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Leonardo di ser Piero da Vinci was an Italian polymath of the High Renaissance who was active as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested on his achievements as a painter, he has also become known for his notebooks, in which he made drawings and notes on a variety of subjects, including anatomy, astronomy, botany, cartography, painting, and palaeontology. Leonardo is widely regarded to have been a genius who epitomised the Renaissance humanist ideal, and his collective works comprise a contribution to later generations of artists matched only by that of his younger contemporary Michelangelo.
Year 1452 (MCDLII) was a leap year starting on Saturday of the Julian calendar.
This article contains information about the literary events and publications of 1508.
Francesco Melzi, or Francesco de Melzi (1491–1570), was an Italian painter born into a family of the Milanese nobility in Lombardy. He became a pupil of Leonardo da Vinci and remained as his closest friend and professional assistant throughout his career. After da Vinci’s death, Melzi became the literary executor of all da Vinci's papers and compiled them into a manuscript known as the Codex Urbinas. This compilation later served as the basis for the Trattato della Pittura, which was published posthumously by others based on Melzi’s organization of da Vinci’s notes.
The Madonna of the Yarnwinder is a subject depicted by Leonardo da Vinci in at least one, and perhaps two paintings begun in 1499 or later. Leonardo was recorded as being at work on one such picture in Florence in 1501 for Florimond Robertet, a secretary to King Louis XII of France. This may have been delivered to the French court in 1507, though scholars are divided on this point. The subject is known today from several versions of which two, called the Buccleuch Madonna and the Lansdowne Madonna, are thought to be partly by Leonardo's hand. The underdrawings of both paintings show similar experimental changes made to the composition, suggesting that both evolved concurrently in Leonardo's workshop.
The Battle of Anghiari (1505) is a painting by Leonardo da Vinci in the Salone dei Cinquecento in the Palazzo Vecchio, Florence. Its central scene would have depicted four men riding raging war horses engaged in a struggle for possession of a standard at the Battle of Anghiari in 1440.
The Italian polymath Leonardo da Vinci (1452–1519) left thousands of pages of writings and drawings but rarely made any references to his personal life. The resulting uncertainty, combined with mythologized anecdotes from his lifetime, has resulted in much speculation and interest in Leonardo's personal life. Particularly, personal relationships, philosophy, religion, vegetarianism, left-handedness, and appearance.
Codex on the Flight of Birds is a relatively short codex from c. 1505 by Leonardo da Vinci.
Leonardo da Vinci and A Memory of His Childhood is a 1910 essay by Sigmund Freud about Leonardo da Vinci. It consists of a psychoanalytic study of Leonardo's life based on his paintings.
Leonardo's Horse is a project for a bronze sculpture that was commissioned from Leonardo da Vinci in 1482 by the Duke of Milan Ludovico il Moro, but never completed. It was intended to be the largest equestrian statue in the world, a monument to the duke's father Francesco Sforza. Leonardo did extensive preparatory work for it but produced only a large clay model, which was later destroyed.
Portrait of a Man in Red Chalk is a drawing currently in the collection of the Royal Library of Turin. It is widely, though not universally, accepted as a self-portrait of the Renaissance artist Leonardo da Vinci. It is thought that Leonardo drew this self-portrait at about the age of 60. The portrait has been extensively reproduced and has become an iconic representation of him as a polymath or "Renaissance man". Despite this, some historians and scholars disagree as to the true identity of the sitter.
Bernardino de 'Conti was an Italian Renaissance painter, born in 1465 in Castelseprio and died around 1525.
La Scapigliata is an unfinished painting generally attributed to the Italian High Renaissance artist Leonardo da Vinci, and dated c. 1506–1508. Painted in oil, umber, and white lead pigments on a small poplar wood panel, its attribution remains controversial, with several experts attributing the work to a pupil of Leonardo. The painting has been admired for its captivating beauty, mysterious demeanor, and mastery of sfumato.
Salvator Mundi is a painting attributed in whole or part to the Italian High Renaissance artist Leonardo da Vinci, dated c. 1499–1510. Long thought to be a copy of a lost original veiled with overpainting, it was rediscovered, restored, and included in an exhibition of Leonardo's work at the National Gallery, London, in 2011–2012. Christie's, which sold the work in 2017, stated that most leading scholars consider it an original work by Leonardo, but this attribution has been disputed by other leading specialists, some of whom propose that he only contributed certain elements; others believe that the extensive restoration prevents a definitive attribution.
The Madrid Codices I–II, are two manuscripts by Leonardo da Vinci which were discovered in the Biblioteca Nacional de España in Madrid in 1965 by Dr. Jules Piccus, Language Professor at the University of Massachusetts. The Madrid Codices I was finished during 1490 and 1499, and II from 1503 to 1505.
The Leonardeschi were the large group of artists who worked in the studio of, or under the influence of, Leonardo da Vinci. They were artists of Italian Renaissance painting, although his influence extended to many countries within Europe.
The Madonna and Child with the Infant Saint John the Baptist is a lost composition by Leonardo da Vinci. The composition is known through a handful of paintings attributed to artists in Leonardo's circle. An original underdrawing by Leonardo may be preserved in a version in a private collection in Moscow, Russia.
Leonardo's world map is the name assigned to a unique world map drawn using the "octant projection" and found loosely inserted among a Codex of Leonardo da Vinci preserved in Windsor. It features an early use of the toponym America and incorporates information from the travels of Amerigo Vespucci, published in 1503 and 1505. Additionally, the map depicts the Arctic as an ocean and Antarctica as a continent of about the correct size.
Tommaso di Giovanni Masini, known as Zoroastro da Peretola, was a friend and collaborator of Leonardo da Vinci.
Leonardo da Vinci: The Mind of the Renaissance is a 1996 illustrated biography of Leonardo da Vinci authored by the Italian art critic Alessandro Vezzosi, translated from Italian into French by Françoise Liffran, and published by Éditions Gallimard in the same year as the 293rd volume in their "Découvertes" collection. The book was adapted into a documentary film in 2001, by the title Léonard de Vinci.
References
- ↑ Pedretti, Carlo (1962). A Chronology of Leonardo Da Vinci's Architectural Studies after 1500. Geneva: E. Droz. p. 37.
- ↑ Morison, Samuel (1974). The European Discovery of America: The Southern Voyages, 1492–1616 . Oxford University Press.
- ↑ Grun, Bernard (1991). The Timetables of History (3rd ed.). New York: Simon & Schuster. p. 225. ISBN 0-671-74919-6.