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The concerto transcriptions of Johann Sebastian Bach date from his second period at the court in Weimar (1708–1717). Bach transcribed for organ and harpsichord a number of Italian and Italianate concertos, mainly by Antonio Vivaldi, but with others by Alessandro Marcello, Benedetto Marcello, Georg Philipp Telemann and the musically talented Prince Johann Ernst of Saxe-Weimar. It is thought that most of the transcriptions were probably made in 1713–1714. Their publication by C.F. Peters in the 1850s and by Breitkopf & Härtel in the 1890s played a decisive role in the Vivaldi revival of the twentieth century.
References
- ↑ Il saggiatore musicale: Volume 4 1997 "Analoghe considerazioni valgono per «il direttore d'orchestra Manzoni», che era Antonio Maria Mazzoni (1717–1785), compositore bolognese e accademico filarmonico citato da Burney e da Leopold Mozart, nonché da tutte le enciclopedie ..."
- ↑ Mozart Briefe und Aufzeichnungen: Gesamtausgabe Wilhelm A. Bauer, Leopold Mozart – 1971 -"„Maestro Mazzoni": Antonio Maria Mazzoni (1717 bis 1785), Schüler Predieris ( vgl. zu Z. 8), seit 1759 Domkapellmeister, seit 1736 Mitglied der Accademia Filarmonica, deren „Principe" er fünfmal war."