1951 in country music

Last updated

This is a list of notable events in country music that took place in the year 1951.

Contents

List of years in country music (table)

Events

Top hits of the year

Number one hits

(As certified by Billboard magazine)

USSingleArtist
January 6"I Love You a Thousand Ways" Lefty Frizzell
January 6"The Golden Rocket" Hank Snow and His Rainbow Ranch Boys
January 13"The Shotgun Boogie" Tennessee Ernie Ford
February 10"There's Been a Change in Me" Eddy Arnold
March 31"The Rhumba Boogie"Hank Snow and His Rainbow Ranch Boys
May 12"Cold Cold Heart" Hank Williams with His Drifting Cowboys
May 19"Kentucky Waltz"Eddy Arnold
May 26"I Want to Be With You Always"Lefty Frizzell
July 14"I Wanna Play House With You"Eddy Arnold
August 11"Hey, Good Lookin'"Hank Williams with His Drifting Cowboys
September 1"Always Late with Your Kisses"Lefty Frizzell
November 3"Slow Poke" Pee Wee King and His Golden West Cowboys (feat. Redd Stewart)
December 22"Let Old Mother Nature Have Her Way" Carl Smith
Note: Several songs were simultaneous No. 1 hits on the separate "Most Played Juke Box Folk (later Country & Western) Records," "Best Selling Retail Folk (later Country & Western) Records) and – starting December 10 – "Country & Western Records Most Played by Folk Disk Jockeys" charts.

Other major hits

USSingleArtist
3 Alabama Jubilee Red Foley
5 Beautiful Brown Eyes Jimmy Wakely and the Les Baxter Chorus
9 Blue Christmas Ernest Tubb
4Bluebird Island Hank Snow and Anita Carter
7Cherokee Boogie (Eh-Oh-Aleena) Moon Mullican
8Chew Tobacco Rag Zeb Turner
4 Crazy Heart Hank Williams
5Cryin' Heart Blues Johnnie & Jack
8 Dear John Hank Williams
9Don't Stay Too LongErnest Tubb
2Down the Trail of Achin' HeartsHank Snow and Anita Carter
5 Down Yonder Del Wood
7Driftwood On the RiverErnest Tubb
5Heart Strings Eddy Arnold
6Hey La LaErnest Tubb
8Hobo BoogieRed Foley
5 Hot Rod Race Arkie Shibley
7Hot Rod Race Ramblin' Jimmie Dolan
7Hot Rod RaceRed Foley
7Hot Rod Race Tiny Hill
3 Howlin' at the Moon Hank Williams
2 I Can't Help It (If I'm Still in Love with You) Hank Williams
5I Don't Want to Be Free Margaret Whiting and Jimmy Wakely
8I Love You a Thousand Ways Hawkshaw Hawkins
10 I'll Sail My Ship Alone Tiny Hill
8I'm Waiting Just for YouHawkshaw Hawkins
8 If Teardrops Were Pennies Carl Smith
8 It Is No Secret Stuart Hamblen
9Lonesome WhistleHank Williams
4Look What Thoughts Will Do Lefty Frizzell
8 May the Good Lord Bless and Keep You Eddy Arnold
3 Mockin' Bird Hill The Pinetoppers
7Mockin' Bird Hill Les Paul and Mary Ford
2Mom and Dad's WaltzLefty Frizzell
2Mr. and Mississippi Tennessee Ernie Ford
4Mr. MoonCarl Smith
6 My Heart Cries for You Evelyn Knight and Red Foley
7My Heart Cries for YouJimmy Wakely
9Old Soldiers Never Die Gene Autry
8 On Top of Old Smoky The Weavers and Terry Gilkyson
4Poison LoveJohnnie & Jack
7Shine, Shave, Shower (It's Saturday)Lefty Frizzell
7Sick, Sober and Sorry Johnny Bond
2Somebody's Been Beating My TimeEddy Arnold
4Something Old, Something NewEddy Arnold
10 Sparrow in the Treetop Rex Allen
5The Strange Little Girl Cowboy Copas
9The Strange Little GirlRed Foley and Ernest Tubb
9The Strange Little GirlTennessee Ernie Ford
8Tailor Made WomanTennessee Ernie Ford and Joe "Fingers" Carr
2 Tennessee Waltz, 6,000,000 sold by 1967 [1] Patti Page
6Tennessee Waltz Pee Wee King
5 (There'll Be) Peace in the Valley (For Me) Red Foley
6Travelin' BluesLefty Frizzell
6Unwanted Sign Upon Your HeartHank Snow
7 When You and I Were Young, Maggie Blues Margaret Whiting and Jimmy Wakely

Births

Deaths


Further reading

Related Research Articles

Country is a genre of popular music that originated with blues, church music such as Southern gospel and spirituals, old-time, and American folk music forms including Appalachian, Cajun, Creole, and the cowboy Western music styles of New Mexico, Red Dirt, Tejano, and Texas country. Its popularized roots originate in the Southern and Southwestern United States of the early 1920s.

<span class="mw-page-title-main">Folk music</span> Music genre

Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations, music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that.

<span class="mw-page-title-main">Bluegrass music</span> Genre of American roots music and sub-genre of country music

Bluegrass music is a genre of American roots music that developed in the 1940s in the Appalachian region of the United States. The genre derives its name from the band Bill Monroe and the Blue Grass Boys. Like mainstream country music, it largely developed out of old-time string music, though in contrast, bluegrass is traditionally played exclusively on acoustic instruments and also has roots in traditional English, Scottish, and Irish ballads and dance tunes as well as in blues and jazz. Bluegrass was further developed by musicians who played with Monroe, including 5-string banjo player Earl Scruggs and guitarist Lester Flatt. Monroe characterized the genre as: "Scottish bagpipes and ole-time fiddlin'. It's a part of Methodist, Holiness and Baptist traditions. It's blues and jazz, and it has a high lonesome sound."

Folk rock is a hybrid music genre that combines the elements of folk and rock music, which arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music.

The music of Turkey includes mainly Turkic and Byzantine elements as well as partial influences ranging from Ottoman music, Middle Eastern music and Music of Southeastern Europe, as well as references to more modern European and American popular music. Turkey is a country on the northeastern shore of the Mediterranean Sea, and is a crossroad of cultures from across Europe, North Africa, the Middle East, the Caucasus and South and Central Asia.

<span class="mw-page-title-main">Music of the United States</span>

The music of the United States reflects the country's pluri-ethnic population through a diverse array of styles. It is a mixture of music influenced by the music of the United Kingdom, West Africa, Ireland, Latin America, and mainland Europe, among other places. The country's most internationally renowned genres are traditional pop, jazz, blues, country, bluegrass, rock, rock and roll, R&B, pop, hip hop, soul, funk, gospel, disco, house, techno, ragtime, doo-wop, folk music, americana, boogaloo, tejano, reggaeton, surf, and salsa. American music is heard around the world. Since the beginning of the 20th century, some forms of American popular music have gained a near global audience.

<span class="mw-page-title-main">American folk music</span> Roots and traditional music from the United States

The term American folk music encompasses numerous music genres, variously known as traditional music, traditional folk music, contemporary folk music, or roots music. Many traditional songs have been sung within the same family or folk group for generations, and sometimes trace back to such origins as the British Isles, Mainland Europe, or Africa. Musician Mike Seeger once famously commented that the definition of American folk music is "...all the music that fits between the cracks."

<span class="mw-page-title-main">The Kingston Trio</span> American folk and pop music group

The Kingston Trio is an American folk and pop music group that helped launch the folk revival of the late 1950s to the late 1960s. The group started as a San Francisco Bay Area nightclub act with an original lineup of Dave Guard, Bob Shane, and Nick Reynolds. It rose to international popularity fueled by unprecedented sales of LP records and helped alter the direction of popular music in the U.S.

"Goodnite, Sweetheart, Goodnite" is a popular song that was a hit during the mid-1950s. It was written by Calvin Carter and James "Pookie" Hudson in 1951, and was first recorded by The Spaniels in 1953. It has also been released by some artists as "Goodnight, Well It's Time to Go".

This is a list of notable events in country music that took place in the year 1956.

This is a list of notable events in country music that took place in the year 1950.

This is a list of notable events in country music that took place in the year 1949.

This is a list of notable events in country music that took place in the year 1945.

<span class="mw-page-title-main">Contemporary folk music</span> Genre of popular music centered around Anglophonic folk-revivals

Contemporary folk music refers to a wide variety of genres that emerged in the mid 20th century and afterwards which were associated with traditional folk music. Starting in the mid-20th century a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. The most common name for this new form of music is also "folk music", but is often called "contemporary folk music" or "folk revival music" to make the distinction. The transition was somewhat centered in the US and is also called the American folk music revival. Fusion genres such as folk rock and others also evolved within this phenomenon. While contemporary folk music is a genre generally distinct from traditional folk music, it often shares the same English name, performers and venues as traditional folk music; even individual songs may be a blend of the two.

References

  1. Murrells, Joseph (1978). The book of golden discs. Internet Archive. London : Barrie & Jenkins. ISBN   978-0-214-20512-5.