del Cossa and Ercole de' Roberti.
Mino da Fiesole, also known as Mino di Giovanni, was an Italian Renaissance sculptor from Poppi, Tuscany. He is noted for his portrait busts.
Renaissance art is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. Renaissance art took as its foundation the art of Classical antiquity, perceived as the noblest of ancient traditions, but transformed that tradition by absorbing recent developments in the art of Northern Europe and by applying contemporary scientific knowledge. Along with Renaissance humanist philosophy, it spread throughout Europe, affecting both artists and their patrons with the development of new techniques and new artistic sensibilities. For art historians, Renaissance art marks the transition of Europe from the medieval period to the Early Modern age.
In art history, "Old Master" refers to any painter of skill who worked in Europe before about 1800, or a painting by such an artist. An "old master print" is an original print made by an artist in the same period. The term "old master drawing" is used in the same way.
Benozzo Gozzoli was an Italian Renaissance painter from Florence. A pupil of Fra Angelico, Gozzoli is best known for a series of murals in the Magi Chapel of the Palazzo Medici-Riccardi, depicting festive, vibrant processions with fine attention to detail and a pronounced International Gothic influence. The chapel's fresco cycle reveals a new Renaissance interest in nature with its realistic depiction of landscapes and vivid human portraits. Gozzoli is considered one of the most prolific fresco painters of his generation. While he was mainly active in Tuscany, he also worked in Umbria and Rome.
Filippo Lippi, also known as Lippo Lippi, was an Italian Renaissance painter of the Quattrocento and a Carmelite priest. He was an early Renaissance master of a painting workshop, who taught many painters. Sandro Botticelli and Francesco di Pesello were among his most distinguished pupils. His son, Filippino Lippi, also studied under him and assisted in some late works.
Cosmè Tura, also known as Il Cosmè or Cosimo Tura, was an Italian early-Renaissance painter and considered one of the founders of the School of Ferrara. He provided a great contribution to the Renaissance in Ferrara.
The decade of the 1470s in art involved some significant events.
The decade of the 1460s in art involved some significant events.
The decade of the 1430s in art involved some significant events.
The decade of the 1440s in art involved some significant events.
The decade of the 1370s in art involved some significant events.
Nationality words link to articles with information on the nation's poetry or literature.
Paolo Barbo (1416–1462) was a Venetian patrician, diplomat and statesman. An educated humanist of the well connected Barbo and Condulmer families, he was the nephew of Pope Eugene IV and the brother of Pope Paul II.