Jacques Morel (French pronunciation: [ʒakmɔʁɛl] ; 1395–1459) was a French sculptor.
Morel was a widely traveled and prolific artist, and head of the Morel family of artists. His nephew was Antoine Le Moiturier. He was named Master of the Works of Lyon Cathedral in 1418 and was contracted to execute an elaborate tomb for a cardinal there in 1420 (destroyed 1562). [1]
After leaving Lyon in 1424 or 1425, Morel worked in the Rhone valley and elsewhere in southern and central France. He is cited as an inhabitant of Toulouse in a commission for a silver altarpiece for Avignon Cathedral (1429; apparently never completed), as active in Béziers (1433; work for Saint Aphrodise, and as collaborator of Simon de Beaujeu in Tarascon (c. 1433). This was followed by periods of residence in Avignon (1441-5), Montpellier (1445-8) and Rodez, where in 1448 he received a contract for the construction and sculptural decoration of the south portal of the cathedral (work left incomplete in 1456).
In 1448 he was commissioned to carve the alabaster tomb of Charles I, Duke of Bourbon (d 1456), and his wife Agnes of Burgundy, Duchess of Bourbon, for the Chapelle Neuve of St. Pierre, Souvigny. [1] Completed in 1453, this is his only documented work to survive.
Morel spent his last years from 1453 in Angers, where he completed the tomb of King René of Anjou (d 1480) and his first wife Isabella, Duchess of Lorraine (d 1453), in Angers Cathedral (begun 1450 by Jean Pocet (d 1452) and his son; destroyed).
The Basilica of Saint-Denis is a large former medieval abbey church and present cathedral in the commune of Saint-Denis, a northern suburb of Paris. The building is of singular importance historically and architecturally as its choir, completed in 1144, is widely considered the first structure to employ all of the elements of Gothic architecture.
René of Anjou was Duke of Anjou and Count of Provence from 1434 to 1480, who also reigned as King of Naples from 1435 to 1442. Having spent his last years in Aix-en-Provence, he is known in France as the Good King René.
Mino da Fiesole, also known as Mino di Giovanni, was an Italian Renaissance sculptor from Poppi, Tuscany. He is noted for his portrait busts.
Anne of Brittany was reigning Duchess of Brittany from 1488 until her death, and Queen of France from 1491 to 1498 and from 1499 to her death. She was the only woman to have been queen consort of France twice. During the Italian Wars, Anne also became Queen of Naples, from 1501 to 1504, and Duchess of Milan, in 1499–1500 and from 1500 to 1512.
John II of Anjou was Duke of Lorraine from 1453 to his death. He was the son of René of Anjou and Isabella, Duchess of Lorraine. He was married to Marie de Bourbon, daughter of Charles I, Duke of Bourbon.
Duke of Bourbon is a title in the peerage of France. It was created in the first half of the 14th century for the eldest son of Robert of France, Count of Clermont, and Beatrice of Burgundy, heiress of the lordship of Bourbon. In 1416, with the death of John of Valois, the Dukes of Bourbon were simultaneously Dukes of Auvergne.
Charles de Bourbon was the oldest son of John I, Duke of Bourbon and Marie, Duchess of Auvergne.
Charles II, Duke of Bourbon, was Archbishop of Lyon from an early age and a French diplomat under the rule of Louis XI of France. He had a 2-week tenure as Duke of Bourbon in 1488, being ousted afterward by his younger brother and successor, Peter II, Duke of Bourbon.
Jacques d'Armagnac, duke of Nemours, was a 15th-century French nobleman and military leader. He served under King Charles VII of France in Normandy and Guienne, and was awarded honours by Louis XI. He also held the title of Count of Castres. He was the son of Count Bernard d’Armagnac and Éléonore de Bourbon-La Marche.
The Monastery of Batalha is a Dominican convent in the municipality of Batalha, historical Beira Litoral province, in the Centro of Portugal. Originally, and officially, known as the Monastery of Saint Mary of the Victory, it was erected in commemoration of the 1385 Battle of Aljubarrota and would serve as the burial church of the 15th-century Aviz dynasty of Portuguese royalty. It is one of the best and original examples of Late Flamboyant Gothic architecture in Portugal, intermingled with the Manueline style. The monastery is a historic and cultural monument and was listed as a UNESCO World Heritage site in 1983.
Jacques Cœur was a French government official and state-sponsored merchant whose personal fortune became legendary and led to his eventual disgrace. He initiated regular trade routes between France and the Levant. His memory retains iconic status in Bourges, where he built a palatial house that is preserved to this day.
John Stourton, 1st Baron Stourton of Stourton, Wiltshire, was an English soldier and politician, elevated to the peerage in 1448.
Enguerrand Quarton was a French painter and manuscript illuminator whose few surviving works are among the first masterpieces of a distinctively French style, very different from either Italian or Early Netherlandish painting. Six paintings by him are documented, of which only two survive, and in addition the Louvre now follows most art historians in attributing to him the famous Avignon Pietà. His two documented works are the remarkable Coronation of the Virgin and The Virgin of Mercy. Two smaller altarpieces are also attributed to him.
Isabella of Urgell, Duchess of Coimbra was a Catalan noblewoman of the Urgell branch of the House of Barcelona. She was the wife of Infante Peter, Duke of Coimbra.
The Chartreuse de Champmol, formally the Chartreuse de la Sainte-Trinité de Champmol, was a Carthusian monastery on the outskirts of Dijon, which is now in France, but in the 15th century was the capital of the Duchy of Burgundy. The monastery was founded in 1383 by Duke Philip the Bold to provide a dynastic burial place for the Valois Dukes of Burgundy, and operated until it was dissolved in 1791, during the French Revolution.
Antoine Le Moiturier (1425–1495) was a French sculptor. He was born in Avignon into a family of sculptors. His uncle was the itinerant French master Jacques Morel.
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Jean de Liège, (c.1330-1381) was a 14th-century sculptor of Flemish origin, mainly active in France, who specialized in funerary sculptures.
Guillaume Fillastre or Fillâtre was a Burgundian statesman, prelate and patron of arts. He served as a counsellor to Duke Philip the Good and was successively bishop of Verdun (1437–1448), bishop of Toul (1448–1460) and bishop of Tournai (1460–1473). He was also the abbot of Saint-Bertin from 1451 until his death.