1517 in art

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List of years in art (table)
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Events from the year 1517 in art.

Events

Works

Lucas Cranach the Elder - Portrait of a Saxon Princess Lucas Cranach d. A. 052.jpg
Lucas Cranach the ElderPortrait of a Saxon Princess

Births

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<span class="mw-page-title-main">Fra Bartolomeo</span> Italian Renaissance painter (1472–1517)

Fra Bartolomeo or Bartolommeo, also known as Bartolommeo di Pagholo, Bartolommeo di San Marco, Paolo di Jacopo del Fattorino, and his original nickname Baccio della Porta, was an Italian Renaissance painter of religious subjects. He spent all his career in Florence until his mid-forties, when he travelled to work in various cities, as far south as Rome. He trained with Cosimo Rosselli and in the 1490s fell under the influence of Savonarola, which led him to become a Dominican friar in 1500, renouncing painting for several years. Typically his paintings are of static groups of figures in subjects such as the Virgin and Child with Saints.

<span class="mw-page-title-main">Hans Baldung</span> German painter and printmaker (c. 1484–1545)

Hans Baldung, called Hans Baldung Grien,, was a painter, printer, engraver, draftsman, and stained glass artist, who was considered the most gifted student of Albrecht Dürer and whose art belongs to both German Renaissance and Mannerism.

<span class="mw-page-title-main">Mannerism</span> Artistic style in Europe and colonies, c. 1550–1600

Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century.

Events from the year 1515 in art.

<span class="mw-page-title-main">Old Master</span> Any skilled painter who worked in Europe before 1800

In art history, "Old Master" refers to any painter of skill who worked in Europe before about 1800, or a painting by such an artist. An "old master print" is an original print made by an artist in the same period. The term "old master drawing" is used in the same way.

<span class="mw-page-title-main">Franciabigio</span> Italian painter (1482–1525)

Franciabigio was an Italian painter of the Florentine Renaissance. His true name may have been Francesco di Cristofano; he is also referred to as either Marcantonio Franciabigio or Francia Bigio.

<span class="mw-page-title-main">Sebastiano del Piombo</span> Italian painter (c. 1485–1547)

Sebastiano del Piombo was an Italian painter of the High Renaissance and early Mannerist periods famous as the only major artist of the period to combine the colouring of the Venetian school in which he was trained with the monumental forms of the Roman school. He belongs both to the painting school of his native city, Venice, where he made significant contributions before he left for Rome in 1511, and that of Rome, where he stayed for the rest of his life, and whose style he thoroughly adopted.

<span class="mw-page-title-main">Vicente Juan Masip</span> Spanish painter

Vicente Juan Masip was a Spanish painter of the Renaissance period. He is commonly considered the foremost member of the Valencian school of painters.

<i>Self-Portrait with a Friend</i> Painting by Raphael

The Self-Portrait with a Friend is a painting by Italian High Renaissance painter Raphael. It dates to 1518–1520, and is in the Louvre Museum of Paris, France. Whether the figure on the left is actually a self-portrait by Raphael is uncertain, although it was already identified as such in a 16th-century print.

<i>The Raising of Lazarus</i> (Sebastiano del Piombo) Painting by Sebastiano del Piombo

The Raising of Lazarus is a large altarpiece of 1517–1519 by the Italian High Renaissance artist Sebastiano del Piombo, for which Michelangelo supplied drawings for some figures. Intended for Narbonne Cathedral in France, it is now normally in Room 18 of the National Gallery in London, where it is "NG1", the first painting catalogued at the founding of the gallery in 1824.

<i>Portrait of Andrea Doria</i> (Sebastiano del Piombo) Painting by Sebastiano del Piombo

The Portrait of Andrea Doria is a painting finished c. 1526 by the Italian High Renaissance painter Sebastiano Del Piombo. It was painted after Sebastiano had fully mastered his Roman style. The painting depicts Andrea Doria, a famed naval commander from Genoa. Doria had rescued the city from French control and was made a prince as a reward. The naval symbols on the relief at the bottom of the painting emphasize Doria's rank of Admiral. The imitation antique relief at the bottom of the painting was likely included at the wishes of the patron.

Events from the year 1514 in art.

Events from the year 1518 in art.

Events from the year 1547 in art.

Events from the year 1529 in art.

The decade of the 1480s in art involved some significant events.

<span class="mw-page-title-main">Giacomo Raibolini</span> Italian painter

Giacomo Raibolini, also called Giacomo Francia or Jacopo Francia, was an Italian painter and engraver of the Renaissance period.

Events from the year 1523 in art.

<span class="mw-page-title-main">Andrea del Sarto</span> Italian painter (1486–1530)

Andrea del Sarto was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. He was known as an outstanding fresco decorator, painter of altarpieces, portraitist, draughtsman, and colorist. Although highly regarded during his lifetime as an artist senza errori, his renown was eclipsed after his death by that of his contemporaries Leonardo da Vinci, Michelangelo, and Raphael.

<span class="mw-page-title-main">Palma Vecchio</span> Italian painter (c.1480–1528)

Palma Vecchio, born Jacopo Palma, also known as Jacopo Negretti, was a Venetian painter of the Italian High Renaissance. He is called Palma Vecchio in English and Palma il Vecchio in Italian to distinguish him from Palma il Giovane, his great-nephew, who was also a painter.

References

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  2. "Key facts | Sebastiano del Piombo | The Raising of Lazarus". National Gallery. Archived from the original on 2012-08-03. Retrieved 14 August 2012.
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  8. Gillis, Peter (28 November 2006). Hand, John Oliver; Spronk, Ron; Metzger, Catherine A. (eds.). Prayers and Portraits: Unfolding the Netherlandish Diptych. New Haven: Yale University Press. p. 116. ISBN   0300121555 . Retrieved 14 August 2012.
  9. Brundin, Abigail (2008). Vittoria Colonna and the Spiritual Poetics of the Italian Reformation. Farnham: Ashgate Publishing. p. 29. ISBN   978-0754640493 . Retrieved 14 August 2012.
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  11. Ostrow, Steven F. (18 April 2005). "The counter-reformation and the end of the century". In Hall, Marcia B. (ed.). Rome. Cambridge: Cambridge University Press. p. 269. ISBN   0521624452 . Retrieved 14 August 2012.
  12. "Francia". Catholic Encyclopedia. Vol. 6. New York: Robert Appleton Company. 1909. Retrieved 14 August 2012.
  13. "Fra Bartolommeo". National Gallery . Retrieved 14 August 2012.
  14. Stewart, James (1 June 2006). Croatia. London: New Holland Publishers. p. 25. ISBN   1860113192 . Retrieved 14 August 2012.
  15. Arrigoni, Luisa; Daffra, Emanuela; Marani, Pietro C. (1998). The Brera Gallery: The Official Guide. Touring Editore. p. 84. ISBN   8836514065 . Retrieved 14 August 2012.