Paul Jackson Pollock was an American painter. A major figure in the abstract expressionist movement, Pollock was widely noticed for his "drip technique" of pouring or splashing liquid household paint onto a horizontal surface, enabling him to view and paint his canvases from all angles. It was called all-over painting and action painting, since he covered the entire canvas and used the force of his whole body to paint, often in a frenetic dancing style. This extreme form of abstraction divided critics: some praised the immediacy of the creation, while others derided the random effects.
Pollock is a 2000 American independent biographical drama film centered on the life of American painter Jackson Pollock, his struggles with alcoholism, as well as his troubled marriage to his wife Lee Krasner. The film stars Ed Harris, Marcia Gay Harden, Jennifer Connelly, Robert Knott, Bud Cort, Molly Regan, and Sada Thompson, and was directed by Harris.
Josef Albers was a German-born American artist and educator who is considered one of the most influential 20th-century art teachers in the United States. Born in 1888 in Bottrop, Westphalia, Germany, into a Roman Catholic family with a background in craftsmanship, Albers received practical training in diverse skills like engraving glass, plumbing, and wiring during his childhood. He later worked as a schoolteacher from 1908 to 1913 and received his first public commission in 1918 and moved to Munich in 1919.
Lenore "Lee" Krasner was an American painter and visual artist active primarily in New York whose work has been associated with the Abstract Expressionist movement. She received her early academic training at the Women's Art School of Cooper Union, and the National Academy of Design from 1928 to 1932. Krasner's exposure to Post-Impressionism at the newly opened Museum of Modern Art in 1929 led to a sustained interest in modern art. In 1937, she enrolled in classes taught by Hans Hofmann, which led her to integrate influences of Cubism into her paintings. During the Great Depression, Krasner joined the Works Progress Administration's Federal Art Project, transitioning to war propaganda artworks during the War Services era.
Diana Cooper is an American visual artist, known for largely abstract, improvised hybrid constructions that combine drawing, painting, sculpture, installation and photography. Her art has evolved from canvas works centered on proliferating doodles to sprawling installations of multiplying elements and architectonic structures. Critics have described her earlier work—primarily made with craft supplies such as markers, pens, foamcore, pushpins, felt, pipe cleaners, tape and pompoms—as humble-looking yet labor-intensive, provisional and precarious, and "a high-wire act attempting to balance order and pandemonium." They note parallels to earlier abstract women artists such as Eva Hesse, Lee Bontecou, Elizabeth Murray, and Yayoi Kusama. Lilly Wei, however, identifies an "absurdist playfulness and Orwellian intimations" in Cooper's work that occupy a unique place in contemporary abstraction.
Hans Hofmann was a German-born American painter, renowned as both an artist and teacher. His career spanned two generations and two continents, and is considered to have both preceded and influenced Abstract Expressionism. Born and educated near Munich, he was active in the early twentieth-century European avant-garde and brought a deep understanding and synthesis of Symbolism, Neo-impressionism, Fauvism, and Cubism when he emigrated to the United States in 1932. Hofmann's painting is characterized by its rigorous concern with pictorial structure and unity, spatial illusionism, and use of bold color for expressive means. The influential critic Clement Greenberg considered Hofmann's first New York solo show at Peggy Guggenheim’s Art of This Century in 1944 as a breakthrough in painterly versus geometric abstraction that heralded abstract expressionism. In the decade that followed, Hofmann's recognition grew through numerous exhibitions, notably at the Kootz Gallery, culminating in major retrospectives at the Whitney Museum of American Art (1957) and Museum of Modern Art (1963), which traveled to venues throughout the United States, South America, and Europe. His works are in the permanent collections of major museums around the world, including the Metropolitan Museum of Art, Tate Modern, Germanisches Nationalmuseum, National Gallery of Art, and Art Institute of Chicago.
Paul Jenkins was an American abstract expressionist painter.
James David Brooks was an American Abstract Expressionist, muralist, abstract painter, art teacher, and winner of the Logan Medal of the Arts.
The Art of This Century gallery was opened by Peggy Guggenheim at 30 West 57th Street in Manhattan, New York City on October 20, 1942. The gallery occupied two commercial spaces on the seventh floor of a building that was part of the midtown arts district including the Museum of Modern Art, the Museum of Non-Objective Painting, Helena Rubinstein's New Art Center, and numerous commercial galleries. The gallery exhibited important modern art until it closed in 1947, when Guggenheim returned to Europe. The gallery was designed by architect, artist, and visionary Frederick Kiesler.
The 9th Street Art Exhibition of Paintings and Sculpture is the official title artist Franz Kline hand-lettered onto the poster he designed for the Ninth Street Show. Now considered historic, the artist-led exhibition marked the formal debut of Abstract Expressionism, and the first American art movement with international influence. The School of Paris, long the headquarters of the global art market, typically launched new movements, so there was both financial and cultural fall-out when all the excitement was suddenly emanating from New York. The postwar New York avant-garde, artists like Willem de Kooning and Jackson Pollock, would soon become "art stars," commanding large sums and international attention. The Ninth Street Show marked their "stepping-out," and that of nearly 75 other artists, including Harry Jackson, Helen Frankenthaler, Michael Goldberg, Joan Mitchell, Grace Hartigan, Robert De Niro Sr., John Ferren, Philip Guston, Elaine de Kooning, Lee Krasner, Franz Kline, Ad Reinhardt, David Smith, Milton Resnick, Joop Sanders, Robert Motherwell, Barnett Newman, and many others who were then mostly unknown to an art establishment that ignored experimental art without a ready market.
Mercedes Matter was an American painter, draughtswoman, and writer. She was a founding member of the American Abstract Artists, and the Founder and Dean Emeritus of the New York Studio School.
The portrait is made by Ole Mejlvang Hedeager, Denmark
Bernard Harper Friedman, better known by his initials, "B. H.," or known as Bob to his friends was an American author and art critic who wrote biographies of Jackson Pollock and Gertrude Vanderbilt Whitney, a number of novels that combined his experiences in the worlds of art and business, and an autobiographical account of his use of psychedelic drugs with Timothy Leary.
Mural is a 1943 large painting by American artist Jackson Pollock. Although signed and dated 1943, the signature and date were not added until 1947, and the work was probably completed around the fall of 1943. It was made with oil paint on linen, and is Pollock's largest canvas, measuring 2.43 by 6.04 metres. The work was commissioned by Peggy Guggenheim for the long entrance hall of her townhouse at 155 East 61st Street in New York City.
Guild Hall of East Hampton in the incorporated Village of East Hampton on Long Island's East End, is one of the United States' first multidisciplinary cultural institutions. Opened in 1931, it was designed by architect Aymar Embury II and includes a visual art museum with three galleries and the John Drew Theater, a 360 seat proscenium stage. It is historically significant for its role in exhibiting the works of the American Abstract expressionists Jackson Pollock, Willem de Kooning, Lee Krasner, John Ferren, and Robert Motherwell; performances by Helen Hayes, Thornton Wilder, Douglas Fairbanks, Jr., Bob Fosse and Gwen Verdon, Eli Wallach and Anne Jackson, and hundreds of other world-class stars of stage and screen; and involvement by the literary figures George Plimpton, Peter Matthiessen, Gore Vidal, Edward Albee, and John Steinbeck. It holds a permanent collection of 2,400 works of art and continues to build on important relationships in the worlds of film, theatre, dance, music, and visual art. The museum's current director is Andrea Grover, who was previously Curator of Special Projects of the Parrish Art Museum.
Bob Zoell is an American fine artist, predominantly active in Los Angeles. As a painter, he is best known for his association to the Abstract Reductive Formalism movement. As an illustrator, he was a regular contributor to The New Yorker magazine with seven published covers, as well as to Esquire and the Los Angeles Times. In 1987 his painting Zarathustra’s Cave II was selected for LACMA’s permanent collection).
Jean Cory Beall ( was an American artist known for her large scale murals.
Never Look Away is a mural in Portland, Oregon.
Max Spivak was an American visual artist known primarily as a ceramic muralist.
Linda Geary is an American visual artist and educator. She is known for her large scale abstract paintings and murals. Geary is chair of the painting department and a professor at the California College of the Arts in San Francisco. She lives in Oakland, California.
